Harry Assu, a chief of the Lekwiltok -- the southernmost tribe of the Kwagiulth Nation -- was born in 1905 in Cape Mudge, Quadra Island, British Columbia. His father was Billy Assu, one of the most renowned chiefs of the Northwest, who led his people from a traditional way of life into modern prosperity. As well as being a family chronicle, Harry Assu's recollections tell the little-known story of the Lekwiltok from legendary times to the present. Drawing on the oral traditions of his people, he narrates the story of the 'Great Flood' which gave sacred sanction to territories settled by them. Hand-drawn and historical maps illustrate his account of coastal alliances and raids by other tribes over the last two centuries and provide an understanding of the current land and sea claims of the Kwagiulth Nation. Supernatural beings inhabited the worlds of his ancestors and of Assu's boyhood, and he recalls encounters with birds and whales which held particular significance for his family. His description of a more recent experience -- his own potlatch in 1984 -- is perhaps the most complete record of a modern potlatch. As well, his account of the seizure of potlatch regalia in 1922, the jailing of the leaders and the subsequent restoration of these family treasures is a rare view from inside Indian culture. Harry Assu put his faith in education and welcomed the efforts of teachers sent by the Methodist Missionary Society. He remains an elder and supporter of the United Church at Cape Mudge. Symbolizing the achievement of his tribe in bringing into harmony a traditional culture with commercial fishing, in which he was involved for sixty years, Harry Assu reminisces about the old cannery days on the coast and tells of the continuing struggle by his people to maintain a place in the modern fishing industry. Assu of Cape Mudge is illustrated with drawings of supernatural events by artist and author Hilary Stewart which were drawn near Cape Mudge while Harry Assu described the dramatic occurrences. The Kwakwala words have been transcribed by Peter Wilson, with a full record of language association, meaning, and optional spellings. Also included in the book and of general interest are an appendix of ancient tales told by the Lekwiltok and a genealogical chart of the Assu family. This personal memoir by an important Native leader of British Columbia will delight anthropologists, historians, and all those with an interest in Native studies and autobiography.
Harry Assu, a chief of the Lekwiltok -- the southernmost tribe of the Kwagiulth Nation -- was born in 1905 in Cape Mudge, Quadra Island, British Columbia. His father was Billy Assu, one of the most renowned chiefs of the Northwest, who led his people from a traditional way of life into modern prosperity. As well as being a family chronicle, Harry Assu's recollections tell the little-known story of the Lekwiltok from legendary times to the present. Drawing on the oral traditions of his people, he narrates the story of the 'Great Flood' which gave sacred sanction to territories settled by them. Hand-drawn and historical maps illustrate his account of coastal alliances and raids by other tribes over the last two centuries and provide an understanding of the current land and sea claims of the Kwagiulth Nation. Supernatural beings inhabited the worlds of his ancestors and of Assu's boyhood, and he recalls encounters with birds and whales which held particular significance for his family. His description of a more recent experience -- his own potlatch in 1984 -- is perhaps the most complete record of a modern potlatch. As well, his account of the seizure of potlatch regalia in 1922, the jailing of the leaders and the subsequent restoration of these family treasures is a rare view from inside Indian culture. Harry Assu put his faith in education and welcomed the efforts of teachers sent by the Methodist Missionary Society. He remains an elder and supporter of the United Church at Cape Mudge. Symbolizing the achievement of his tribe in bringing into harmony a traditional culture with commercial fishing, in which he was involved for sixty years, Harry Assu reminisces about the old cannery days on the coast and tells of the continuing struggle by his people to maintain a place in the modern fishing industry. Assu of Cape Mudge is illustrated with drawings of supernatural events by artist and author Hilary Stewart which were drawn near Cape Mudge while Harry Assu described the dramatic occurrences. The Kwakwala words have been transcribed by Peter Wilson, with a full record of language association, meaning, and optional spellings. Also included in the book and of general interest are an appendix of ancient tales told by the Lekwiltok and a genealogical chart of the Assu family. This personal memoir by an important Native leader of British Columbia will delight anthropologists, historians, and all those with an interest in Native studies and autobiography.
My guiltiest pleasure is Harry Stephen Keeler. He may been the greatest bad writer America has ever produced. Or perhaps the worst great writer. I do not know. There are few faults you can accuse him of that he is not guilty of. But I love him." -- Neil Gaiman When the Cedarville bank is robbed of a gold shipment, Sheriff Bucyrus Duckhouse of Willis Creek was just where he wants to be -- waiting at the end of the Smoky Ridge Tunnel where any minute the robbers have just got to emerge. But meanwhile, carny Jim Craney has a truckful of trouble as he scrambles to catch up with the rest of his circus. A truck full of lioness and five newborn kittens! The only way he can make it in time to marry the circus woman he loves is if the Sheriff will let him take the Straightaway through the tunnel. Otherwise he'll have to take Old Twistibus, the road so crooked they gave it a name.
The worst flood in decades has isolated an island in the middle of Big River and there’s no telling when the dam upriver is going to give. On the island are four men and three lifejackets. The sheriff’s got the rifle and knows one of the other three men is a brutal and ruthless killer. Each man has his own story and if you don’t think this is a situation ripe for the webwork machinations of Harry Stephen Keeler, you haven’t been reading one of the most original mystery writers of the 20th century. Told in outrageous dialect, this book will have you guessing from the first page to the last.
A pharmaceutical mishap draws the rabbi into a murder investigation in this New York Times bestseller: “An endearing character . . . a devious plot” (San Diego Union-Tribune). New Age thinking has come to Barnard’s Crossing, Massachusetts. The recently elected president of Rabbi David Small’s synagogue is intent on using temple money to build a meditation retreat. The congregation is practicing yoga, buying crystals, and reciting chants. When a troubled young man returns to the town after spending time in a controversial Hasidic cult, the rabbi expects him to be another New Ager. But things take a grisly turn away from new-fangled mantras of peace and love when something terribly old fashioned happens: murder. An elderly patient dies after being given the wrong medication by the local pharmacist, who coincidentally is also the Hasidic man’s father. When the dead man’s family suggests the mix-up was intentional, both the druggist and his son become suspects and it’s up to Rabbi Small to investigate by drawing on some Old Testament wisdom in a village of New Age fads.
My guiltiest pleasure is Harry Stephen Keeler. He may been the greatest bad writer America has ever produced. Or perhaps the worst great writer. I do not know. There are few faults you can accuse him of that he is not guilty of. But I love him." -- Neil Gaiman What would you do if you were Angus MacWhorter, owner of the Biggest Little Circus on Earth, and you’d been offered $3000 for just ten minutes alone with the two-headed child who at one time was the star feature of the circus? Why, you'd send your right hand man, Brock Colburn, to Chicago to check up on the offering party. The trouble is, Brock is wanted in Chitown for an old felony he didn't commit, and any sleuthing he does is going to have to be under deep cover. If only Brock could meet some sympathetic person who could help him, someone like Ardis Waring -- Mrs. Ardis Waring. And let's not even mention the Chinese laundryman known as Ah Hell. Yes, Ah Hell. Let’s don't mention him.
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
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