A Roadside Guide to the Geology of the Great Smoky Mountains National Park Harry L. Moore "In this informative, readable, altogether useful guide, Harry Moore adds another dimension to our understanding and appreciation of the Great Smoky Mountains. He acquaints us skillfully with the geologist's terminology and shows us how to read for ourselves the ancient language of the rocks." --Wilma Dykeman "Everybody loves the plants, trees, birds, mammals, and even the reptiles, amphibians, and insects of the Great Smokies. But rocks are not less fascinating, alive in their own way, the foundation of all the rest of life. So I think it's great to have this guide as a companion on the trail." --Michael Frome Guiding the reader on five popular driving tours and five key hiking trails, this nontechnical guidebook indicates not-to-be-missed points of interest and describes the geological evolution associated with them. Tour maps are complemented by annotated road log commentaries and copious drawings and photographs to aid in identifying geological phenomena even when these are obscured by the mountains' lush vegetation. A helpful introduction, focusing on the geologic history of the Smokies, illuminates basic terms and concepts, while a glossary, list of suggested readings, and detailed index further enhance the book's utility. Unique in providing a crisp, comprehensive summary of the Smoky Mountains' geology, A Roadside Guide will serve as a basic planning guide for scenic road trips and hiking trips in the Smokies. Harry L. Moore holds a master's degree in geology from the University of Tennessee, Knoxville. Since 1972 he has been a geologist at the Tennessee Department of Transportation.
Gailey (history, San Jose State U.) provides a chronology of the history of this evolving branch of the US armed forces: from its establishment in 1775 as the Continental Marines, to its 1994 mission in Haiti. The dictionary covers the "Abrams (M1 and M1A1) tank" to "Zeilin, Jacob"-- the marines' seventh commandant who escorted Commodore Perry on his 1853 Asian visits. The bibliography affords general works, official, and nonofficial publications by era. Includes insider acronyms and maps. Annotation copyrighted by Book News, Inc., Portland, OR
Figures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope of modern culture. On the one hand, metonymies present themselves as analogies that articulate or reaffirm preexisting states of affairs. They are guarantors of facticity, a term that can be translated or defined as fact-like-ness. On the other hand, metaphors challenge the similarity they claim to establish, in order to feature departures from preexisting states of affairs. On the basis of this distinction, the author argues that metaphor and metonymy can be used as instruments both for the large-scale interpretation of tensions in cultural change and for the micro-interpretation of tensions within particular texts. In addressing the functioning of the two terms, the author draws upon and critiques the work of Friedrich Nietzsche, Roman Jakobson, Christian Metz, Paul Ricoeur, Umberto Eco, Edmund Leach, and Paul de Man.
Structural Modeling and Experimental Techniques presents a current treatment of structural modeling for applications in design, research, education, and product development. Providing numerous case studies throughout, the book emphasizes modeling the behavior of reinforced and prestressed concrete and masonry structures. Structural Modeling and Experimental Techniques: Concentrates on the modeling of the true inelastic behavior of structures Provides case histories detailing applications of the modeling techniques to real structures Discusses the historical background of model analysis and similitude principles governing the design, testing, and interpretation of models Evaluates the limitations and benefits of elastic models Analyzes materials for reinforced concrete masonry and steel models Assesses the critical nature of scale effects of model testing Describes selected laboratory techniques and loading methods Contains material on errors as well as the accuracy and reliability of physical modeling Examines dynamic similitude and modeling techniques for studying dynamic loading of structures Covers actual applications of structural modeling This book serves students in model analysis and experimental methods, professionals manufacturing and testing structural models, as well as professionals testing large or full-scale structures - since the instrumentation techniques and overall approaches for testing large structures are very similar to those used in small-scale modeling work.
In the time of Freud, the typical psychoanalytic patient was afflicted with neurotic disorders; however, the modern-day psychotherapy patient often suffers instead from a variety of addictive disorders. As the treatment of neurotic disorders based on unconscious conflicts cannot be applied to treatment of addictive disorders, psychoanalysis has been unable to keep pace with the changes in the type of patient seeking help. To address the shift and respond to contemporary patients’ needs, Ulman and Paul present a thorough discussion of addiction that studies and analyzes treatment options. Their honest and unique work provides new ideas that will help gain access to the fantasy worlds of addicted patients. The Self Psychology of Addiction and Its Treatment emphasizes clinical approaches in the treatment of challenging narcissistic patients struggling with the five major forms of addiction. Ulman and Paul focus on six specific case studies that are illustrative of the five forms of addiction. They use the representative subjects to develop a self psychological model that helps to answer the pertinent questions regarding the origins and pathway of addiction. This comprehensive book links addiction and trauma in an original manner that creates a greater understanding of addiction and its foundations than any clinical or theoretical model to date.
Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott—the first modern historical novelist—and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy.
The current resurgence of interest in the scientific origins of psychoanalysis has overshadowed the artistic and literary models to which Freud had recourse time and again in the development and presentation of his theories. It is this neglected aesthetic wellspring of psychoanalysis to which Harry Trosman calls attention in Freud and the Imaginative World. Trosman enriches our understanding of psychoanalysis by demonstrating how Freud's cultural and humanistic commitments guided his pursuit of a science of mind. Toward this end, he undertakes a number of challenging tasks: to situate Freud in the formative culture of his time, to adumbrate the human concerns that infromed his work in the natural sciences, and to delineate the multiple "modes of influence" that fostered his creativity. The second part of the book moves from the cultural sources of Freud's creativity to the psychoanalytic contribution to our understanding of art and literature. Here, Trosman focuses on the consumer of art and literature, tracing psychoanalytic perspectives on aesthetic responsiveness from Freud to the present. Trosman's critical review of the da Vinci and Hamlet literature illustrates the limitations as well as the explanatory potential of the two principal genres of applied psychoanalytic work, and leads naturally to the reflective estimation of psychoanalysis and creativity that concludes the work. Throughout, Trosman is a well-informed and engaging guide, both to the imaginative Freud and to the abundant literature on psychoanalysis and the arts. He documents Freud's continuing indebtedness to the literary models that nourished his theorizing and gave shape to his narrative clinical expositions, even as he takes pains to show how psychoanalysis has, in many ways, outgrown Freud's own reductive explanations of aesthetic phenomena. A skillfully crafted overview, Freud and the Imaginative World is an exemplary introduction to a crucial aspect of the Freudian legacy.
In The Guernica Bull, Harry C. Rutledge examines the use of classical motifs in twentieth-century literature, art, and drama. From the echoes of Plato's dialogues at the heart of Thomas Mann's Death in Venice to the retelling of the story of Harmodius and Aristogiton--a story with grim parallels to Nazi Germany--in Marguerite Yourcenar's Léna, these modern works are a testament to both the creativity of modern artists and the versatility and timelessness of classical themes. Rutledge finds the ideal meshing of classical images and modern sensibility in Pablo Picasso's Guernica. The most startling classical image in the painting is the bull, a Cubist face staring out from the canvas at the viewer, unmoved by the scene of death and destruction around him. A symbol of the intense violence and disorder which has characterized this century, Picasso's Minoan bull is, at the same time, a symbol of creative potency and artistic achievement. The classical tradition in our era is, Rutledge suggests, multi-faceted, much like the Cubist paintings which view human beings as if through a prism, in all their infinite variety and beauty. The legacy of the Greeks and Romans is both stimulus and resource for modern artists, as evidenced by the meticulous historical reconstruction in Yourcenar's Mémoires d'Hadrien, the recreation of an ancient setting in modern terms in Jean Cocteau's The Infernal Machine and T. S. Eliot's The Family Reunion, and the influence of classical monuments and landscapes in the poetry of Frederick Nicklaus, James Dickey, and Richard Wilbur. Modern artists have often found an affinity between themselves and the ancients. In the Greek and Roman works that, through their clarity and brevity, have transcended time and place, contemporary writers and painters perceive the essence of the infinite, which is the challenge in any artistic endeavor. Showing how some modernists have met this challenge, The Guernica Bull explores the ancient antecedents of several of the most distinctive twentieth-century masterpieces.
This book discusses the legacies of American Revolutionary War in the context of growing American imperial hubris, overreach and permanent war abroad as well as economic and social decay of American homeland. It discusses the less admirable and tragic implications of a national war/civil war that drove many thousands of Americans from their country, destroyed numerous Native American societies, enshrined human slavery in its constitution and lead to several tragic and bloody existential crises in 19th and 20th century American history.
In his book about the discovery of the structure of DNA, James Watson wrote, “So we had lunch, telling ourselves that a structure this beautiful just had to exist.” Indeed, the quest most often asked by scientists about a scientific theory is “Is it beautiful?” Yes, beauty equals truth. Scientists know, mathematicians know. But the beauties, the truths of mathematics and science were not the truths that inspired the author as a child, and he intuitively knew that the truths he needed come from a different way of knowing, a way of knowing not of the world of logic and reason and explanation (though they have a value), but rather a way of knowing that is of the world expression, a world that enters the truths beyond the grasp of logic. That is what this book is all about. It is an exploration of the greatest minds of human existence struggling to understand the deepest truths of the human condition. This second edition updates the previous one, incorporating new publications on Van Gogh, recent discoveries in neurology, psychology, and the rapid developments in understanding DNA and biotechnology. We’ve come a long way already from that original discovery by Watson and his coauthor Francis Crick.
A Harvard professor and former Dean of Harvard College offers his provocative analysis of how America's great universities are failing students and the nation
Written specifically as a teaching text and authored by a team of leading academics in the field, this is the first book to bring together the key issues of rapid urbanisation with approaches to planning and housing. Outlining and explaining core concepts from ‘informal settlements’ to ‘sustainability’, it focuses on the rapid urbanization of developing countries with case studies from Latin America, Asia and Sub-Saharan Africa. The impact of rapid urbanization and associated globalization on land-use and housing is described and analyzed with reference to the particular issues of poverty, health and the environment of these areas. Providing an accessible introduction to the key issues as well as enhancing current theoretical debates and exploring practical applications, this book is an essential resource for students and researchers in this area.
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliotâs The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliotâs love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Danteâs Divine Comedy, and its inclusion of amour as a means to salvation. Danteâs work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
During the last few years, components of the health care system in the United States have changed more rapidly than ever before. New industry developments, health insurance changes, and major cost increases have significant implications for both providers and consumers. Changes in the Medicare program on which all other service charges are based, double digit premium increases by managed care companies, the growing number of uninsured, and a nation-wide movement among physicians to set up ambulatory diagnostic, surgical, and other treatment centers in competition with hospitals are changing the structure and operation of the U.S. health care system. The 5th edition contains updated service utilization and financial information as well as updated health care industry trends with the latest developments. All existing tables and charts have been updated and new tables and charts have been added to highlight trends and illustrate major points of the narrative.
An Amazing Life is the story of Lt. Harry Smith's twenty years in the police department, fifteen years as the Director of Corporate Security and Safety for Loews Corp., and twenty years as a security consultant providing expert advice and testimony in security negligence cases. It also covers his very interesting early years, leading up to him entering the police department. Any one of his cases could be a book in itself, but he has condensed them and arranged them into one continuing story that will hold your interest, keep you wanting more, and finally agreeing that he certainly did have an amazing life.
Building the American Republic tells the story of United States with remarkable grace and skill, its fast moving narrative making the nation's struggles and accomplishments new and compelling. Weaving together stories of abroad range of Americans. Volume 1 starts at sea and ends on the field. Beginning with the earliest Americans and the arrival of strangers on the eastern shore, it then moves through colonial society to the fight for independence and the construction of a federal republic. Vol 2 opens as America struggles to regain its footing, reeling from a presidential assassination and facing massive economic growth, rapid demographic change, and combustive politics.
The Principal of the Matter. The place Yazoo City, Mississippi. One of the issues, the court-ordered desegregation of the public schools. The antagonists, the school officials. When the civil rights movement intensifi ed in the South, circa 1954, white political leaders who believed in and practiced the ideology of “white supremacy” worked in concert to reverse the direction integration was heading in America. In 1970, some sixteen years out from the U.S. Supreme Court’s Brown V. Board of Education of Topeka decision, we were still trying to get bigots to obey the law of the land. In a letter dated August 13, 1971, then U.S. Senator Walter F. Mondale (later Vice President Mondale) wrote: Dear Mr. Ward: I have received your recent letter describing the explosive situation in the Yazoo City. I certainly share your concern that unless the discriminatory treatment of black students in the Yazoo City school system is eliminated, the opening of school in September may be a most serious occasion. I have referred your concern to both the Justice Department and the Department of Health, Education and Welfare requesting their investigation and corrective action. In The Principal of the Matter, Eugene “Harry” Ward unfurls the calculated practices of de jure and de facto segregation, separation of the races that was supposedly equal under the “law” and “as a matter of fact.”
Sensory evaluation is a scientific discipline used to evoke, measure, analyse and interpret responses to products perceived through the senses of sight, smell, touch, taste and hearing. It is used to reveal insights into the way in which sensory properties drive consumer acceptance and behaviour, and to design products that best deliver what the consumer wants. It is also used at a more fundamental level to provide a wider understanding of the mechanisms involved in sensory perception and consumer behaviour. Quantitative Sensory Analysis is an in-depth and unique treatment of the quantitative basis of sensory testing, enabling scientists in the food, cosmetics and personal care product industries to gain objective insights into consumer preference data – vital for informed new product development. Written by a globally-recognised learer in the field, this book is suitable for industrial sensory evaluation practitioners, sensory scientists, advanced undergraduate and graduate students in sensory evaluation and sensometricians.
A new twist for one man and his uncertain path into a future of new scientific discoveries. Secret Fortress research facility funded by a lottery ticket leads the world into new galactic discoveries. Mr. Unistar visits the mayor and transfers galactic thumb drive to the mayor, and the world is transformed at that very moment. Bold election bid with the help of Mr. Unistar and military campaigns to save the United States. A unique journey for one man resulting in the transformation of 197 nations.
No one heard the shot. No one ever found the gun. It was Sunday, July 27, 1890. Vincent had recently finished Wheatfield with Crows, thought to be his final painting, one that he described as representing “vast fields of wheat beneath troubled skies,” one where he said in a letter he meant to send to Theo “I did not need to go out of my way to try to express cheerlessness and extreme loneliness.” The letter never got sent, but was found stuffed in his smock. That morning, as usual, he walked out into the wheat fields with his easel, brushes, tubes of color and folding stool, perhaps hoping to reach his destination before the gang of local boys and girls were up and able to tease him and throw tomatoes. Le Crau, a wide plain of ripe grain, fields of citron, yellow, tan, and ochre, spread out beneath the bright Provencal sun. It’s safe to assume he heard the cicadas singing loudly, the swiping swishes of the farmers’ scythes already cutting through the rich wheat stalks, the gusts of wind whispering through the olive branches. Driven and filled with energy for months, he had been quickly, with an assurance that overcame and perhaps even came from his doubts and struggles, putting his own dramatic visions on canvas after canvas. But today he did not go into the fields to paint, or, perhaps, in the beginning he did, perhaps in the morning that was his intention. No one will ever know. He said he brought the revolver to frighten off the crows. Possibly that was his original intention when he included it with his lunch of bread and milk. In the end it‘s probably not relevant, except for the endless attempts to analyze him, to dig into his complex psyche, at once brilliant and yet impelled to self-destruction. The Ravoux family were sitting on the terrace of their café when he returned, a bit concerned because he was late, but not overly so. When he finally appeared, his walk was more uneven than usual, and he held his hand over his stomach. “Monsieur Vincent,” Mrs. Ravoux said, “we were worried, we are glad to see you come. Has anything bad happened?” “No, but I . . .” he left his reply unfinished as he passed inside. Mr. Ravoux followed him upstairs, where he found him sitting on his bed, facing the wall. “I wanted to kill myself.” This book is a critical examination of Vincent van Gogh that offers insights into his life, his religious beliefs, his relationships with women, and, of course, his paintings. It includes discussions of his letters, and responds to many of the previous works about him, dispelling some of the myths that have no foundation and pointing out how many of the claims made about him and many of the popular beliefs that have grown up around him are at best guesswork. It explores psychological, neurological, theological, philosophical, aesthetic, and historical paradigms for comprehending his enigmatic and enticing personality.
During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamship tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. For a time, they get a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible.
Harry Berger is a brilliant, tenacious, indefatigable close reader of Renaissance texts. . . . In fact, his remarkably restless and capacious intelligence illuminates virtually the whole range of Renaissance cultural artifacts and then turns upon itself to illuminate its own theoretical assumptions and critical procedures. . . . The essays in this book are essential reading for students of Renaissance culture."--Stephen Greenblatt, University of California, Berkeley "This collection of Harry Berger's essays is a major and long-awaited event for students of Renaissance literature and art. Readers in other fields will also be interested in following an exceptionally innovative mind as it moves across many disciplinary boundaries."--Margaret W. Ferguson, University of Colorado, Boulder
Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.
The ?eld of sensory science has grown exponentially since the publication of the p- vious version of this work. Fifteen years ago the journal Food Quality and Preference was fairly new. Now it holds an eminent position as a venue for research on sensory test methods (among many other topics). Hundreds of articles relevant to sensory testing have appeared in that and in other journals such as the Journal of Sensory Studies. Knowledge of the intricate cellular processes in chemoreception, as well as their genetic basis, has undergone nothing less than a revolution, culminating in the award of the Nobel Prize to Buck and Axel in 2004 for their discovery of the olfactory receptor gene super family. Advances in statistical methodology have accelerated as well. Sensometrics meetings are now vigorous and well-attended annual events. Ideas like Thurstonian modeling were not widely embraced 15 years ago, but now seem to be part of the everyday thought process of many sensory scientists. And yet, some things stay the same. Sensory testing will always involve human participants. Humans are tough measuring instruments to work with. They come with varying degrees of acumen, training, experiences, differing genetic equipment, sensory capabilities, and of course, different preferences. Human foibles and their associated error variance will continue to place a limitation on sensory tests and actionable results. Reducing, controlling, partitioning, and explaining error variance are all at the heart of good test methods and practices.
The last fifty years have witnessed a remarkable renaissance in Q studies with scholars probing every aspect of the Q hypothesis from the existence and extent of Q to the reconstruction of the original text and the place of the document in the history of early Christianity. The time seems ripe for a major commentary on Q to consolidate and extend the discussion of this important document that Matthew and Luke incorporated into their gospels. Q: A Reconstruction and Commentary contains an argued reconstruction of the original Greek text of Q and a commentary on the reconstructed text along with an introduction that explores all of the main questions that swirl around the Q hypothesis.
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