The monumental work of J. S. Bach--some 250 cantatas, 280 organ compositions, the great Passions, oratorios and masses, the Well-Tempered Clavier, the Brandenburg Concertos, the Art of the Fugue--stands as a high-water mark of Western civilization. Yet that work is understandable only in light of Bach's profound Christian faith, asserts Hans Conrad Fischer. Born under the shadow of Wartburg Castle, where Martin Luther in seclusion had translated the New Testament into German, Bach saw his work as a daily engagement with Christian mysteries, often signing his manuscripts SDG--soli deo gratia or for God's glory alone. This lavish volume celebrates Bach unabashedly. The engrossing text, enhanced with dozens of portraits, photos of locales and artifacts, maps and manuscripts, brings Bach, his faith, and his achievements directly to the reader. So too does the accompanying CD-ROM, including 17 key selections sampling Bach's best-known pieces from each genre and period of his life. It conclusively presents J. S. Bach's genius as not only musical but also religious, one that still effectively presents Christian faith to today's largely secular public.
This edition of J. S. Bach's Inventions I-XV, and Sinfonias I-XV has been edited by Dr. Hans Bischoff and translated by Alexander Lipsky. It includes a three-page preface with a table of embellishments.
Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Included is a lengthy preface by Bischoff, discussing materials used to develop this edition, along with various footnotes throughout the text to clarify performance. Titles: * No. 1 in A Major * No. 2 in A Minor * No. 3 in G Minor * No. 4 in F Major * No. 5 in E Minor * No. 6 in D Minor
Internationally recognized Bach authority Hans-Joachim Schulze authored a 225-part series on the cantatas of Johann Sebastian Bach. In this collection, James A. Brokaw II translates a selection of the essays, illuminating a wide range of biographical and cultural features of Bach’s life and creative milieu. Schulze’s lively and engaging discussions provide a wealth of rewarding insights and perspectives focusing on individual cantatas, their texts, and the questions of chronology and context that attend them. The University of Illinois Press has paired the volume with a special web-based companion overseen by the translator and hosted by the Illinois Open Publishing Network. This online resource includes Brokaw’s translations of all 225 of Schulze’s essays alongside digital tools for searching, sorting, and bundling the commentaries according to date of composition, position within the liturgical church year sequence, and librettist.
Dr. Hans Bischoff edited the Six Little Preludes of Johann Sebastian Bach, using the sources he states as "an old Hoffmeister printing as well as the editions issued by Peters. Dynamics, fingering, and tempo markings have been added, along with footnotes regarding execution of Bach's ornamentation.
A newly engraved edition of the 48 preludes and fugues. Volume I for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. Kalmus Editions are primarily reprints of Urtext Editions.
Luther and Bach on the Magnificat: For Advent and Christmas brings together the gifts of Lutheranism's original and most prominent theologian with Lutheranism's most prominent composer/musician as Martin Luther and Johann Sebastian Bach expound in word and music on the Virgin Mary's song of praise in the Gospel of Luke: the Magnificat. Written in 1521, Martin Luther's Commentary on the Magnificat is a spiritual classic with a timeless message: soli deo gloria--to God alone be the glory. This central theme of Luther's Commentary makes it as significant today as it was nearly five hundred years ago. Johann Sebastian Bach wrote his musical masterpiece, Magnificat, during his first year as Kantor of the Church of St. Thomas in Leipzig. Bach conducted the first performance of this cantata on Christmas Day in 1723, and it remains one of his most famous compositions. Bringing together Luther and Bach to interpret the timeless message of the Magnificat results in a unique and inspirational word and music Advent and Christmas study experience that can be enjoyed year after year by individuals and congregations alike.
This newly engraved edition will be very useful to all piano students and teachers. A necessary step to prepare for the Preludes and Fugues. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
This volume presents the edition of Dr. Hans Bischoff of Bach’s early keyboard Toccatas, BWV 910-916. These works include explorations of keyboard touch and style that usually include an introductory fantasie, an adagio movement, and one or more fugues. Dr. Bischoff includes footnotes, performance suggestions and explanations of his manuscript sources. Contains: * Toccata in C-Minor * Toccata in D-Major * Toccata in D-Minor * Toccata in E-Minor * Toccata in F-sharp Minor * Toccata in G-Major * Toccata in G-Minor
Each of Bach's six French suites is written in a different key with no harmonic relationship to one another, unlike most of his other works. Within each suite, all of the movements are in the same key and follow standard binary form. In the traditional Baroque suite, there are four movements: Allemande, Courante, Sarabande, and Gigue. However, Bach also includes lesser-used dances such as the Polonaise, Bourée, and Air. Noted Bach expert Dr. Hans Bischoff edited this collection. Titles: * No. 1 in D Minor * No. 2 in C Minor * No. 3 in B Minor * No. 4 in E-flat Major * No. 5 in G Major * No. 6 in E Major * Suite in A Minor * Suite in E-flat Major
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Seven Toccatas, BWV 910--916 is based on Bischoff's analysis of manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
The six Partitas were originally published individually by Bach between 1726 and 1730. A complete one-volume edition appeared in 1731. Dr. Hans Bischoff used that original complete edition in producing this current edition. The "Overture in the French Manner" is included, and is also known as "Partita in B Minor." It originally appeared in 1735. Introductory notes, preface, and a table of embellishments are included, along with performance footnotes.
A newly engraved edition of the 48 preludes and fugues. Volume II for piano was edited by the noted Bach expert Dr. Hans Bischoff. It includes a table of embellishments and a preface from Dr. Bischoff. Kalmus Editions are primarily reprints of Urtext Editions.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six English Suites, BWV 806--811 is based on Bischoff's analysis of the autograph, along with several manuscripts, copies, and fragments. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six Partitas, BWV 825--830 is based on Bischoff's analysis of the original 1731 engraving and of other manuscripts and secondary sources. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Chromatic Fantasy and Fugue, BWV 903 is based on Bischoff's analysis of several documents, including a 1730 manuscript belonging to the Berlin Royal Library. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also includes explanations of the ornaments used throughout the work, helpful fingering, and suggested realizations for the execution of the arpeggiated chords found in the "Fantasy." Measure numbers and BWV numbers have been included for easy reference.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the "Aria" contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
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