With a lively and engaging style, Myths for the Massesprovides a critical, interdisciplinary, and historically informedstatement about communication in contemporary life. Written by Hanno Hardt, one of the world’s leadingauthorities on the subject. Offers a comprehensive appraisal of mass communication. Provides a critical perspective on media and communication insociety. Contains critical insights into the state of masscommunication, democracy, and the construction of the self insociety.
The development of communication studies has been a lively process of adoption and integration of theoretical constructs from Pragmatism, Critical Theory and Cultural Studies. Critical Communication Studies describes the intellectual and professional forces that have shaped research interests and formed alliances in the pursuit of particular goals. Hanno Hardt reflects on the need to come to terms with the role of history in academic work and locates the intellectual history within the context of competing social theories. The book provides a substantive foundation for understanding the field and will be a major text in all courses dealing with communication history and theory.
This book explores the imaginative construction of a cultural history of the media in a series of essays that draw on various artistic and intellectual narratives of Western societies and trace incidental encounters with the means of social communication in cultural and political settings.
Hanno Hardt has thoroughly revised and expanded his 'pre-history' of communication research in the United States. With the notable addition of Karl Marx's journalism-focused writings and a new foreword by James W. Carey, this edition covers intellectual contributions from several German theorists in the late nineteenth and early twentieth centuries, as well as first-generation U.S. sociologists who were influenced by this scholarship. A new concluding chapter explores the continuing influence of German social thought and the contemporary shift of paradigms in U.S. communication research, including approaches such as critical (Marxist) and cultural studies.
Focusing on the period from the 1850s through the 1930s, the contributors show how issues of labor and class have been far more important in the formation of media institutions than previous accounts concede. These essays recover the history of ethnic and cultural diversity--including the contributions of women--that have enriched the process of communication.
Hanno Hardt has thoroughly revised and expanded his 'pre-history' of communication research in the United States. With the notable addition of Karl Marx's journalism-focused writings and a new foreword by James W. Carey, this edition covers intellectual contributions from several German theorists in the late nineteenth and early twentieth centuries, as well as first-generation U.S. sociologists who were influenced by this scholarship. A new concluding chapter explores the continuing influence of German social thought and the contemporary shift of paradigms in U.S. communication research, including approaches such as critical (Marxist) and cultural studies.
The development of communication studies has been a lively process of adoption and integration of theoretical constructs from Pragmatism, Critical Theory and Cultural Studies. Critical Communication Studies describes the intellectual and professional forces that have shaped research interests and formed alliances in the pursuit of particular goals. Hanno Hardt reflects on the need to come to terms with the role of history in academic work and locates the intellectual history within the context of competing social theories. The book provides a substantive foundation for understanding the field and will be a major text in all courses dealing with communication history and theory.
With a lively and engaging style, Myths for the Massesprovides a critical, interdisciplinary, and historically informedstatement about communication in contemporary life. Written by Hanno Hardt, one of the world’s leadingauthorities on the subject. Offers a comprehensive appraisal of mass communication. Provides a critical perspective on media and communication insociety. Contains critical insights into the state of masscommunication, democracy, and the construction of the self insociety.
This book explores the imaginative construction of a cultural history of the media in a series of essays that draw on various artistic and intellectual narratives of Western societies and trace incidental encounters with the means of social communication in cultural and political settings.
Located in the geographical center of Berlin, the neighboring boroughs of Friedrichshain and Kreuzberg shared a history and identity until their fortunes diverged dramatically following the construction of the Berlin Wall, which placed them within opposing political systems. This revealing account of the two municipal districts before, during and after the Cold War takes a microhistorical approach to investigate the broader historical trajectories of East and West Berlin, with particular attention to housing, religion, and leisure. Merged in 2001, they now comprise a single neighborhood that bears the traces of these complex histories and serves as an illuminating case study of urban renewal, gentrification, and other social processes that continue to reshape Berlin.
This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt’s thoughts on the American and French Revolution, it argues that, from a theoretical perspective, revolutions can be understood as describing a relationship between time and movement and that ultimately the spectators and not the actors in a revolution decide its outcome. Focusing on the concepts of ‘time,’ ‘movement,’ and ‘spectators,’ this study develops an understanding of film not as a medium of agitation but as a way of thinking that relates to the idea of historicity that opened up with the American and French Revolution, a way of thinking that can expand our very notion of revolution. The book explores this expansion through an analysis of three audiovisual stagings of revolution: Abel Gance’s epic on the French Revolution Napoléon, Warren Beatty’s essay on the Russian Revolution Reds, and the miniseries John Adams about the American Revolution. The author thereby offers a fresh take on the questions of revolution and historicity from the perspective of film studies.
As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.