Granville Barker on Theatre brings together some of the most important critical theatrical writings of Harley Granville Barker, a major figure of 20th-century British theatre. Known as a pioneer of the National Theatre and Repertory Movement, and remembered mainly for his Prefaces to Shakespeare, from the 1900s to his death in the 1940s Granville Barker commented enthusiastically in newspaper items, introductions to plays, articles, essays, articles, and published lectures on a range of topics: the nature of theatre as an art form and as a social medium, the need for ensemble playing in a repertory system, the relationship between the three chief constituents of theatre – the actor, the playwright and the audience. Granville Barker on Theatre makes available again these writings in which Barker dissects the state of theatre as he saw it, with coruscating critiques of the commercial system, the long run and censorship, the vitality of theatre outside Britain, and what he saw as the welcome renaissance of theatre in non-professional groups liberated from the profit motive. These writings show a master practitioner concerned with, above all, promoting a new type of drama; vital not only for its own sake but for the sake of the health of society at large.
Granville Barker on Theatre brings together some of the most important critical theatrical writings of Harley Granville Barker, a major figure of 20th-century British theatre. Known as a pioneer of the National Theatre and Repertory Movement, and remembered mainly for his Prefaces to Shakespeare, from the 1900s to his death in the 1940s Granville Barker commented enthusiastically in newspaper items, introductions to plays, articles, essays, articles, and published lectures on a range of topics: the nature of theatre as an art form and as a social medium, the need for ensemble playing in a repertory system, the relationship between the three chief constituents of theatre – the actor, the playwright and the audience. Granville Barker on Theatre makes available again these writings in which Barker dissects the state of theatre as he saw it, with coruscating critiques of the commercial system, the long run and censorship, the vitality of theatre outside Britain, and what he saw as the welcome renaissance of theatre in non-professional groups liberated from the profit motive. These writings show a master practitioner concerned with, above all, promoting a new type of drama; vital not only for its own sake but for the sake of the health of society at large.
Harley Granville Barker, one of the most versatile figures in twentieth-century theatre, was the leader of the campaign to reform the English stage in the Edwardian period. His work as an actor, director, playwright, and manager set new standards of production and gave Shaw his first successful showings; his later career as a critic, after he abandoned the stage, opened new interpretations of Shakespeare and led the way to the establishment of a national theatre. This volume presents three of Granville Barker's best plays: The Marrying of Ann Leete (about a young woman rebelling against convention), The Voysey Inheritance (digging at middle-class hypocrisy), and Waste (banned by the Lord Chamberlain, the tragedy of a politician caught in a sexual trap). Written between 1899 and 1907, and collected here for the first time in a scholarly edition, they reveal Barker as an exciting, subtle and innovative dramatist.
Harley Granville Barker, one of the most versatile figures in twentieth-century theatre, was the leader of the campaign to reform the English stage in the Edwardian period. His work as an actor, director, playwright, and manager set new standards of production and gave Shaw his first successful showings; his later career as a critic, after he abandoned the stage, opened new interpretations of Shakespeare and led the way to the establishment of a national theatre. This volume presents three of Granville Barker's best plays: The Marrying of Ann Leete (about a young woman rebelling against convention), The Voysey Inheritance (digging at middle-class hypocrisy), and Waste (banned by the Lord Chamberlain, the tragedy of a politician caught in a sexual trap). Written between 1899 and 1907, and collected here for the first time in a scholarly edition, they reveal Barker as an exciting, subtle and innovative dramatist.
King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and purblind Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy." "Eminent linguist and translator Burton Raffel offers generous help with vocabulary, pronunciation, and prosody and provides alternative readings of phrases and lines. His on-page annotations give readers all the tools they need to comprehend the play and begin to explore its many possible interpretations. Raffel provides an introductory essay, and in a concluding essay Harold Bloom examines Lear, who, though possessed of Jobean dignity, is rather unlike Job, since Lear so determinedly brings about his own suffering."--BOOK JACKET.
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