In the struggle for a better world, setbacks are inevitable. Defeat can feel overwhelming at times, but it has to be endured. How then do the people on the front line keep going? To answer that question, Hannah Proctor draws on historical resources to find out how revolutionaries and activists of the past kept a grip on hope. Burnout considers despairing former Communards exiled to a penal colony in the South Pacific; exhausted Bolsheviks recuperating in sanatoria in the aftermath of the October Revolution; an ex-militant on the analyst's couch relating dreams of ruined landscapes; Chinese peasants engaging in self-criticism sessions; a political organiser seeking advice from a spiritual healer; civil rights movement activists battling weariness; and a group of feminists padding a room with mattresses to scream about the patriarchy. Jettisoning self-help narratives and individualizing therapy talk, Proctor offers a different way forward - neither denial nor despair. Her cogent exploration of the ways militants have made sense of their own burnout demonstrates that it is possible to mourn and organise at once, and to do both without compromise.
This study traces the emergence of the concept of the body as a sanctuary from its biblical roots to its expressions in late Second Temple Judaism. Harrington's hypothesis is that the destruction of the first Jerusalem temple was a catalyst for a new reality vis-à-vis the temple and the emergence of increased emphasis on the holiness of the people along with concomitant standards of purity in a certain stream of Judaism. The study brings into relief elements of this attitude from exilic texts, e.g. Ezekiel, to Ezra-Nehemiah, the Dead Sea Scrolls and other Second Temple Jewish texts, including early Jesus and Pauline traditions. The goal is to provide a history of the concept of the body-cum-temple metaphor which comes to its fullest expression in the letters of Paul to the Corinthians. The concept of the body as a sanctuary as it comes to fruition in late second temple Judaism must be understood within the conceptual world of Jewish holiness of the time. The metaphor of the temple provides a frame of reference but only a close analysis of the concepts of holiness, purity, and impurity and the dynamics between them can provide depth and distinction. Of particular importance, critical to proper understanding of the temple metaphor, are the notions of the elect, holy status of Israel and its possible desecration by wrongful sexual relations, the loss of the temple and the ripple effect of creating at least temporary substitutes for processes of the cult, the widespread concern in Second Temple Judaism for ritual purity in support of greater holiness, and a desire among Jews for the residence and agency of the spirit of holiness.
Paint Your Way Around the World in 24 Beginner-Friendly Landscapes Indulge your wanderlust and create breathtaking watercolor landscapes with ease under Hannah Pickerill’s expert instruction. Learn all the techniques needed to capture your favorite landscapes on Earth (and beyond) with clear instructions, step-by-step illustrations and sample swatches to guide your every stroke. Travel through varied climates and compositions as you paint everything from scorching Moroccan Sand Dunes to Snow in the Sierras, the mysteries of a Misty Forest to the wide-open Oregon Plains. With Hannah’s guidance, you’ll find yourself mastering color gradients, atmospheric perspective and realistic highlights and shadows in paintings like: • The Secrets of Stonehenge • Violet Nafplio Sunset • Autumn Reflections • Great Smoky Mountains • Yellowstone Bison • Motion of the Ocean • El Capitan • Colorful Galaxy Whether you are a beginner just picking up your first brush or a painting enthusiast, this book brims with vibrant inspiration for navigating the wonderous world of watercolor.
Based on a true story and written by Hannah Howe, author of the Amazon #1 Sam Smith Mystery Series, Saving Grace, "the courtroom drama of the year."The Western Mail2 August 1876Sensation in the Charles Petrie Case!Readers may recall that a young banker, by name Mr Charles Petrie, with every opportunity of succeeding in his profession, and commanding a not illiberal income, returned home after riding his horse to dine with his wife, Grace, and her companion Mrs Quinn. During and after dinner he had nothing to excite him save the receipt of a letter which somewhat annoyed him, and that his wife consumed rather more wine than he considered to be good for her health. Immediately after retiring to his room he was seized with symptoms of irritant poisoning, and despite every effort made on his behalf, he succumbed to its effects. An inquest was held, which vexed the minds of the Coroner's jury to a degree without precedent in Coroners' Inquest Law, and an open verdict was returned. However, the matter will not rest there, for after questions in Parliament, a second inquest has been called under suspicion that Mr Charles Petrie was murdered.* * *Who poisoned Charles Petrie? Dr James Collymore, a man familiar with poisons, a man harbouring a dark secret that, if exposed, would ruin his career; Florrie, the maid who supplied Charles with his bedtime drink; Bert Kemp, a disgruntled groom, who used poisons in his work, who four months previously had predicted Charles' dying day; Mrs Jennet Quinn, a lady's companion with a deep knowledge of poisons, and a deep fear of dismissal; or Grace Petrie, Charles' wife of four months, a woman with a scandalous past, a woman shunned by polite society.With crowds flocking to the courtroom and the shadow of suspicion falling upon Grace in the shape of the hangman's noose, could dashing young advocate, Daniel Morgan, save her?
Three works from one of the most original and universally praised American writers of this century. Love and torment, lunacy and desire, tenderness and war--these stories provide a brilliant, dazzling odyssey into American life. No one but Barry Hannah could create these vivid worlds with such poetic detail.
Designed for an educated lay audience and students in introductory college and seminary church history courses, this visually stunning textbook is carefully written for first-time learners in the subject areas. Invitation to Church History: American chronicles American church history from the pilgrims to contemporary denominations in the United States. In this full-color textbook, many features facilitate learning: photos make the material come alive for the reader; diagrams clarify and distill complex concepts and sets of information; and review materials aid the student in processing and retaining the concepts in each chapter. Readers will gain a clear understanding of the meaning of the gospel, the wonder of divine redemption, and the majesty of God. The story of the church is presented as part of the redemptive history of God and His people. With a conservative, Christ-centered perspective, Hannah writes with fairness and generosity toward diverse views.
To artist-writer-naturalist Hannah Hinchman, the blank pages of a journal are a call to awaken the soul, to celebrate being alive in the world, to get to know both the wilderness of our inmost selves and the "unpredictable and potent" natural world. In the richly illustrated pages of this book, she unfolds a myriad of wonders — the pattern of a bee abdomen, varieties of ice forms and sky colors, the joys of a garden — and shows us how to capture them on the page. Hinchman's respect for the miracle of our five senses, and her passion for what they can tell us about the world, is contagious. "Start with a smell, like a crushed marigold leaf, the sea, coal smoke," she advises, and from such raw materials begin to "decant the stuff of life" into journal form, "where it remains fresh, still tasting of its source." Even for one who has no intention of journal-keeping, to delve into Hinchman's own work is to see with new eyes. A Trail Through Leaves is a true gift and inspiration, a treasure-box of ways to write, draw, and be alive to the world. * "This is an important book, brilliantly produced. Its light will linger a long, long time." — John R. Stilgoe, professor in the history of landscape, Harvard University * "[B]oth a rich work of performance art and a personal growth tool with many handles." — Boston Globe
When the biggest villain in the country makes you an offer you can't refuse, what should you do? In my case, I decided to accept that offer, made by Mr Vincent Vanzetti. Vanzetti hired me to find his missing daughter, Vittoria, while threatening reprisals should I fail in my task. While searching for Vittoria, I had to deal with the other members of the Vanzetti clan: Sherri, Vanzetti's second wife, at twenty-two the same age as Vittoria. Sherri was an 'actress', a porn star with ambitions to appear on Reality TV; Catrin, Vanzetti's granite-hard ex-wife, the power behind his criminal empire; and V.J. Parks, Vittoria's boyfriend, a boxer, a young man in his prime, in training for a shot at the world title.Meanwhile, closer to home, it was decision time for yours truly and my lover, Dr Alan Storey. Alan was keen on marriage while I was still coming to terms with my past and years of physical abuse. Could I find the courage to finally lay the ghosts of my past and pledge my future to Alan?Family Honour, the story of a villain and his family, the story of a moral dilemma. Should I kill in the name of justice, or should I allow a villain to walk free? In answering that question I discovered a lot about myself and the person I longed to be.
In this delightful new mystery our heroine Kat Stanford stumbles upon a hidden room in an abandoned wing at Honeychurch Hall. However, Kat's initial excitement soon ends in horror. There, lying on the cold, stone floor, Kat comes across the body of a young woman dressed in an Egyptian toga and wearing a tawdry fairground trinket around her broken neck. Suspicion falls on some of those who live at the Hall--both upstairs and down--and even those who are just been passing through. Matters come to a head as a killer lurks amid the aristocracy, and Downton Abbey fans will want more Killer Balls at Honeychurch Hall"--
Beginning with the famous opening to the Declaration of Independence ("When in the course of human events..."), almost all of Thomas Jefferson’s writings include creative, stylistically and philosophically complex references to time and history. Although best known for his "forward-looking" statements envisioning future progress, Jefferson was in fact deeply concerned with the problem of coming to terms with the impending loss or fragmentation of the past. As Hannah Spahn shows in Thomas Jefferson, Time, and History, his efforts to promote an exceptionalist interpretation of the United States as the first nation to escape from the "crimes and calamities" of European history were complicated both by his doubts about the outcome of the American experiment and by his skepticism about the methods and morals of eighteenth-century philosophical history. Spahn approaches the conundrum of Jefferson’s Janus-faced, equally forward- and backward-oriented thought by discussing it less as a matter of personal contradiction and paradox than as the expression of a late Newtonian Enlightenment, in a period between ancient and modern modes of explaining change in time. She follows Jefferson in his creation of an influential narrative of American and global history over the course of half a century, opening avenues into a temporal and historical imagination that was different from ours, and offering new assessments of the solutions Jefferson and his generation found (or failed to find) to central moral and political problems like slavery.
This book is based on the lectures given at the Oberwolfach Seminar held in Fall 2021. Logarithmic Gromov-Witten theory lies at the heart of modern approaches to mirror symmetry, but also opens up a number of new directions in enumerative geometry of a more classical flavour. Tropical geometry forms the calculus through which calculations in this subject are carried out. These notes cover the foundational aspects of this tropical calculus, geometric aspects of the degeneration formula for Gromov-Witten invariants, and the practical nuances of working with and enumerating tropical curves. Readers will get an assisted entry route to the subject, focusing on examples and explicit calculations.
A definitive, career-spanning, best-of tribute to a master of the modern American short story, featuring work from his final unpublished collection. A fitting summation of one of America’s greatest short story masters, this towering tribute features stories from Airships, Captain Maximus, Bats Out of Hell, High Lonesome, and Barry Hannah’s final unfinished collection, Long, Last, Happy. The astonishingly varied stories in this collection span nearly five decades of unremitting brilliance. Praised for writing “the most consistently interesting sentences of any writer in America” (Sven Birkerts), Hannah’s ferocious, glittering prose and sui generis worldview introduced readers to a literary New South—a fictional landscape that encompasses “women, God, lust, race, nature, gay Confederates, good old boys, bad old boys, guns, animals, fishing, fighting, cars, pestilence, surrealism, gritty realism, the future, and the past . . . tossed together in glorious juxtapositions” (Vanity Fair). Long, Last, Happy confirms Barry Hannah as one of our most brilliant voices. “Hannah is the Jimi Hendrix of American short fiction; an electrifying Mark Twain—a wailing genius of literary twang, reverb, feedback, and general sonic unholiness that results in grace notes so piercing you heart melts like an overloaded amp.” —Interview
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Ten grids that changed the world: the emergence and evolution of the most prominent visual structure in Western culture. Emblematic of modernity, the grid is the underlying form of everything from skyscrapers and office cubicles to paintings by Mondrian and a piece of computer code. And yet, as Hannah Higgins makes clear in this engaging and evocative book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears. The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are in the middle of an emergent grid that is reshaping the world, as grids do, in its image.
Provides a concise overview of the core undergraduate physics and applied mathematics curriculum for students and practitioners of science and engineering Fundamental Math and Physics for Scientists and Engineers summarizes college and university level physics together with the mathematics frequently encountered in engineering and physics calculations. The presentation provides straightforward, coherent explanations of underlying concepts emphasizing essential formulas, derivations, examples, and computer programs. Content that should be thoroughly mastered and memorized is clearly identified while unnecessary technical details are omitted. Fundamental Math and Physics for Scientists and Engineers is an ideal resource for undergraduate science and engineering students and practitioners, students reviewing for the GRE and graduate-level comprehensive exams, and general readers seeking to improve their comprehension of undergraduate physics. Covers topics frequently encountered in undergraduate physics, in particular those appearing in the Physics GRE subject examination Reviews relevant areas of undergraduate applied mathematics, with an overview chapter on scientific programming Provides simple, concise explanations and illustrations of underlying concepts Succinct yet comprehensive, Fundamental Math and Physics for Scientists and Engineers constitutes a reference for science and engineering students, practitioners and non-practitioners alike.
A profound reinterpretation of both the Dust Bowl on the U.S. southern plains and its relevance for today The 1930s witnessed a harrowing social and ecological disaster, defined by the severe nexus of drought, erosion, and economic depression that ravaged the U.S. southern plains. Known as the Dust Bowl, this crisis has become a major referent of the climate change era, and has long served as a warning of the dire consequences of unchecked environmental despoliation. Through innovative research and a fresh theoretical lens, Hannah Holleman reexamines the global socioecological and economic forces of settler colonialism and imperialism precipitating this disaster, explaining critical antecedents to the acceleration of ecological degradation in our time. Holleman draws lessons from this period that point a way forward for environmental politics as we confront the growing global crises of climate change, freshwater scarcity, extreme energy, and soil degradation.
HOMETOWN SECRETS Was the explosion that took the lives of Sarah Russell's parents an act of murder? Her teenage daughter thinks so and is determined to seek answers in the sleepy small town where Sarah grew up. Sarah fears the teen will uncover a secret she's not ready to share: everyone, including Sarah's daughter, believes the girl is Sarah's kid sister. Even the child's father doesn't know the truth. But as Sarah reunites with Nick Tyler to look into the mysterious deaths, she knows she'll have to tell him—and their daughter—the truth. Yet someone wants to ensure that no one uncovers any long-buried secrets.
This early feminist novel is a wickedly funny slice of mid-nineteenth-century Americana peppered with details of the era's freakish medical tactics and leavened with a smart and sassy commentary about the societal restraints on women's physical and intellectual abilities. First published in 1852, Delia's Doctors is one of four known novels by Hannah Gardner Creamer, an American writer whose life and career have been all but absent from the annals of American history. In the book, eighteen-year-old Delia Thornton is ill. Her condition, more psychological than physical, worsens during the bitter winter, even as doctor after doctor attempts to cure her. As Delia typifies the female heroine whose sickness is aggravated by listlessness and inactivity, her brother's financee Adelaide Wilmot, is Delia's more robust counterpart. Adelaide thinks she could do anything, if only she were a man, and she dreams of being a physician. Quick to point out the shortcomings of male doctors in treating female illnesses, Adelaide saves Delia and delivers a series of arguments against New England patriarchy. Nina Baym's introduction provides historical context and discusses the book's feminist perspectives.
In a powerful and original contribution to the history of ideas, Hannah Dawson explores the intense preoccupation with language in early-modern philosophy, and presents an analysis of John Locke's critique of words. By examining a broad sweep of pedagogical and philosophical material from antiquity to the late seventeenth century, Dr Dawson explains why language caused anxiety in various writers. Locke, Language and Early-Modern Philosophy demonstrates that developments in philosophy, in conjunction with weaknesses in linguistic theory, resulted in serious concerns about the capacity of words to refer to the world, the stability of meaning, and the duplicitous power of words themselves. Dr Dawson shows that language so fixated all manner of early-modern authors because it was seen as an obstacle to both knowledge and society. She thereby uncovers a novel story about the problem of language in philosophy, and in the process reshapes our understanding of early-modern epistemology, morality and politics.
Although many individuals identify as atheists, little is understood about the belief system beyond the simple lack of a belief in a higher power. Hannah K. Scheidt's Practicing Atheism: Culture, Media, and Ritual in the Contemporary Atheist Network unpacks the cultural products, both corporate-driven and grassroots, that carry messages about atheism to examine the complicated relationship between organized atheism and religion.
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