Glorious... it's funny from the start.' – The Daily Mail 'Delightfully quirky, joyful and original... it will help you bounce exuberantly into spring' – Adele Parks 'If you loved Lessons in Chemistry by Bonnie Garmus, you'll love to snuggle up with this novel!' – Chat The most joyful book you will read this year! Violet Hamilton is a woman who knows her own mind. Which, in Victorian Hastings, can make things a little complicated... At 28, Violet's father is beginning to worry she will never find a husband. But every suitor he presents, Violet finds a new and inventive means of rebuffing. Because Violet does not want to marry. She wants to work, and make her own way in the world. But more than anything, she wants to find her mother Lily, who disappeared from Hastings Pier 10 years earlier. Finding the missing is no job for a lady, but when Violet hires a seaside detective to help, she sets off a chain of events that will put more than just her reputation at risk. Can Violet solve the mystery of Lily Hamilton's vanishing before it's too late? A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels.
***Hannah Dolby's latest instalment of the adventures of Lady Detective Violet Hamilton is available for pre-order now!*** Violet Hamilton is no ordinary lady... She is a Lady Detective, who spends her time solving mysteries and unveiling scandals in the bustling seaside town of Hastings and St Leonards, a popular spot for the Victorian middle classes. But when the body of a local woman is found on the beach, Violet's efforts to investigate are blocked at every turn. Is that because, as a woman, she can't possibly be allowed to think or act for herself? Or is it because someone sinister has Violet in their sights? Jane Austen meets Sherlock Holmes in this delightful mystery of manners that will steal your heart, and transport you to a world of seaside scandal and moonlit balls; dubious doctors and duplicitous crooked lords; adventurous escapades and stolen kisses.
Hannah Josephine Benner Roach (1907-1976) was a distinguished genealogist & also an architect & historian. This volume of selected examples of her published articles represents something of the breadth of her interests & abilities, as well as her meticulous care as a researcher in genealogy. Contents: The Blackwell Rent Roll, 1689; Philadelphia Business Directory, 1690; Taxables in Chestnut, Middle & South Wards Philadelphia, 1754; Taxables in the City of Philadelphia, 1756; Philadelphia¿s Colonial Poor Laws, & Taxables in Chestnut, Walnut & Lower Delaware Wards, Philadelphia, 1767; & Genealogical Gleanings from Dr. Rush¿s Ledger A.
Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.
I haven't hurt anyone, killed, raped, murdered - I just ran away - came here to be safe. But I'm locked up. I just - I can't believe this is England. They have run away from unimaginable horrors looking only for safety. But, imprisoned together at Yarl's Wood Dentention Centre, these women are stuck in a limbo that offers them exactly the opposite. Based on verbatim interviews from current and former detainees, The Scar Test takes you inside one of England's migrant detention centres, exposing the conditions the inmates must endure whilst awaiting a decision on their fate. Told with compassion, Hannah Khalil's play throws a spotlight on the harrowing ordeals of the female migrants seeking refuge in Britain and the obstacles they face in the process. Published to coincide with its 2017 London and regional tour, The Scar Test originally debuted in 2015 with Untold Arts company.
With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unquestionably redefined modern cinema, and with a new feature scheduled for 2008, contemporary cinema is finally catching up with his vision. This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films. Featuring two new original essays on his latest career landmark and extensive analysis of The Thin Red Line-Malick's haunting screen treatment of World War II-this is an essential study of a visionary poet of American cinema.
There has only ever been one man in Frankie's life: her father, Doug Cooper. That is, until she takes the job of amateur jockey at Aspen Valley Racing Stables. Here, she crosses paths with star rider, Rhys Bradford. Her crush on him would be made so much simpler if they didn't both have their eye on the same prize: the coveted ride on Grand National favourite, Peace Offering. In the turbulent run-up to National Hunt's biggest event, questions are raised. What exactly does Doug have against the Bradfords? Is Rhys playing games with her heart? Will Ta' Qali show his true potential in time to warrant his place at Aspen Valley? Why do there have to be so many blasted calories in strawberry cheesecake? And lastly, who exactly is Francesca Cooper? Frankie's curiosity unearths some long-buried secrets that their keepers would rather remain buried. And on a journey of self-discovery that takes in Britain's fiercest steeplechase courses, love will prove her costliest stumbling point.
Hannah Callender Sansom (1737-1801) witnessed the effects of the tumultuous eighteenth century: political struggles, war and peace, and economic development. She experienced the pull of traditional emphases on duty, subjection, and hierarchy and the emergence of radical new ideas promoting free choice, liberty, and independence. Regarding these changes from her position as a well-educated member of the colonial Quaker elite and as a resident of Philadelphia, the principal city in North America, this assertive, outspoken woman described her life and her society in a diary kept intermittently from the time she was twenty-one years old in 1758 through the birth of her first grandchild in 1788. As a young woman, she enjoyed sociable rounds of visits and conviviality. She also had considerable freedom to travel and to develop her interests in the arts, literature, and religion. In 1762, under pressure from her father, she married fellow Quaker Samuel Sansom. While this arranged marriage made financial and social sense, her father's plans failed to consider the emerging goals of sensibility, including free choice and emotional fulfillment in marriage. Hannah Callender Sansom's struggle to become reconciled to an unhappy marriage is related in frank terms both through daily entries and in certain silences in the record. Ultimately she did create a life of meaning centered on children, religion, and domesticity. When her beloved daughter Sarah was of marriageable age, Hannah Callender Sansom made certain that, despite risking her standing among Quakers, Sarah was able to marry for love. Long held in private hands, the complete text of Hannah Callender Sanson's extraordinary diary is published here for the first time. In-depth interpretive essays, as well as explanatory footnotes, provide context for students and other readers. The diary is one of the earliest, fullest documents written by an American woman, and it provides fresh insights into women's experience in early America, the urban milieu of the emerging middle classes, and the culture that shaped both.
Fresh, tough, and thoroughly addictive, this sparkling debut collection calls to mind the beloved and bestselling works of Lisa Moore, Camilla Gibb, and Mark Haddon. With an irresistible combination of playfulness and empathy, these effervescent, sometimes heartbreaking tales of underachieving adults, unfairly burdened children, and the unaccountably hopeful of all ages explore the moments of grace in lives that are too often defined by loss. A punky young woman comes to terms with the accident that took away all of her family except the grandmother who believes she is a bird, and an aging prospector — a woman — discovers that a physical “curse” might have been something of a blessing all along. “The Indian Act” is a compact coming-of-age story, charting the journey of a boy who, though bounced through many foster homes, holds on to the dream of love and unconditional acceptance; and in the novella “River Rising,” three generations in a small town struggle toward joy despite the accidents of fate and the foolish mistakes that almost, but not quite, derail their lives. Fierce introduces Hannah Holborn as a shining new light in Canadian fiction. From the Trade Paperback edition.
Who would have thought that the glamour of working the slopes as a ski instructor would turn out to be just another snow job? After finishing college, joining the labor force, and unceremoniously getting canned, Betty Winters does what any self-respecting postgrad with an expensive liberal arts education would do: she defies her wealthy Connecticut parents and goes west to ski-bum around the Tetons. But after a year of the rambler’s life, Betty feels her enthusiasm beginning to wane. There’s nothing she loves more than the Jackson Hole vistas, the soft murmur of fresh powder, and the sheer pleasure of conquering a killer bump run. Plus she’s pretty partial to her hunky boyfriend, Jack. What she’s coming to hate, though, is the wake-and-bake ritual of their pot-filled mornings, the measly wages from her double shifts instructing on the slopes and moonlighting as a cocktail waitress at the Mangy Moose, and the feeling that for Jack, ski-bumming isn’t just a phase. And then there’s Jack’s wife, Muriel. . . . When tryouts are announced for a famous extreme-ski video series, Betty decides to enter: perhaps getting paid to ski the world is her calling. But all the training in the world can’t prepare her for what follows. . . .
Glorious... it's funny from the start.' – The Daily Mail 'Delightfully quirky, joyful and original... it will help you bounce exuberantly into spring' – Adele Parks 'If you loved Lessons in Chemistry by Bonnie Garmus, you'll love to snuggle up with this novel!' – Chat The most joyful book you will read this year! Violet Hamilton is a woman who knows her own mind. Which, in Victorian Hastings, can make things a little complicated... At 28, Violet's father is beginning to worry she will never find a husband. But every suitor he presents, Violet finds a new and inventive means of rebuffing. Because Violet does not want to marry. She wants to work, and make her own way in the world. But more than anything, she wants to find her mother Lily, who disappeared from Hastings Pier 10 years earlier. Finding the missing is no job for a lady, but when Violet hires a seaside detective to help, she sets off a chain of events that will put more than just her reputation at risk. Can Violet solve the mystery of Lily Hamilton's vanishing before it's too late? A delightfully joyful, funny and gripping historical novel, perfect for fans of The Lady's Guide to Fortune Hunting and The Wisteria Society of Lady Scoundrels.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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