How Romans used the world of the house to interpret and interrogate the role of the emperor. The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.
Today, diverse women of all hues represent this country overseas. Some have called this development the “Hillary Effect.” But well before our most recent female secretary of state there was Madeleine Albright, the first woman to serve in that capacity, and later Condoleezza Rice. Beginning at a more junior post in the Department of State in 1971, there was “the little Elam girl” from Boston. Diversifying Diplomacy tells the story of Harriet Lee Elam-Thomas, a young black woman who beat the odds and challenged the status quo. Inspired by the strong women in her life, she followed in the footsteps of the few women who had gone before her in her effort to make the Foreign Service reflect the diverse faces of the United States. The youngest child of parents who left the segregated Old South to raise their family in Massachusetts, Elam-Thomas distinguished herself with a diplomatic career at a time when few colleagues looked like her. Elam-Thomas’s memoir is a firsthand account of her decades-long career in the U.S. Department of State’s Foreign Service, recounting her experiences of making U.S. foreign policy, culture, and values understood abroad. Elam-Thomas served as a United States ambassador to Senegal (2000–2002) and retired with the rank of career minister after forty-two years as a diplomat. Diversifying Diplomacy presents the journey of this successful woman, who not only found herself confronted by some of the world’s heftier problems but also helped ensure that new shepherds of honesty and authenticity would follow in her international footsteps for generations to come.
How Romans used the world of the house to interpret and interrogate the role of the emperor. The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.
It seems but fitting, that I should preface this story of my life with a few notes of instruction. The desire to leave behind me some recollections of my life, has been cherished by me, for many years past; but failing strength or increasing infirmities have prevented its accomplishment. At my suggestion and with what assistance I have been able to render, my son, Ross Charles Edward Stowe, has compiled from my letters and journals, this biography. It is this true story of my life, told for the most part, in my own words and has therefore all the force of an autobiography. It is perhaps much more accurate as to detail & impression than is possible with any autobiography, written later in life. If these pages, shall help those who read them to a firmer trust in God & a deeper sense of His fatherly goodness throughout the days of our earthly pilgrimage I can say with Valiant for Truth in the Pilgrim's Progress! I am going to my Father's & tho with great difficulty, I am got thither, get now, I do not repent me of all the troubles I have been at, to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage & my courage & skill to him that can get it. Hartford Sept 30 1889 Harriet Beecher Stowe
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Harriet Beecher (Stowe) was born June 14, 1811, in the characteristic New England town of Litchfield, Conn. Her father was the Rev. Dr. Lyman Beecher, a distinguished Calvinistic divine, her mother Roxanna Foote, his first wife. The little new-comer was ushered into a household of happy, healthy children, and found five brothers and sisters awaiting her. The eldest was Catherine, born September 6, 1800. Following her were two sturdy boys, William and Edward; then came Mary, then George, and at last Harriet. Another little Harriet born three years before had died when only one month old, and the fourth daughter was named, in memory of this sister, Harriet Elizabeth Beecher. Just two years after Harriet was born, in the same month, another brother, Henry Ward, was welcomed to the family circle, and after him came Charles, the last of Roxanna Beecher's children. The first memorable incident of Harriet's life was the death of her mother, which occurred when she was four years old, and which ever afterwards remained with her as the tenderest, saddest, and most sacred memory of her childhood. Mrs. Stowe's recollections of her mother are found in a letter to her brother Charles, afterwards published in the "Autobiography and Correspondence of Lyman Beecher." She says:— "I was between three and four years of age when our mother died, and my personal recollections of her are therefore but few. But the deep interest and veneration that she inspired in all who knew her were such that during all my childhood I was constantly hearing her spoken of, and from one friend or another some incident or anecdote of her life was constantly being impressed upon me. "Mother was one of those strong, restful, yet widely sympathetic natures in whom all around seemed to find comfort and repose. The communion between her and my father was a peculiar one. It was an intimacy throughout the whole range of their being. There was no human mind in whose decisions he had greater confidence. Both intellectually and morally he regarded her as the better and stronger portion of himself, and I remember hearing him say that after her death his first sensation was a sort of terror, like that of a child suddenly shut out alone in the dark. "In my own childhood only two incidents of my mother twinkle like rays through the darkness. One was of our all running and dancing out before her from the nursery to the sitting-room one Sabbath morning, and her pleasant voice saying after us, 'Remember the Sabbath day to keep it holy, children.
This eBook features the unabridged text of ‘Poganuc People Their Loves and Lives by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Harriet Beecher Stowe’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Stowe includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Poganuc People Their Loves and Lives by Harriet Beecher Stowe - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Stowe’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Harriet Beecher Stowe ( 1811 - 1896) was an American abolitionist and author. Her novel Uncle Tom's Cabin (1852) was a depiction of life for African Americans under slavery; it reached millions as a novel and play, and became influential in the United States and United Kingdom. It energized anti-slavery forces in the American North, while provoking widespread anger in the South. She wrote more than 20 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings and her public stands on social issues of the day. In this book: Uncle Tom's Cabin (1851) The Pearl of Orr's Island (1862) Lady Byron Vindicated (1870)
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