Nestled among towering pine trees in East Texas is the city of Marshall. Marshall is closely identified with Caddo Lake, a massive body of water located northeast of the town. According to the Caddo Indians who first inhabited this land, the mysterious lake was formed overnight from an earthquake. Spanish and French explorers sought to claim the land as their own in the 16th century, and American settlers arrived here in about 1830. The city of Marshall was founded in 1842, eventually becoming the county seat of Harrison County. With the arrival of the Texas and Pacific Railroad after the Civil War, Marshall became known as the Gateway to Texas, and the town prospered. Today education plays an important role in the local economy, and Marshall is the home of Wiley College, East Texas Baptist University, and Texas State Technical Institute. Life in Marshall continues to revolve around the town square, with the majestic, restored courthouse at its center.
Situated along the south bank of the Roanoke River, Martin County was established in 1774. Vast pine forests in the region assured the county's early economic success with the production of naval stores, tar pitch, and turpentine. By the late 19th century, large-scale lumber concerns and tobacco and peanut farming ushered in a new era of prosperity. Today, the area leads the state in the production of peanuts and cotton. Twice during the 20th century, the county made national headlines--first with the 1925 Needleman Case and later with the famed Williamston civil rights events of 1963 and 1964. Fond memories of church dinners, family gatherings, parades, and intriguing personalities like local baseball legends Jim and Gaylord Perry are recalled through images that make this return visit to Martin County all the more worthwhile. Martin County Revisited showcases the rich agrarian and social history of this eastern North Carolina county.
This extensive compilation of family gatherings, events, military history and more traces the beginnings of several families in North and South Carolina. The primary author, Sophia Harrison has amassed a wealth of information from 1873 to the present day. She and the other authors have worked to connect their families through research completed and on file at The Saluda County Historical Society Museum, in Saluda, S.C, The Tompkins Library, Edgefield, S.C. The Old Edgefield District African American Genealogical Society and various other family sources.
Max Harrison was known in Hollywood and around the world as "Artist for the Stars." Max Harrison drew his first drawing in 1937 at the age of 8, and graduated from Southeastern Oklahoma State University Durant, Oklahoma. He was the artist for Gene Autry and Gene Autry Comics from 1946 to 1963. Today Gene Autry comic books are considered by collectors as a valued addition to their collection. His 1949 drawing of Rudolph the Red Nose Reindeer (included, along with "Max Knows The Nose") for Gene Autry is still sold around the world. Max Harrison was the artist for Smiley Frog Burnette, Sunset Carson, State of Kentucky Safety Program with Fess Parker as Daniel Boone, Petticoat Junction, Green Acres, and many others. He has appeared in 17 movies and has received awards for his artwork from around the world. In The Max Harrison Story, Sylvia Harrison shares with her readers many personal stories of her time in Hollywood and her many friends in the movie business.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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