For wolf-shifters like Astrid marked by the curse, time is running out. If she doesn’t find her soul’s mate before her twenty-fifth Blue Moon rises, she will die. And with only three weeks left, things aren’t looking good for her. True love just doesn’t fall out of the sky. Lone wolf Erec is determined to stop a crazed killer from harming anyone else. Even if it means helping a rival pack. But he never expected to feel such a pull for the alpha’s beautiful daughter, Astrid. He doesn’t have time for distractions if he wants to find a killer before his final Blue Moon rises. Danger looms, and the swirling patterns on their skin mark them for death, but Astrid and Erec are willing to do whatever it takes to save the pack, even if they die trying. Each book in the Shifter Origins series is STANDALONE: *The Hunt *The Curse
For years, tiger and panther shifters have been at odds. And now the tension is higher than ever. A panther shifter is now accused of assassinating the tiger shifter king. Prince Kael is determined to find whoever is responsible for his father's murder and make them pay. With the ceremonial Hunt approaching, he must also focus on finding a mate to run with him. But when he finds the panther suspect, his inner tiger becomes unleashed. After all these years he's finally found his mate: Cara, a panther...and the main suspect in his father's murder. Despite it all, Kael would do anything to claim her. The hatred between the tigers and panthers is all their people know. If Kael and Cara follow their hearts, it could mean treason and death. Each book in the Shifter Origins series is STANDALONE: *The Hunt *The Curse
This dramatic rereading of postmodernism seeks to broaden current theoretical conceptions of the movement as both a social-philosophical condition and a literary and cultural phenomenon. Phil Harper contends that the fragmentation considered to be characteristic of the postmodern age can in fact be traced to the status of marginalized groups in the United States since long before the contemporary era. This status is reflected in the work of American writers from the thirties through the fifties whom Harper addresses in this study, including Nathanael West, Anaïs Nin, Djuna Barnes, Ralph Ellison, and Gwendolyn Brooks. Treating groups that are disadvantaged or disempowered whether by circumstance of gender, race, or sexual orientation, the writers profiled here occupy the cusp between the modern and the postmodern; between the recognizably modernist aesthetic of alienation and the fragmented, disordered sensibility of postmodernism. Proceeding through close readings of these literary texts in relation to various mass-cultural productions, Harper examines the social placement of the texts in the scope of literary history while analyzing more minutely the interior effects of marginalization implied by the fictional characters enacting these narratives. In particular, he demonstrates how these works represent the experience of social marginality as highly fractured and fracturing, and indicates how such experience is implicated in the phenomenon of postmodernist fragmentation. Harper thus accomplishes the vital task of recentering cultural focus on issues and groups that are decentered by very definition, and thereby specifies the sociopolitical significance of postmodernism in a way that has not yet been done.
The Peddler's Trade is a picaresque, satirical novel based on my five years in West Africa from 1955 to 1960. The central character, through a series of comical accidents, finds himself working for the Spillswell Flour Company while, without knowing it, carrying the credentials of a clandestine agent of the Central Intelligence Agency. He stumbles along the West coast of Africa in the throes of becoming independent as corrupt and incompetent colonial regimes are about to be replaced by equally corrupt and incompetent African governments. Behind the sardonic humor the book dramatizes the tragic chaos about to envelop the region. A chaos which continues in more virulent form today. The feckless central character rides an airline as ludicrous as Don Quixote's Rosinante flown by a drunken, lubricious former Polish fighter pilot while falling in love with the supposed Chanteur Sewing Machine representative, Leila Defesse, who is in reality an agent of the French CIA, the Direction Generale de la Securite Exterieure. The book mirrors the satirical works of Evelyn Waugh in the nineteen thirties, "Scoop" and "Black Mischief" in which Waugh painted a devastatingly prescient portrait of the African disaster looming over the horizon. Still the best two books ever written on the Dark Continent.
For wolf-shifters like Astrid marked by the curse, time is running out. If she doesn’t find her soul’s mate before her twenty-fifth Blue Moon rises, she will die. And with only three weeks left, things aren’t looking good for her. True love just doesn’t fall out of the sky. Lone wolf Erec is determined to stop a crazed killer from harming anyone else. Even if it means helping a rival pack. But he never expected to feel such a pull for the alpha’s beautiful daughter, Astrid. He doesn’t have time for distractions if he wants to find a killer before his final Blue Moon rises. Danger looms, and the swirling patterns on their skin mark them for death, but Astrid and Erec are willing to do whatever it takes to save the pack, even if they die trying. Each book in the Shifter Origins series is STANDALONE: *The Hunt *The Curse
For years, tiger and panther shifters have been at odds. And now the tension is higher than ever. A panther shifter is now accused of assassinating the tiger shifter king. Prince Kael is determined to find whoever is responsible for his father's murder and make them pay. With the ceremonial Hunt approaching, he must also focus on finding a mate to run with him. But when he finds the panther suspect, his inner tiger becomes unleashed. After all these years he's finally found his mate: Cara, a panther...and the main suspect in his father's murder. Despite it all, Kael would do anything to claim her. The hatred between the tigers and panthers is all their people know. If Kael and Cara follow their hearts, it could mean treason and death. Each book in the Shifter Origins series is STANDALONE: *The Hunt *The Curse
Sadie Harper grew up in Shediac, New Brunswick. In 1890, when she was only 15, Sadie began to keep a diary, faithfully or fitfully. As a young woman, she wrote of her experiences as one of the handful of female students at Mount Allison University. Years later, on a trip to London with her husband, she regaled her mother and sisters with news of London fashions and social engagements.
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