Thirteen-year-old Martha Bartlett insists on being a part of the Underground Railroad rescue to bring her brother Jake back home to their abolitionist community in Connecticut. It's 1860 and though African-Americans and mixed-race peoples in the north are supposed to be free, seven-year-old Jake, the orphan of a fugitive slave, is kidnapped by his "owner" and taken south to Maryland. Jake is what we'd now describe as on the autism spectrum, and Martha knows just how reassure him when he's anxious or fearful. Using aliases, disguises, and other subterfuges, Martha artfully dodges Will and Tom, the slave catchers, but struggles to rectify her new reality with her parents' admonition to always tell the truth. She must be brave but not reckless, clever but not dishonest. But being perceived sometimes as white, sometimes as black during the perilous journey has thrown her sense of her own identity into turmoil. Alonso combines fiction and historical fact to weave a suspenseful story of courage, hope and self-discovery in the aftermath of the Fugitive Slave Act of 1850, while illuminating the bravery of abolitionists who fought against slavery.
A history of the ideologies and personalities of the feminist peace movement in the US. This study explores: connections between militarism and violence against women; women as the mothers of society; women as naturally responsible citizens; and the desire to be independent of male control.
William Lloyd Garrison was one of the major abolitionist leaders, well known for his operation of the newspaper The Liberator. When he died in 1879, his five children carried on his and his wife's values in the civil rights, peace, and woman suffrage movements, argues Alonso (history, City U. of New York). She draws a portrait of the activities of the five, including editing The Nation, being involved in the women's colleges Barnard and Radcliffe, campaigning for the single tax, working in antiwar movements, and working on ensuring their father's place in history. Equal attention is paid to the youth and education of the children. Annotation copyrighted by Book News, Inc., Portland, OR
Known as “Broadway’s social conscience,” E. Y. Harburg (1896–1981) wrote the lyrics to the standards, “Brother, Can You Spare a Dime?,” “April in Paris,” and “It’s Only a Paper Moon,” as well as all of the songs in The Wizard of Oz, including “Over the Rainbow.” Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg’s poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg’s key musicals, songs, and films.
A history of the ideologies and personalities of the feminist peace movement in the US. This study explores: connections between militarism and violence against women; women as the mothers of society; women as naturally responsible citizens; and the desire to be independent of male control.
Known as “Broadway’s social conscience,” E. Y. Harburg (1896–1981) wrote the lyrics to the standards, “Brother, Can You Spare a Dime?,” “April in Paris,” and “It’s Only a Paper Moon,” as well as all of the songs in The Wizard of Oz, including “Over the Rainbow.” Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg’s poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg’s key musicals, songs, and films.
William Lloyd Garrison was one of the major abolitionist leaders, well known for his operation of the newspaper The Liberator. When he died in 1879, his five children carried on his and his wife's values in the civil rights, peace, and woman suffrage movements, argues Alonso (history, City U. of New York). She draws a portrait of the activities of the five, including editing The Nation, being involved in the women's colleges Barnard and Radcliffe, campaigning for the single tax, working in antiwar movements, and working on ensuring their father's place in history. Equal attention is paid to the youth and education of the children. Annotation copyrighted by Book News, Inc., Portland, OR
Thirteen-year-old Martha Bartlett insists on being a part of the Underground Railroad rescue to bring her brother Jake back home to their abolitionist community in Connecticut. It's 1860 and though African-Americans and mixed-race peoples in the north are supposed to be free, seven-year-old Jake, the orphan of a fugitive slave, is kidnapped by his "owner" and taken south to Maryland. Jake is what we'd now describe as on the autism spectrum, and Martha knows just how reassure him when he's anxious or fearful. Using aliases, disguises, and other subterfuges, Martha artfully dodges Will and Tom, the slave catchers, but struggles to rectify her new reality with her parents' admonition to always tell the truth. She must be brave but not reckless, clever but not dishonest. But being perceived sometimes as white, sometimes as black during the perilous journey has thrown her sense of her own identity into turmoil. Alonso combines fiction and historical fact to weave a suspenseful story of courage, hope and self-discovery in the aftermath of the Fugitive Slave Act of 1850, while illuminating the bravery of abolitionists who fought against slavery.
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