On June 1,1792, Kentucky became the fifteenth state in the new nation and the first west of the Alleghenies. Lowell Harrison reviews the tangled and protracted process by which Virginia's westernmost territory achieved statehood. By the early 1780s, survival of the Kentucky settlements, so uncertain only a few years earlier, was assured. The end of the American Revolution curtailed British support for Indian raids, and thousands of settlers sought a better life in the "Eden of the West." They swarmed through Cumberland Gap and down the Ohio River, cleared the land for crops, and established towns. The division of sprawling Kentucky County into three counties in 1780 indicated its rapid growth, and that growth accelerated during the following decade. With population increase came sentiment for separation from Virginia. Such demands had been voiced earlier, but a definite separation movement began in 1784 when a convention—the first of ten such—met in Danville. Not until April 1792 was a constitution finally drafted under which the Commonwealth of Kentucky could enter the Union. While most Kentuckians favored separation, they differed over how and when and on what terms it should occur. Three factions struggled to control the movement, but their goals and methods shifted with changing circumstances. This confusing situation was made more complex by the presence of the exotic James Wilkinson and the "Spanish Conspiracy" he fomented. Harrison addresses many questions about the convoluted process of statehood: why separation was desired, why it was so difficult to achieve, what type of government the 1792 constitution established, and how Governor Isaac Shelby and the first General Assembly implemented it. His engaging account, which includes the text of the first constitution, will be treasured by all Kentuckians.
In Harrison's dangerously illuminating new novel, three quantum outlaws face a universe of their own creation, where the rules are made up--and broken--along the way, and where there's only one thing more mysterious than darkness.
Feigin and Cherry's Textbook of Pediatric Infectious Diseases helps you put the very latest knowledge to work for your young patients with unparalleled coverage of everything from epidemiology, public health, and preventive medicine through clinical manifestations, diagnosis, treatment, and much more. Ideal for all physicians, whether in an office or hospital setting, Feigin and Cherry’s equips you with trusted answers to your most challenging clinical infectious disease questions. Meet your most difficult clinical challenges in pediatric infectious disease, including today’s more aggressive infectious and resistant strains as well as emerging and re-emerging diseases, with unmatched, comprehensive coverage of immunology, epidemiology, public health, preventive medicine, clinical manifestations, diagnosis, treatment, and much more. Find the answers you need quickly thanks to an organization both by organ system and by etiologic microorganism, allowing you to easily approach any topic from either direction.
With the publication of his ambitious new work Victorian Poets and the Politics of Culture, Antony H. Harrison continues his exploration of poetry as a significant force in the construction of English culture from 1837-1900. In chapters focusing on Victorian medievalist discourse, Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, and Christina Rossetti, Harrison examines a range of Victorian poems in order to show the cultural work they accomplish. He illuminates, for example, such culturally prominent Victorian mythologies as the exaltation of motherhood, the Romanic appropriation of transcendent art, and the idealization of the gypsy as a culturally alien, exotic Other. His investigation of the ways in which the authors intervene in the discourses that articulate such mythologies and thereby accrue cultural power--along with his analysis of what constitutes "cultural power"--are original contributions to the field of Victorian studies. "The power of Victorian poetry by midcentury was enhanced by the institutionalization of particular channels through which it circulated," Harrison writes. "poetry was 'consumed' in more varied forms than was other literature." Victorian Poets and the Politics of Culture has implications for both cultural studies and the study of literature outside the Victorian period.
This fascinating overview of popular culture in the 1980s describes the decade of excess that resulted from the social, political, and economic conditions of the time, documenting why so many milestones in entertainment, arts, and technology occurred the 80s. Popular culture in the United States in the 1980s—as reflected in film, television, music, technology, and art—serves to illustrate the general feeling of American citizens during this decade that the sky was the limit, and the only thing better than "big" was "bigger." This title provides readers with an engaging, in-depth study of the 1980s and supplies the larger historical and social context of popular culture in an era when the extraordinary seemed normal and all the rules were being rewritten. The book's wide scope includes the concepts, fashions, foods, sports, television, movies, and music that became popular in the 1980s. Readers will see how specific elements of the decade, such as visual art and architecture, reflect the sense of change in the 1980s, often through excessive displays of expression that helped further movements into the avant-garde. The technological advances, entertainment developments, and "game changers" that were essential to establishing the popular culture of the decade are highlighted, as is the trend of how personal expression in the 80s began to penetrate a wider segment of American culture, spanning across all ages. The book also calls attention to the standout events and individuals who influenced society in the 1980s, with emphasis on the figures who intentionally used pop culture as an avenue for change as well as the influences from the 1980s that are still felt today.
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