Transcripts of interviews by Hans Ulrich Obrist with architects, artists, curators, film-makers, musicians, philosophers, social theorists and urbanists.
If artists betray the social conscience and the basic principles of being human, where does art stand then?' Ai Weiwei - artist, architect, curator, publisher, poet and urbanist - extended the notion of art and is one of the world's most significant creative and cultural figures. In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the Chinese state. Together, these extraordinary discussions give a unique insight into the outstanding complexity of Ai Weiwei's thought and work, and are an essential reminder of the need for personal, political and artistic freedom.
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
A unique opportunity to learn about the lives and creativity of the world's leading artists Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, Lives of the Artists explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time. Including David Hockney, Gilbert and George, Gerhard Richter, Michelangelo Pistoletto, Marina Abramovic, Louise Bourgeois, Rem Koolhaas, Jeff Koons and Oscar Niemayer, this is a wonderful and unique book for those interested in modern art. Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author, with Ai Wei Wei, of Ai Wei Wei Speaks.
Each volume contains a single pop-up construction of die-cut colored paper, mounted inside paper-covered boards. "All pop-ups designed and engineered by Tauba Auerbach. Production coordination by Garrick Gott and the Production Department"--Colophon card.
Dieses Notebook ist eine Hommage des Kurators Hans Ulrich Obrist an den in diesem Jahr verstorbenen französischen Schriftsteller, Dichter und Philosophen Édouard Glissant (1928–2011). Glissant, einer der bedeutendsten Autoren der französischsprachigen Karibik und Wegbereiter des postkolonialen Denkens, machte aufmerksam auf »Möglichkeiten eines globalen Austauschs, die die Kultur nicht homogenisieren, sondern eine Differenz produzieren, aus der Neues entstehen kann«. Obrist begegnete Glissant, einer Empfehlung von Alighiero Boetti folgend, schon in den Anfängen seiner Arbeit als Kurator,und las seine Bücher, bevor er ihn später auch persönlich traf. Obrist entwirft ein facettenreiches Bild des Intellektuellen, indem er einige von dessen Schlüsselkonzepten – die Kreolisierung der Welt, das »archipelische Denken«, das Museum als Archipel sowie die Utopie – ausführt – Ideen, die ihren Niederschlag auch in persönlichen Widmungen, Notizen und Zeichnungen gefunden haben, mit denen Glissant die hier in einer Auswahl reproduzierten Titelseiten seiner Bücher versehen hat. Édouard Glissant (1928–2011) war ein französischer Schriftsteller, Dichter und Philosoph. Der Kurator und Kritiker Hans Ulrich Obrist (*1968) ist Co-Director, Exhibitions and Programmes und Director of International Projects an der Serpentine Gallery, London. Sprache: Deutsch/Englisch
A highly provocative, mindbending, beautifully designed, and visionary look at the landscape of our rapidly evolving digital era. 50 years after Marshall McLuhan's ground breaking book on the influence of technology on culture in The Medium is the Massage, Basar, Coupland and Obrist extend the analysis to today, touring the world that’s redefined by the Internet, decoding and explaining what they call the 'extreme present'. THE AGE OF EARTHQUAKES is a quick-fire paperback, harnessing the images, language and perceptions of our unfurling digital lives. The authors offer five characteristics of the Extreme Present (see below); invent a glossary of new words to describe how we are truly feeling today; and ‘mindsource’ images and illustrations from over 30 contemporary artists. Wayne Daly’s striking graphic design imports the surreal, juxtaposed, mashed mannerisms of screen to page. It’s like a culturally prescient, all-knowing email to the reader: possibly the best email they will ever read. Welcome to THE AGE OF EARTHQUAKES, a paper portrait of Now, where the Internet hasn’t just changed the structure of our brains these past few years, it’s also changing the structure of the planet. This is a new history of the world that fits perfectly in your back pocket. 30+ artists contributions: With contributions from Farah Al Qasimi, Ed Atkins, Alessandro Bavo, Gabriele Basilico, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cecile B Evans, Rami Farook, Hans-Peter Feldmann, GCC, K-Hole, Liam Gillick, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Patterson, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl, Michael Stipe, Rosemarie Trockel, Amalia Ulman, David Weir, Trevor Yeung.
The exhibition at Municipal Art Gallery of Athens, 2017 is the last exhibition project that Maria Lassnig was able to plan personally with the curator Hans Ulrich Obrist. Around 50 works are on show - paintings and works on paper, especially watercolours - which seize upon motifs from Greek mythology and their expansive and permanent exchange with all Mediterranean civilisations. Although these works by Maria Lassnig are not so well known, they manifest characteristics typical of her work: the awareness of the body, the painterly rendering of the inner and outer world, as well as animal portrayals and landscapes. In an unusual selection from Maria Lassnig's oeuvre the exhibition and the accompanying catalogue with contributions from leading scholars and artists spotlight her unique visual idiom, in which she combines science with a subjective emotional life, and Mediterranean landscapes with figures from ancient mythology. Accompanies the exhibition Maria Lassnig: The future is created from the fragments of the past, 31 Mar - 16 Jul 2017, Municipal Gallery, Athens, Greece.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.