In this, his most comprehensive and accessible study of influence, Bloom leads readers through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years.
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on poets and poems.
“The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can.” So Harold Bloom, the most famous literary critic of his generation, exhorts readers of his last book; one that praises the sustaining power of poetry. "Passionate. . . . Perhaps Bloom’s most personal work, this is a fitting last testament to one of America’s leading twentieth-century literary minds."—Publishers Weekly This dazzling celebration of the power of poetry to sublimate death—completed weeks before Harold Bloom died—shows how literature renews life amid what Milton called “a universe of death.” Bloom reads as a way of taking arms against the sea of life’s troubles, taking readers on a grand tour of the poetic voices that have haunted him through a lifetime of reading. “High literature,” he writes, “is a saving lie against time, loss of individuality, premature death.” In passages of breathtaking intimacy, we see him awake late at night, reciting lines from Dante, Shakespeare, Milton, Montaigne, Blake, Wordsworth, Hart Crane, Jay Wright, and many others. He feels himself “edged by nothingness,” uncomprehending, but still sustained by reading. Generous and clear‑eyed, this is among Harold Bloom’s most ambitious and most moving books.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND KIRKUS REVIEWS Hailed as “the indispensable critic” by The New York Review of Books, Harold Bloom—New York Times bestselling writer and Sterling Professor of Humanities at Yale University—has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. Now he turns at long last to his beloved writers of our national literature in an expansive and mesmerizing book that is one of his most incisive and profoundly personal to date. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom’s most masterly book yet. Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers’ works in conversation with one another, exploring their relationship to the “daemon”—the spark of genius or Orphic muse—in their creation and helping us understand their writing with new immediacy and relevance. It is the intensity of their preoccupation with the sublime, Bloom proposes, that distinguishes these American writers from their European predecessors. As he reflects on a lifetime lived among the works explored in this book, Bloom has himself, in this magnificent achievement, created a work touched by the daemon. Praise for The Daemon Knows “Enrapturing . . . radiant . . . intoxicating . . . Harold Bloom, who bestrides our literary world like a willfully idiosyncratic colossus, belongs to the party of rapture.”—Cynthia Ozick, The New York Times Book Review “The capstone to a lifetime of thinking, writing and teaching . . . The primary strength of The Daemon Knows is the brilliance and penetration of the connections Bloom makes among the great writers of the past, the shrewd sketching of intellectual feuds or oppositions that he calls agons. . . . Bloom’s books are like a splendid map of literature, a majestic aerial view that clarifies what we cannot see from the ground.”—The Washington Post “Audacious . . . The Yale literary scholar has added another remarkable treatise to his voluminous body of work.”—The Huffington Post “The sublime The Daemon Knows is a veritable feast for the general reader (me) as well as the advanced (I assume) one.”—John Ashbery “Mesmerizing.”—New York Journal of Books “Bloom is a formidable critic, an extravagant intellect.”—Chicago Tribune “As always, Bloom conveys the intimate, urgent, compelling sense of why it matters that we read these canonical authors.”—Kirkus Reviews (starred review) “Few people write criticism as nakedly confident as Bloom’s any more.”—The Guardian (U.K.)
Bloom, the best-known literary critic of our time, shares his extensive knowledge of and profound joy in the works of a constellation of major writers, including Shakespeare, Cervantes, Austen, Dickinson, Melville, Wilde, and O'Connor in this eloquent invitation to readers to read and read well.
Wonderful. . . . Spectacular. . . . You feel the pulse of life, what poetry can bring to us if we let it." —The Philadelphia Inquirer "This audacious personal odyssey offers readers a cosmos of possibilities when contemplating what happens once we 'shuffle off this mortal coil.'" —The Christian Science Monitor "An elegiac meditation on a life lived through books." —O, The Oprah Magazine "The great critic revisits the literature that has meant most to him." —The New York Times Book Review Here is the daringly original literary critic's most personal book: a four-part spiritual autobiography in the form of brief, luminous readings of poetry, drama, and prose—much of which he has known by heart since childhood. As one of his own mentors, M. H. Abrams, has said, to read Bloom's commentaries is like "reading classic authors by flashes of lightning." Gone are the polemics; here Bloom argues elegiacally with nobody but himself. In "A Voice she Heard Before the World Was Made," he offers startling meditations on foundational concerns of Biblical study. "In the Elegy Season" finds him coming to terms movingly, from a new vantage, with writers on whom he has brooded for much of his life. And with brio and bravura in "The Imperfect Is Our Paradise," Bloom ranges dazzlingly through twentieth-century American poetry, from Wallace Stevens to Amy Clampitt. Possessed by Memory, in short, is essential Bloom.
This analysis of the literary art of recapturing the past as the artist perceives it examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal and to what extent it is tied to the institutions and traditions of its era; and how given works conjure up a sense of time.
Continuing Bonds with the Dead explores the redemptive literary achievements of five nineteenth-century American authors who lost a son or daughter. In it, Harold K. Bush illuminates America's evolving cultural attitudes about death and grief.
The nation's most celebrated literary critic introduces children to the exciting world of literature through this collection of great stories by Hans Christian Andersen, William Blake, O. Henry, Tolstoy, Mark Twain, Oscar Wilde, and others. 100,000 first printing.
This book not only examines friendgrief from a theoretical and clinical framework, but also Smith offers fascinating vignettes from the lives of well-known friendgrievers such as Elton John, Diane Sawyer, Ralph Abernathy, C. S. Lewis, Harry Truman, Tommy Lasorda, Jimmy Carter, Fritz Mondale, Bill Clinton, Calvin Trillin, and Alan King. The author includes moving narratives of numerous individuals who have never gained notoriety but have become seasoned friendgrievers.
One of the great 20th century political diaries 'Brilliant, riveting stuff' TRIBUNE 'One stops to marvel at the achievement. Honesty, decency, modesty, magnanimity, are stamped on every page, as evident as the wit' EVENING STANDARD 'A tremendous read' SPECTATOR Harold Nicolson was one of the three great political diarists of the 20th century (along with Chips Channon and Alan Clark). Nicolson was an MP (Conservative, 1935-45, who also flirted with Labour after WWII). He had previously been in the Foreign Office and attended the Paris Peace Conference in 1919, and material from this period is included in this new edition for the first time. Nicolson never achieved high office, but rarely a day went by when he didn't record what was going on at Westminster. He socialised widely, was married to the poet and author Vita Sackville-West, and together they created the famous garden at Sissinghurst. Both were bi-sexuals and had affairs outside their marriage. This new edition also draws on diary entries and letters previously considered too sensitive for inclusion. The diversity of Harold Nicolson's interests and the irony in his writing make his diary a highly entertaining record of his life and times, as well as a document of great historical value.
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