America is a land that drew families away from their native countries, many seeking to escape the turmoil of war and strife, others from overcrowding, poverty, famine, or pestilence. Follow the lives of three families living in a small town in rural Minnesota, where second and third generations plus new arrivals are paving a new way of life but still holding tight to the traditions and history of their ancestors. They share friendship and faith during the 1930s, when prohibition followed with the depression are woven into their life experiences. They led rich, full lives filled with laughter and sharing in spite of these adversities. Parents and grandparents were thankful that the children could grow up free from the fear and turmoil of war. They were grateful that they had found peace and the space for their families to not only grow but to excel in the peace and beauty of the Minnesota landscape. They were thankful that they had found the strength, courage, and fortitude to leave their ancestral homes to forge new lives, and that they had found . . . the courage to rise from the ashes.
Based on a true story and written by Hannah Howe, author of the Amazon #1 Sam Smith Mystery Series, Saving Grace, "the courtroom drama of the year."The Western Mail2 August 1876Sensation in the Charles Petrie Case!Readers may recall that a young banker, by name Mr Charles Petrie, with every opportunity of succeeding in his profession, and commanding a not illiberal income, returned home after riding his horse to dine with his wife, Grace, and her companion Mrs Quinn. During and after dinner he had nothing to excite him save the receipt of a letter which somewhat annoyed him, and that his wife consumed rather more wine than he considered to be good for her health. Immediately after retiring to his room he was seized with symptoms of irritant poisoning, and despite every effort made on his behalf, he succumbed to its effects. An inquest was held, which vexed the minds of the Coroner's jury to a degree without precedent in Coroners' Inquest Law, and an open verdict was returned. However, the matter will not rest there, for after questions in Parliament, a second inquest has been called under suspicion that Mr Charles Petrie was murdered.* * *Who poisoned Charles Petrie? Dr James Collymore, a man familiar with poisons, a man harbouring a dark secret that, if exposed, would ruin his career; Florrie, the maid who supplied Charles with his bedtime drink; Bert Kemp, a disgruntled groom, who used poisons in his work, who four months previously had predicted Charles' dying day; Mrs Jennet Quinn, a lady's companion with a deep knowledge of poisons, and a deep fear of dismissal; or Grace Petrie, Charles' wife of four months, a woman with a scandalous past, a woman shunned by polite society.With crowds flocking to the courtroom and the shadow of suspicion falling upon Grace in the shape of the hangman's noose, could dashing young advocate, Daniel Morgan, save her?
She came, I saw, I was conquered. In college, I didn't know two women making love was a mortal sin, but Lynn was Catholic and soon informed me. Ultimately, being lured by the beautiful liturgies of her church, I was baptized and entered a religious order dedicated to serving disturbed adolescent girls. After twelve years of joyous and deeply satisfying experiences, a misunderstanding with a superior and grave doubts about my vocation made the next five years most painful. At age forty-one, dispensed from my vows and determined to be heterosexual, I discover a world terrifyingly different from the one I had left seventeen years before. After workingt at a job I hated, during which time I am married briefly, am rejected by my family and am nearly murdered by a man I try to help, in desperation, I drop out and become a hippie, finding time to read and seek out possibilities for rebuilding my life. I finally meet some lesbian feminists who help set me securely on my way.
The start of a BRAND NEW series from Hannah Lynn, bestselling author of the Holly Berry Sweet Shop series! New starts and hopeful hearts... At 25, Daisy May’s life is not living up to expectations. Her childhood dreams of being an artist feel as unachievable as a committed relationship or managing to save enough money for a deposit on a house. But a surprise inheritance could change all that. After Daisy learns she’s now the new owner of a forty-foot narrow boat, she sets out for Wildflower Lock, where the fresh country breeze and the calm water is enough to assure her everything will be okay. With the help of the ruggedly attractive, yet grumpy riverman, Theo, she begins to work on her new home, the September Rose. Can she breathe new life into the old boat and learn to navigate not only the canals themselves, but also the people who live there? Or will the whole venture pull her under?
Pure escapism and highly recommended' ★★★★★ Going to the chapel, but will they get married? After the holiday romance to beat all other holiday romances, it’s back to regular life for Holly Berry, and the sweet shop is busier than ever. With Jamie and Fin’s wedding coming up, Holly is rushed off her feet, making sure their big day is perfect. So when her handsome boyfriend comes to visit, she is both elated to see him and overwhelmed. She wants to show Evan all the things she loves about her village, as well as introducing him to baby Hope, but how can she find the time?! Evan offers to lend a helping hand in the shop, and as he gets to know the locals, this loud and proud American certainly makes an impression. But Holly knows she can’t get used to this – because it won’t be long until he has to go home. Can she make the most of the summer, with everyone she loves finally in the same place, or will she let the hectic wedding planning get the better of her? A heartwarming romance set in the beautiful Cotswolds, perfect for fans of Holly Martin and Jessica Redland 'A real feel good read. With the beautiful backdrop of the Cotswold countryside and the delightful sweet shop what could possibly go wrong?' ★★★★★ Reader Review 'I loved this book a lot! The romance was so sweet. And the setting was perfect.' ★★★★★ Reader Review 'I've loved everything about this book and this series. Hannah Lynn has become an instant read author for me' ★★★★★ Reader Review _ _ Praise for Hannah Lynn: 'A delightful, well written tale, full of wonderful characters in a charming setting. I loved it!' Katie Fforde 'Gosh, what a story, I hope that you enjoy it as much as I have. It's full of love and friendship' ★★★★★ Reader Review 'Hannah Lynn has a way of putting stories together that are enchanting' ★★★★★ Reader Review
Hannah Callender Sansom (1737-1801) witnessed the effects of the tumultuous eighteenth century: political struggles, war and peace, and economic development. She experienced the pull of traditional emphases on duty, subjection, and hierarchy and the emergence of radical new ideas promoting free choice, liberty, and independence. Regarding these changes from her position as a well-educated member of the colonial Quaker elite and as a resident of Philadelphia, the principal city in North America, this assertive, outspoken woman described her life and her society in a diary kept intermittently from the time she was twenty-one years old in 1758 through the birth of her first grandchild in 1788. As a young woman, she enjoyed sociable rounds of visits and conviviality. She also had considerable freedom to travel and to develop her interests in the arts, literature, and religion. In 1762, under pressure from her father, she married fellow Quaker Samuel Sansom. While this arranged marriage made financial and social sense, her father's plans failed to consider the emerging goals of sensibility, including free choice and emotional fulfillment in marriage. Hannah Callender Sansom's struggle to become reconciled to an unhappy marriage is related in frank terms both through daily entries and in certain silences in the record. Ultimately she did create a life of meaning centered on children, religion, and domesticity. When her beloved daughter Sarah was of marriageable age, Hannah Callender Sansom made certain that, despite risking her standing among Quakers, Sarah was able to marry for love. Long held in private hands, the complete text of Hannah Callender Sanson's extraordinary diary is published here for the first time. In-depth interpretive essays, as well as explanatory footnotes, provide context for students and other readers. The diary is one of the earliest, fullest documents written by an American woman, and it provides fresh insights into women's experience in early America, the urban milieu of the emerging middle classes, and the culture that shaped both.
Vibrant...This stands out from the pack of feminist takes on Greek mythology." — Publishers Weekly "Lynn is a rising star in the world of mythology-based fiction." — Booklist STARRED review A daughter pulled between two worlds and a mother willing to destroy both to protect her... Demeter: a goddess of life, living half of one. Demeter did not always live in fear. Once, she loved the world and the humans who inhabited it. After an act of devastating violence, though, she hides herself away among the grasses and wildflowers. Her only solace is her daughter... Before she was Persephone, she was Core. Core is as bright as summer and devoted to her mother, even during their millennia in exile from Olympus. But she craves freedom. Naïve and determined, she secretly builds a life of her own—and as she does so, she catches the eye of a powerful god... The daughters of Olympus will have the last word... Then Hades kidnaps Core and renames her as Queen of the Underworld. In the land without sun, she realizes she may have a chance to gain back what she thought she'd lost forever. But Demeter will destroy anything—even the humans she holds so dear—to bring her daughter back. A mother who has lost everything and a daughter with more to gain than she ever realized, they will irrevocably shape the world: all in the name of something as human as love. A lush, emotional read perfect for fans of Madeleine Miller and Claire Heywood, this is the story of Persephone and Demeter.
Unbeknown to Harry and Saffy the evil Vuples Syndicate have infiltrated the peaceful countryside of Hiddeyhole and Tail and set up an international crime ring trading in the illicit Mousee and Blood Diamonds. Harry’s and Saffy’s new found friends from Spy School must help them to overcome Mr Vernon Fox, Rubeeee Roxy Foxy, Callum Cocky Fox and Gunky Fox along with the rattus rattus gang to bring peace again to their beautiful farm. Will they be able to crack the codes? Will Forest Teriyaki McTwittle, the Thane of Felinnnne be able to stay away from the Mousee?.
An ALA Sydney Taylor Award Honoree A Junior Library Guild Selection Isabel has one rule: no dating. It’s easier— It’s safer— It’s better— —for the other person. She’s got issues. She’s got secrets. She’s got rheumatoid arthritis. But then she meets another sick kid. He’s got a chronic illness Isabel’s never heard of, something she can’t even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who’s a doctor. He’s gorgeous, fun, and foul-mouthed. And totally into her. Isabel has one rule: no dating. It’s complicated— It’s dangerous— It’s never felt better— —to consider breaking that rule for him.
The doctrine of the Trinity poses a series of problems for feminist theology. At a basic level, the androcentric nature of trinitarian language serves to promote the male as more fully in the image of God and as the archetype of humanity, pushing women to the margins of personhood. It is no surprise then that feminist scholarship on this doctrine has often focused on what's wrong with the Trinity, setting out the problems raised by the use of traditional androcentric trinitarian language. This book brings together a discussion of feminist theological methodology with a critical exploration of the doctrine of the Trinity. Focussing on what's right with the Trinity as opposed to what's wrong with the Trinity, it considers the usefulness of this doctrine for feminist theology today. It replaces a stress on trinitarian language with an emphasis on trinitarian thought, exploring how we might effectively think rather than speak God in light of feminist concerns. In particular, it asks how a trinitarian understanding of God might support, and be supported by, key values which underpin a feminist way of doing theology, specifically values which underpin the methodological use of women's experience in feminist theology. The central argument is that thinking God as Trinity need not serve to reinforce patriarchal values and ideals but may in fact promote the subjectivity and personhood of women.
The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
From the rise of the Pan-Maya Movement in Guatemala and the Zapatista uprising in Mexico to the Water and Gas Wars in Bolivia and the Idle No More movement in Canada, the turn of the twenty-first century has witnessed a notable surge in Indigenous political action as well as an outpouring of texts produced by Native authors and poets. Throughout the Americas—Abiayala, or the “Land of Plenitude and Maturity” in the Guna language of Panama—Indigenous people are raising their voices and reclaiming the right to represent themselves in politics as well as in creative writing. Revealing Rebellion in Abiayala explores the intersections between Indigenous literature and social movements over the past thirty years through the lens of insurgent poetics. Author Hannah Burdette is interested in how Indigenous literature and social movements are intertwined and why these phenomena arise almost simultaneously in disparate contexts across the Americas. Literature constitutes a key weapon in political struggles as it provides a means to render subjugated knowledge visible and to envision alternatives to modernity and coloniality. The surge in Indigenous literature and social movements is arguably one of the most significant occurrences of the twenty-first century, and yet it remains understudied. Revealing Rebellion in Abiayala bridges that gap by using the concept of Abiayala as a powerful starting point for rethinking inter-American studies through the lens of Indigenous sovereignty.
Winner, Next Generation Indie Book Awards - Women's Nonfiction Best Book of 2020, National Law Journal The inspiring and previously untold history of the women considered—but not selected—for the US Supreme Court In 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph. Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women. In addition to filling a notable historical gap, the book exposes the tragedy of the shortlist. Listing and bypassing qualified female candidates creates a false appearance of diversity that preserves the status quo, a fate all too familiar for women, especially minorities. Shortlisted offers a roadmap to combat enduring bias and discrimination. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.
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