Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six English Suites, BWV 806--811 is based on Bischoff's analysis of the autograph, along with several manuscripts, copies, and fragments. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
This edition of J. S. Bach's Inventions I-XV, and Sinfonias I-XV has been edited by Dr. Hans Bischoff and translated by Alexander Lipsky. It includes a three-page preface with a table of embellishments.
Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Included is a lengthy preface by Bischoff, discussing materials used to develop this edition, along with various footnotes throughout the text to clarify performance. Titles: * No. 1 in A Major * No. 2 in A Minor * No. 3 in G Minor * No. 4 in F Major * No. 5 in E Minor * No. 6 in D Minor
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the "Aria" contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Chromatic Fantasy and Fugue, BWV 903 is based on Bischoff's analysis of several documents, including a 1730 manuscript belonging to the Berlin Royal Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also includes explanations of the ornaments used throughout the work, helpful fingering, and suggested realizations for the execution of the arpeggiated chords found in the "Fantasy." Measure numbers and BWV numbers have been included for easy reference.
Dr. Hans Bischoff edited the Six Little Preludes of Johann Sebastian Bach, using the sources he states as "an old Hoffmeister printing as well as the editions issued by Peters. Dynamics, fingering, and tempo markings have been added, along with footnotes regarding execution of Bach's ornamentation.
This volume presents the edition of Dr. Hans Bischoff of Bach’s early keyboard Toccatas, BWV 910-916. These works include explorations of keyboard touch and style that usually include an introductory fantasie, an adagio movement, and one or more fugues. Dr. Bischoff includes footnotes, performance suggestions and explanations of his manuscript sources. Contains: * Toccata in C-Minor * Toccata in D-Major * Toccata in D-Minor * Toccata in E-Minor * Toccata in F-sharp Minor * Toccata in G-Major * Toccata in G-Minor
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Seven Toccatas, BWV 910--916 is based on Bischoff's analysis of manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
The six Partitas were originally published individually by Bach between 1726 and 1730. A complete one-volume edition appeared in 1731. Dr. Hans Bischoff used that original complete edition in producing this current edition. The "Overture in the French Manner" is included, and is also known as "Partita in B Minor." It originally appeared in 1735. Introductory notes, preface, and a table of embellishments are included, along with performance footnotes.
This newly engraved edition will be very useful to all piano students and teachers. A necessary step to prepare for the Preludes and Fugues. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
A newly engraved edition of the 48 preludes and fugues. Volume I for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. Kalmus Editions are primarily reprints of Urtext Editions.
This collection, edited by Dr. Hans Bischoff, consists of the "Six Little Preludes," BWV 933-938, along with twelve preludes taken from "The Little Piano Book" (Clavierbuchlein) of Wilhelm Friedemann Bach. Titles: * Prelude No. 1 in C Major (BWV 933) * Prelude No. 2 in C Minor (BWV 934) * Prelude No. 3 in D Minor (BWV 935) * Prelude No.4 in D Major (BWV 936) * Prelude No. 5 in E Major (BWV 937) * Prelude No. 6 in E Minor (BWV 938) * Prelude No. 7 in C Major * Prelude No. 8 in C Major * Prelude No. 9 in C Minor * Prelude No. 10 in D Major * Prelude No. 11 in D Minor * Prelude No. 12 in D Minor * Prelude No. 13 in E Minor * Prelude No. 14 in F Major * Prelude No. 15 in F Major * Prelude No. 16 in G Minor * Prelude No. 17 in G Minor * Prelude No. 18 in A Minor
A newly engraved edition of the 48 preludes and fugues. Volume II for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. Kalmus Editions are primarily reprints of Urtext Editions.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six Partitas, BWV 825--830 is based on Bischoff's analysis of the original 1731 engraving and of other manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Overture in French Style, BWV 831 is based on Bischoff's analysis of first editions and manuscripts in the Berlin State Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Each of Bach's six French suites is written in a different key with no harmonic relationship to one another, unlike most of his other works. Within each suite, all of the movements are in the same key and follow standard binary form. In the traditional Baroque suite, there are four movements: Allemande, Courante, Sarabande, and Gigue. However, Bach also includes lesser-used dances such as the Polonaise, Bourée, and Air. Noted Bach expert Dr. Hans Bischoff edited this collection. Titles: * No. 1 in D Minor * No. 2 in C Minor * No. 3 in B Minor * No. 4 in E-flat Major * No. 5 in G Major * No. 6 in E Major * Suite in A Minor * Suite in E-flat Major
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six Partitas, BWV 825--830 is based on Bischoff's analysis of the original 1731 engraving and of other manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Seven Toccatas, BWV 910--916 is based on Bischoff's analysis of manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Chromatic Fantasy and Fugue, BWV 903 is based on Bischoff's analysis of several documents, including a 1730 manuscript belonging to the Berlin Royal Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also includes explanations of the ornaments used throughout the work, helpful fingering, and suggested realizations for the execution of the arpeggiated chords found in the "Fantasy." Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the "Aria" contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Overture in French Style, BWV 831 is based on Bischoff's analysis of first editions and manuscripts in the Berlin State Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
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