Exploring the emergence of the modern American theatre in New York during a period of immense creative output and experimentation and against a backdrop of conflicting cultural, economic and political events, this text draws upon material from plays and productions in between 1914-1929.
Guides the reader through the various energy sources available to humans and how we implement them. The book is intended for readers who do not have a science and technology background; it serves as an introduction to work, energy and efficiency. Examples range from human's earliest work endeavors such as building pyramids to the inspiration and development of Henry Ford's first automobile up through alternative energy sources. Also, among the many topics covered are: energy, work, and power; combustion for home comfort; the steam engine; how electricity is generated; boilers and heat transfer; cars and their impact; atoms and atomic energy; Three Mile Island and Chernobyl; Acid rain; smog; nuclear fusion; the greenhouse effect; and much, much more.
Contrasting scripture and art, faith and imagination, revelation and vision, the author argues for the provocative thesis that the American Romantic and Puritan traditions are irreconcilably opposed, and that they represent the collision of mutually exclusive worldviews.
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