This is the first comprehensive history of the chemistry department at Imperial College London. Based on archival records, oral testimony, published papers, published and unpublished memoirs, the book tells the story of this world-famous department from its foundation as the Royal College of Chemistry in 1845 to the large department it had become by the year 2000.The book covers research, teaching, departmental governance, students and social life. It also highlights the extraordinary contributions made to the war effort in both the first and second world wars. From its first professors, A. Wilhelm Hofmann and Edward Frankland, the department has been home to many eminent chemists, including, in the later twentieth century, the Nobel laureates Derek Barton and Geoffrey Wilkinson. New information on these and many others is presented in a lively narrative that places both people and events in the larger historical contexts of chemistry, politics, culture and the economy. The book will interest not only those connected with Imperial College, but anyone interested in chemistry and its history, or in higher
In 1973, the American Psychiatric Association decided to publish a revised edition of their Diagnostic and Statistical Manual (DSM). There was great hope that a new manual would display psychiatry as a scientific field and aid in combating the attacks of an aggressive anti-psychiatry movement that had persisted for more than a decade. The Making of DSM-III® is a book about the manual that resulted in 1980-DSM-III-a far-reaching revisionist work that created a revolution in American psychiatry. Its development precipitated a historic clash between the DSM-III Task Force--a group of descriptive, empirically oriented psychiatrists and psychologists--and the psychoanalysts the Task Force was determined to dethrone from their dominance in American psychiatry. DSM-III also inaugurated an era in which it and the diagnostic manuals that followed played enormous roles in the daily lives of persons and organizations all over the world, for the DSMs have been translated into many languages. The radical revision process was led by the psychiatrist Robert L. Spitzer, a many-talented man of great determination, energy, and tactical skills, arguably the most influential psychiatrist of the second half of the 20th Century. Spitzer created as major a change in descriptive psychiatry and classification as had the renowned German psychiatrist Emil Kraepelin, almost a century earlier. Kraepelin had been the epochal delineator of dementia praecox from manic-depressive illness, the forerunners of modern schizophrenia and bipolar disorder. In her book, Hannah Decker portrays the many internal and external battles that roiled the creation of DSM-III and analyzes both its positive achievements and significant drawbacks. She also astutely explores the deleterious effects of the violent swings in scientific orientation that have dominated psychiatry over the past 200 years and are still alive today. Decker has written a revealing and exciting book that is based on archival sources never before used as well as extensive interviews with the psychiatrists and psychologists who have brought into being the psychiatry we know today.
Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow illustrates the ways in which Sokolow's choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s-1960s in the United States, Mexico, and Israel. Drawing upon extensive archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow's statements for workers' rights, anti-racism, and the human condition through her choreography for social change alongside her dancing and teaching for Martha Graham. Tracing a catalog of dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies the Negro Cultural Committee, New York State Committee for the Communist Party, Federal Theatre Project, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow's work in conjunction with developments in ethnic definitions, diaspora, and nationalism in the US, Mexico, and Israel.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING "This is what journalism is for." —Observer Time to Think goes behind the headlines to reveal the truth about the collapse of the world's largest gender service for children." Are we hurting children?" That's the core question at the heart of Time to Think, which exposes the truth about the rise and fall of the United Kingdom's flagship gender identity clinic for children. Answering in the affirmative, it exposes how ideology triumphed over evidence within this part of the healthcare system. In the process, child safeguarding was overlooked and pediatric patients were medically harmed. As investigative journalist Hannah Barnes reveals, the Tavistock's Gender Identity Development Service (GIDS) was set up initially to provide talking therapies to young people who were questioning their gender identity. But in a little over a decade, it referred around two thousand children, some as young as nine years old, for medication to block their puberty. In the same period, with ever-greater numbers of children in need of treatment, the profile of the patients changed from largely pre-pubescent boys to mostly adolescent girls, who were often contending with other medical and psychological difficulties. GIDS was shut down by English health authorities in March 2024 and new services will not be able to prescribe these profound medical interventions. Yet, GIDS's approach to treating children with gender identity distress was, in fact, more cautious than that observed in other countries— including, notably, in the United States.This urgent, scrupulous and dramatic book explains how GIDS was the site of a serious medical scandal. As this scandal continues to unfold and even accelerate within other institutions and across countries, it is a gripping parable and disturbing cautionary tale for our times.
Gen Y has been picked apart by analysts, statistics, and trend reports, which often portray 20-somethings in negative, one-dimensional terms like "entitled" and "whiners". In this thought-provoking new book that aims to dispel these stereotypes, journalist Hannah Seligson chronicles the lives of seven individuals who embody this generation, exploring their challenges and ambitions in vivid detail and sketching a picture, through their eyes, of what life is actually like for young adults. Through these first-hand stories, readers will discover the transformational effect this enterprising, open-minded, innovative, and diverse generation is having on society. “Zeitgeist reporter Hannah Seligson details this new path to adulthood in a book that promises to be illuminating, surprising, and provocative— both for Gen Y readers themselves and for people who want to understand this charming yet sometimes infuriating generation. I need this book. What is “nexting” and “jacked”? —Gretchen Rubin, New York Times Bestselling Author of THE HAPPINESS PROJECT and HAPPIER AT HOME
A popular one-semester/quarter course offered at both 2-year and 4-year schools and taught by either the Health Sciences division or the Physical Education department. This is a survey of various health-related topics, such as nutrition, exercise, sexuality, substance abuse, disease, etc., usually with an emphasis on applying the concepts to students' own lives.
Christian Thought in America: A Brief History is a short, accessible overview of the history of Christian thought in America, from the Puritans and other colonials to the beginning of the twenty-first century. Moving chronologically, each chapter addresses a historical segment, focusing on key movements and figures and tracing general trends and developments. The book conveys a sense of the liveliness and creativity of the ongoing theological debates. Each chapter concludes with a short bibliography of recent scholarship for further reading.
A bold woman sets out to reclaim the laird she loves in this novel of fifteenth-century Scotland from a New YorkTimes–bestselling author. Sir Diarmot MacEnroy, deciding his illegitimate children need a mother and his keep needs a proper lady, now stands before the altar with a gentle bride he hopes is too shy to disrupt his life or break his heart. The nuptials, however, are interrupted by the appearance of a flame‐haired beauty carrying two babies, boldly claiming that she is his wife and mother of his twin infant sons. Armed with her seven large brothers, she has come to demand her dues. Having waited one year for the return of the handsome laird who wed her, bedded her, then disappeared, Ilsa Campbell MacEnroy takes matters into her own hands and sets out to reclaim the man she briefly and passionately loved. Stunned by his denial, her heart softens when she learns of the injury that has ravaged his memory. Now she faces the nearly impossible task of conquering his past—and his fierce reluctance to share his heart. Though desire flares hot and wild between them, it will take more to win his trust. It will take the magic touch of a woman in love.
From the award-winning author of Break and Teeth comes a raw and honest exploration of complicated identities in a novel about a girl living on the fringe of every fringe group in her small town. Etta is tired of dealing with all of the labels and categories that seem so important to everyone else in her small Nebraska hometown. Everywhere she turns, someone feels she’s too fringe for the fringe. Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere—until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca might be Etta’s salvation…but can Etta be saved by a girl who needs saving herself?
3500 Days of Summer is an enticingly addictive read. In the same vein as The Devil Wears Prada or The Nanny Diaries, 3500 Days of Summer is a blistering kiss-and-tell about the international resort industry. You'll be amazed at the dysfunctional lives of these people. A former nine-to-five investment banker, Hannah is literally thrown to the sharks for his first resort assignment in the Caribbean as a glorified bookkeeper for the resort's scuba team. Though Hannah is vastly over-educated for this job, he seems to take perverse pleasure in the non-stop abuse he suffers at the hands of sophisticated European travellers and staff. In an enviroment where the average work schedule is sixteen hours seven days a week, Hannah endures midnight rehearsals, tyrannical resort managers and the amorous attentions of a never-ending supply of beautiful women relentlessly throwing themselves at him. 3500 Days does for resorts what Animal House did for higher education.
NEW YORK TIMES BESTSELLER • Multi-award-winning Hannah Gadsby broke comedy with her show Nanette when she declared that she was quitting stand-up. Now she takes us through the defining moments in her life that led to the creation of Nanette and her powerful decision to tell the truth—no matter the cost. “Hannah is a Promethean force, a revolutionary talent. This hilarious, touching, and sometimes tragic book is all about where her fires were lit.”—Emma Thompson ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Entertainment Weekly, PopSugar “There is nothing stronger than a broken woman who has rebuilt herself,” Hannah Gadsby declared in her show Nanette, a scorching critique of the way society conducts public debates about marginalized communities. When it premiered on Netflix, it left audiences captivated by her blistering honesty and her singular ability to take them from rolling laughter to devastated silence. Ten Steps to Nanette continues Gadsby’s tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time. Gadsby grew up as the youngest of five children in an isolated town in Tasmania, where homosexuality was illegal until 1997. She perceived her childhood as safe and “normal,” but as she gained an awareness of her burgeoning queerness, the outside world began to undermine the “vulnerably thin veneer” of her existence. After moving to mainland Australia and receiving a degree in art history, Gadsby found herself adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. At age twenty-seven, without a home or the ability to imagine her own future, she was urged by a friend to enter a stand-up competition. She won, and so began her career in comedy. Gadsby became well known for her self-deprecating, autobiographical humor that made her the butt of her own jokes. But in 2015, as Australia debated the legality of same-sex marriage, Gadsby started to question this mode of storytelling, beginning work on a show that would become “the most-talked-about, written-about, shared-about comedy act in years” (The New York Times). Harrowing and hilarious, Ten Steps to Nanette traces Gadsby’s growth as a queer person, to her ever-evolving relationship with comedy, and her struggle with late-in-life diagnoses of autism and ADHD, finally arriving at the backbone of Nanette: the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling.
In a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood. Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.
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