Growing up on a modest family farm in rural Ontario, Jane Ovington was never the delecate flower that her mother might have imagined her to be. Instead, Jane was a rough and tumble tomboy who was known to enjoy time in the barn, skipping school for an impromptu hunt, or mixing it up with the boys who dared to pick a fight. As the years passed, Jane roused less rabble and opted to marry her childhood sweetheart, build a home, raise a family. and eventually transition into the off-farm workforce. She did this without letting go of her cheerful and humourous personality, and without forgetting her cherished family roots and childhood lessons of a simpler time. Plain Jane preserves and shares these stories. Whether viewed through a local history lens, or as a lookback at the Ovington family, these recollections are informative, entertaining, and they offer something for everyone.
Growing up on a modest family farm in rural Ontario, Jane Ovington was never the delecate flower that her mother might have imagined her to be. Instead, Jane was a rough and tumble tomboy who was known to enjoy time in the barn, skipping school for an impromptu hunt, or mixing it up with the boys who dared to pick a fight. As the years passed, Jane roused less rabble and opted to marry her childhood sweetheart, build a home, raise a family. and eventually transition into the off-farm workforce. She did this without letting go of her cheerful and humourous personality, and without forgetting her cherished family roots and childhood lessons of a simpler time. Plain Jane preserves and shares these stories. Whether viewed through a local history lens, or as a lookback at the Ovington family, these recollections are informative, entertaining, and they offer something for everyone.
The ability to achieve economic security through hard work is a central tenet of the American Dream, but significant shifts in today’s economy have fractured this connection. While economic insecurity has always been a reality for some Americans, Black Americans have historically long experienced worse economic outcomes than Whites. In Work in Black and White, sociologists Enobong Hannah Branch and Caroline Hanley draw on interviews with 80 middle-aged Black and White Americans to explore how their attitudes and perceptions of success are influenced by the stories American culture has told about the American Dream – and about who should have access to it and who should not. Branch and Hanley find that Black and White workers draw on racially distinct histories to make sense of today’s rising economic insecurity. White Americans have grown increasingly pessimistic and feel that the American Dream is now out of reach, mourning the loss of a sense of economic security which they took for granted. But Black Americans tend to negotiate their present insecurity with more optimism, since they cannot mourn something they never had. All educated workers bemoaned the fact that their credentials no longer guarantee job security, but Black workers lamented the reality that even with an education, racial inequality continues to block access to good jobs for many. The authors interject a provocative observation into the ongoing debate over opportunity, security, and the American Dream: Among policymakers and the public alike, Americans talk too much about education. The ways people navigate insecurity, inequality, and uncertainty rests on more than educational attainment. The authors call for a public policy that ensures dignity in working conditions and pay while accounting for the legacies of historical inequality. Americans want the game of life to be fair. While the survey respondents expressed common ground on the ideal of meritocracy, opinions about to achieve economic security for all diverge along racial lines, with the recognition – or not – of differences in current and past access to opportunity in America. Work in Black and White is a call to action for meaningful policies to make the premise of the American Dream a reality.
An ALA Sydney Taylor Award Honoree A Junior Library Guild Selection Isabel has one rule: no dating. It’s easier— It’s safer— It’s better— —for the other person. She’s got issues. She’s got secrets. She’s got rheumatoid arthritis. But then she meets another sick kid. He’s got a chronic illness Isabel’s never heard of, something she can’t even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who’s a doctor. He’s gorgeous, fun, and foul-mouthed. And totally into her. Isabel has one rule: no dating. It’s complicated— It’s dangerous— It’s never felt better— —to consider breaking that rule for him.
Hannah Shah is an Imam's daughter. She lived the life of a devout Muslim in a family of Pakistani Muslims in England, but behind the front door, she was a caged butterfly. For many years, her father abused her in the cellar of their home. At sixteen, she discovered a plan to send her to Pakistan for an arranged marriage, and she gathered the courage to run away. Relentlessly hunted by her angry father and brothers, who were intent on executing an "honor" killing, she moved from house to house in perpetual fear to escape them. Over time, she converted to Christianity and was able to live and marry as she wished. Hannah found the courage to live her life free from shame, free from religious intolerance, and free from the abuse that haunted her childhood. This is a remarkable true story of how a young girl escaped a life of torture . . . a story you won't forget.
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right. When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time. Written in the 1850's by a runaway slave, THE BONDSWOMAN'S NARRATIVE is a provocative literary landmark and a significant historical event that will captivate a diverse audience.
Sixteen-year-old Maddie Hickman is seeking solace from her sophomore year of high school as a counselor-in-training at a hippy summer camp, where she only finds more drama in the form of a fellow counselor who came to camp to heal from the loss of his dead girlfriend, who unfortunately looked exactly like Maddie.
A profound reinterpretation of the Dust Bowl on the U.S. southern plains and its relevance for today The 1930s witnessed a harrowing social and ecological disaster, defined by the severe nexus of drought, erosion, and economic depression that ravaged the U.S. southern plains. Known as the Dust Bowl, this crisis has become a major referent of the climate change era, and has long served as a warning of the dire consequences of unchecked environmental despoliation. Through innovative research and a fresh theoretical lens, Hannah Holleman reexamines the global socioecological and economic forces of settler colonialism and imperialism precipitating this disaster, explaining critical antecedents to the acceleration of ecological degradation in our time. Holleman draws lessons from this period that point a way forward for environmental politics as we confront the growing global crises of climate change, freshwater scarcity, extreme energy, and soil degradation.
From the author of The Improbability of Love: a dazzling novel both satirical and moving, about an eccentric, dysfunctional family of English aristocrats, and their crumbling stately home that reminds us how the lives and hopes of women can still be shaped by the ties of family and love. For more than seven hundred years, the vast, rambling Trelawney Castle in Cornwall--turrets, follies, a room for every day of the year, four miles of corridors and 500,000 acres--was the magnificent and grand "three dimensional calling card" of the earls of Trelawney. By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife, Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Four women dominate the story: Jane; Kitto's sister, Blaze, who left Trelawney and made a killing in finance in London, the wildly beautiful, seductive, and long-ago banished Anastasia and her daughter, Ayesha. When Anastasia sends a letter announcing that her nineteen-year-old daughter, Ayesha, will be coming to stay, the long-estranged Blaze and Jane must band together to take charge of their new visitor--and save the house of Trelawney. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together.
Life in a Black Community: Striving for Equal Citizenship in Annapolis, Maryland, 1902-1952 tells the story of a struggle over what it meant to be a citizen of a democracy. For blacks, membership in a democracy meant full and equal participation in the life of the town. For most whites, it meant the full participation of only its white citizens, based on the presumption that their black neighbors were less than equal citizens and had to be kept down. All the dramas of the Jim Crow era—lynching, the KKK, and disenfranchisement, but also black boycotts, petitioning for redress of grievances, lawsuits, and political activism—occurred in Annapolis. As they were challenging white prejudice and discrimination, tenacious black citizens advanced themselves and enriched their own world of churches, shops, clubs, and bars. It took grit for black families to survive. As they pressed on, life slowly improved—for some. Life in a Black Community recounts the tactics blacks used to gain equal rights, details the methods whites employed to deny or curtail their rights, and explores a range of survival and advancement strategies used by black families.
A compelling story of hidden secrets and forbidden love, from the bestselling author of The Secrets of the Tides 'If she could reach back through the years and warn the person she once was, what would she say? ... What would she say to the ghosts who now inhabit her days? So many of those she has loved are now nothing but dust and memory.' At twenty-six, Lillian feels trapped by life. Her marriage to Charles Oberon has not turned out the way she expected it would. To her it seems she is just another object captured within the walls of Cloudesley, her husband's beautiful manor house tucked away high in the Chiltern Hills. But, with a young step-son and a sister to care for, Lillian accepts there is no way out for her. Then Charles makes an arrangement with an enigmatic artist visiting their home and his presence will unbalance everything she thought she knew and understood. Maggie Oberon ran from the hurt and resentment she caused. Half a world away, in Australia, it was easier to forget, to pretend she didn't care. But when her elderly grandmother, Lillian, falls ill she must head back to Cloudesley. Forced to face her past, Maggie fights to hold herself and her family's legacy together as she learns that all she thought was real, all that she held so close, was never as it seemed. Two summers, decades apart. Two women whose lives are forever entwined. And a house that holds the dark secrets that could free them both.
Hannah Josephine Benner Roach (1907-1976) was a distinguished genealogist & also an architect & historian. This volume of selected examples of her published articles represents something of the breadth of her interests & abilities, as well as her meticulous care as a researcher in genealogy. Contents: The Blackwell Rent Roll, 1689; Philadelphia Business Directory, 1690; Taxables in Chestnut, Middle & South Wards Philadelphia, 1754; Taxables in the City of Philadelphia, 1756; Philadelphia¿s Colonial Poor Laws, & Taxables in Chestnut, Walnut & Lower Delaware Wards, Philadelphia, 1767; & Genealogical Gleanings from Dr. Rush¿s Ledger A.
Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
Celebrated painter Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for almost anything, and with a prodigious taste for drugs, girls, alcohol, movies, rock and roll, books, parties, and everything else the city had to offer. Taken directly from the notebooks Hannah kept throughout the decade, Twentieth-Century Boy is a fascinating, sometimes lurid, and incredibly entertaining report from a now almost mythical time and place. Full of outrageously bad behavior, naked ambition, fantastically good music, and evaporating barriers of taste and decorum, and featuring cameos from David Bowie, Andy Warhol, Patti Smith, and many more, it is a rollicking account of an artist’s coming of age.
We all have biases and our biases, whether conscious or not, can prevent us from teaching and supporting children equitably. We cannot turn a blind eye to this, no matter how uncomfortable it may feel to tackle the difficult questions. This groundbreaking book is a must-read for all early years professionals working with babies, toddlers, young children, and their families. Its practical and accessible guidance provides the tools and techniques you need to identify and confront discriminatory practices, with strategies to break down barriers and tackle these complicated issues sensitively and constructively. Reflective questions facilitate active engagement with a wealth of case studies and encourage you to evaluate your own practice. Each chapter builds your confidence and ability to create dynamic and anti-racist learning environments that embrace and celebrate difference and will ensure your setting fosters a positive sense of identity and belonging. Let’s Talk About Race in the Early Years gives practitioners the language and tools they need to create an environment where all children can shine and is essential reading for all early years professionals.
The doctrine of the Trinity poses a series of problems for feminist theology. At a basic level, the androcentric nature of trinitarian language serves to promote the male as more fully in the image of God and as the archetype of humanity, pushing women to the margins of personhood. It is no surprise then that feminist scholarship on this doctrine has often focused on what's wrong with the Trinity, setting out the problems raised by the use of traditional androcentric trinitarian language. This book brings together a discussion of feminist theological methodology with a critical exploration of the doctrine of the Trinity. Focussing on what's right with the Trinity as opposed to what's wrong with the Trinity, it considers the usefulness of this doctrine for feminist theology today. It replaces a stress on trinitarian language with an emphasis on trinitarian thought, exploring how we might effectively think rather than speak God in light of feminist concerns. In particular, it asks how a trinitarian understanding of God might support, and be supported by, key values which underpin a feminist way of doing theology, specifically values which underpin the methodological use of women's experience in feminist theology. The central argument is that thinking God as Trinity need not serve to reinforce patriarchal values and ideals but may in fact promote the subjectivity and personhood of women.
Inside the Invisible investigates the life and works of Turner Prize-winning Black British artist and curator Lubaina Himid (CBE) to provide the first study of her lifelong determination to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery.
Hysterical Water is a collection of fierce, funny, feminist poems, prose poems, and essays with poems woven through them, all connected by threads associated with female “hysteria” and motherhood. Hannah Baker Saltmarsh troubles the historic pseudodiagnostic term hysteria as both a constraining mode used to contain and silence women and as a mode that oddly freed women to behave outside the bounds of social norms. The poems in this collection question the way maternal thinking, sexuality, affect, and creativity have been dismissed as hysterical. Saltmarsh reclaims the word hysteria by arguing that women poets might, in art as in life, celebrate incongruous emotional experiences. Drawing on and reshaping an intriguing array of source materials, Saltmarsh borrows from the language of uncontrollable emotion, excess, cure, remedy, and cult-like obsession to give shape not only to the maternal body but also to a hysterical textual one. She revisits selective silence and selective speech in everyday crises of feelings, engages meaningful “anticommunication” through odd gestures and symbols, and indulges in nonsensical dream-speak, among other tactics, to carve a feminist poetics of madness out of the masculinist discourse that has located in the woman the hysteric.
Tells the story of a deaf African-American man born in the Jim Crow South who, though sane, was incarcerated in a North Carolina state hospital for the insane for nearly all of his life.
This nail-biting addition to Hannah Dennison's Honey Church Hall mystery series, Murderous Mayhem at Honeychurch Hall is not to be missed. "An enjoyable, lighthearted read, just the thing to chase the blues away." —M.C. Beaton When the only copy of Ravished, Iris Stanford’s new manuscript, never arrives at her London publisher’s office, her daughter Kat investigates the tiny local village post office, where it appears the package never left the building. Iris is on tenterhooks—not only is her novel gone with the wind, but she’s deathly afraid that Muriel Jarvis, the postmistress and notorious busybody, will expose her secret identity as the bestselling romance writer Krystalle Storm. Meanwhile, Muriel has her own problems with the sudden death of her husband Fred, which has left her heavily in debt. In the spine-tingling climax, both past and present collide as Kat fights for her life and those she holds most dear, dancing once again with the dark forces lurking behind the grandeur of Honeychurch Hall.
Hannah M Cotton’s collected papers focus on questions which have fascinated her for over four decades: the concrete relationships between law, language, administration and everyday life in Judaea and Nabataea in particular, and in the Roman world as a whole. Many of the papers, especially those devoted to the Judean Desert documents of the 2nd century CE have been widely cited. Others, having appeared in less accessible publications, may not have received the attention they deserve. On the whole, rather than addressing the grand narratives of world or national history, they look at the texture of life, seeking to provide tentative answers to historical questions and interpretations by paying fine attention to the details of literary and, especially, documentary evidence. Taken together they illuminate fundamental, often legal, questions concerning daily life and the exercise of Roman rule and administration in the early imperial period, and especially, their impact on life as it was lived in the province and the period where Roman and Jewish history fatefully intersected. The volume includes a complete bibliography of her publications.
How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? In A Sentimental Education, Hannah McGregor, the podcaster behind Witch, Please and Secret Feminist Agenda, explores what podcasting has taught her about doing feminist scholarship not as a methodology but as a way of life. Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning. In part this book is a memoir of one person’s education as a reader and a thinker, and in part it is an analysis of some of the genres and aesthetic modes that have been sites of feminist meaning-making: the sentimental, the personal, the banal, and the relatable. Above all, it is a meditation on what it means to care deeply and to know that caring is both necessary and utterly insufficient. In the tradition of feminist autotheory, this collection works outward from the specificity of McGregor’s embodied experience – as a white settler, a fat femme, and a motherless daughter. In so doing, it invites readers to reconsider the culture, media, political structures, and lived experiences that inform how we move through the world separately and together.
Inclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts. In Inclusive Arts Practice Alice Fox and Hannah Macpherson interview artists, curators and key practitioners in the UK and US. The authors introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work sits within contemporary art and critical theory. The book inhabits the philosophy of Inclusive Arts practice: with Jo Offer, Alice Fox and Kelvin Burke making up the design team behind the striking look of the book. The book also includes essays and illustrated statements, and has over 100 full-colour images. Inclusive Arts Practice represents a landmark publication in an emerging field of creative practice across all the arts. It presents a radical call for collaboration on equal terms and will be an invaluable resource for anyone studying, researching or already working within this dynamic new territory.
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