Former TV celebrity host Kat Stanford is just days away from starting her dream antique business with her newly widowed mother Iris when she gets a huge shock. Iris has recklessly purchased a dilapidated carriage house, on an isolated country estate, Honeychurch Hall, several hundred miles from London. When Kat arrives at the house, she discovers that Iris has yet another surprise in store. Iris has been writing in secret for years and reluctantly reveals that she's actually Krystalle Storm, the famous bestselling author of steamy bodice-rippers. The gentry upstairs and those below stairs at Honeychurch Hall regard the newcomers with suspicion and distrust. When the nanny goes missing, the loyal housekeeper ends up dead, and Iris is accused of the murder, Kat realizes she hardly knows her mother at all and wonders if she is--indeed--guilty. Although the six hundred year old estate has endured wars, corruption and Royal favors, it's the scandals, secrets and lies of the last few decades that must remain buried at all costs. This is a delightful and traditional cozy mystery that will appeal to fans of Louise Penny and G.M. Malliet"--
When the body of a woman is found in a shallow stream, aspiring investigative journalist Vicky Hill suspects there's a connection between the murder and the strong of recent silver thefts plaguing the small town of Gipping-on-Plym. And since both her boss and the local police refuse to investigate, Vicky takes on the case by herself-and she's determined to uncover the answers and clinch her fourth national exclusive!
In Danger at the Cove, the second book in a delightful cozy series by Hannah Dennison a surprise visitor makes an appearance on the island—and murder ensues. Renovations on Tregarrick Rock Hotel are coming along, and Evie Mead thinks they just might be done by opening day. Then one of her sister Margot’s old Hollywood friends, Louise, arrives unannounced—and expecting VIP treatment. Evie has half a mind to tell Louise to find other accommodations, but Margot pleads with Evie, saying that Louise—despite her upbeat and demanding attitude—is grieving her recently deceased husband. Evie pities her, and besides, the sisters need help. A simple rewiring project has resulted in a major overhaul of the hotel, and they’re way over budget. The small life insurance policy left to Evie by her own husband is gone, and they are desperate for funds. Margot believes that Louise, a marketing guru, can put the hotel on the map and give it the boost it needs. But when a member of the hotel staff is found dead, and then another murder follows, the sisters’ plans crumble before their eyes. Who would do such a thing—and why? In a rollicking adventure involving a shipwreck filled with buried treasure, a dashing and mysterious Australian named Randy, and old rivalries stretching back to far before Evie and Margot ever set foot on the island, it’s all hands on deck to find the killer—and save the hotel.
When an early morning call wakes Vicky from the arms of her dream man, reality had better be worth it - and it is. A tipster tells her about the secret funeral of local celebrity Scarlett Flemming, organised by her grieving husband Doug. The entire town is baffled by the sudden death and oddly discreet funeral. After all, in life Scarlett had hardly been a shrinking violet. Vicky's suspicions are heightened when she learns of the Flemmings' shaky finances - and that Doug has as many admirers as Scarlett had enemies. And while canvassing suspects and juggling three potential suitors, Vicky must stay one step ahead of a killer once she realises she's no longer writing an obituary - she's writing an expose!
Just the thing to chase the blues away' M. C. Beaton When a body found on the Honeychurch Hall estate proves to be that of a villager who had supposedly moved to Ireland years earlier, tongues start wagging and theories abound. Charlie Green had always been a rogue. Although Charlie's demise happened well before Kat's arrival, Kat is drawn into the mystery when she finds two rare miniature portraits hidden inside a custom-made dollhouse of Honeychurch Hall. And then Charlie's aunt suffers a mysterious fatal fall and suspicion lands on a stranger who is holidaying in the newly installed shepherd's hut in the walled garden -- one of Lady Lavinia's latest hare-brained moneymaking schemes. Although there is something off about the tourist, Kat believes the culprit is fellow antique dealer. With tales of blackmail, infidelity and greed gripping the small community, past and present collide and Kat realises that the miniatures harbour a vital secret that one particular person is willing to kill for. Praise for Hannah Dennison: 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'Will delight fans and new readers alike' People's Friend 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Just the thing to chase the blues away' M. C. Beaton Spring is in the air ... and so, too, is the sound of music as the residents of Honeychurch Hall are stunned to learn that the Dowager Countess Lady Edith Honeychurch has agreed to the staging of a production of The Merry Widow in the dilapidated grand ballroom. Fears that the fiercely private octogenarian must be going senile are soon dismissed when our heroine, Kat Stanford, learns that the favour is a result of a desperate request from Countess Olga Golodkin. As one of Edith's oldest friends Olga is the director of the amateur Devon Operatic Dramatic Organization. Just a week before, D.O.D.O's original venue was destroyed in a mysterious fire but since tickets have been sold, costumes made and lucrative local sponsorships secured, Olga is determined that the show must go on. After decades at the helm of D.O.D.O., The Merry Widow will be Olga's swansong and she wants to go out with a bang . . . Praise for Hannah Dennison: 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'Will delight fans and new readers alike' People's Friend 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Journalist Vicky Hill, an obituary writer, discovers, while attending the funeral of a champion hedge cutter, that foul play might have been involved in his death and, in her quest for the scoop, gets on the wrong side of a killer. Original.
When the body of a transport minister is discovered in the grounds on Honeychurch Hall, suspicion about his unusual demise naturally falls on the folks in the village. After all, who could possibly want a high-speed train line built in their front yard? News of the murder soon reaches our heroine Kat Stanford's nemesis Trudy Wynne. A ruthless tabloid journalist and the ex-wife of Kat's discarded lover, Trudy is out for revenge. She is also interested in exposing--and humiliating--Kat's mother Iris, who is secretly the international bestselling romance writer Krystalle Storm. As the body count begins to build, Kat becomes inextricably embroiled in the ensuing scandal"--
Just the thing to chase the blues away' M. C. Beaton Following the butler's death and the cook's retirement, the ever-gullible Lady Lavinia replaces them with a power couple who are determined to thrust the crumbling estate into the 21st century. The Dowager Countess reluctantly agrees to hold a big-ticket Christmas gala and silent auction with a mystery celebrity flying in from Monaco as the guest of honour. Needless to say the newcomers' make a few enemies in their quest to change the status quo and when one body is discovered in the Victorian stumpery and a second, in the ha-ha, it seems that their high-flying past is catching up with them. Meanwhile, Kat is dealing with the theft of a valuable doll that had been earmarked for the auction. When it turns out that all the ticket money has vanished and there never was a celebrity guest, it's up to Kat to save the day and bring the cold-blooded killer to justice. Praise for Hannah Dennison: 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'Will delight fans and new readers alike' People's Friend 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Just the thing to chase the blues away' M. C. Beaton Mistletoe and murder at Honeychurch Hall... It's ten days before Christmas at Honeychurch Hall and Kat Stanford has persuaded the Earl of Grenville to open the Museum Room to the villagers in an effort to raise money for rooftop repairs. For the price of a ticket visitors will be able to view an unusual display of antiques - including the legendary Bleeding Hawk of Honeychurch Hall. When an obnoxious young couple drive 200 miles from London to view the treasures it's not just Kate who is suspicious of their intentions; Mr Chips, the estate's feisty Jack Russell makes his feelings plain by taking a bite out of the man's trousers. But then a suit of armour inexplicably falls on the ancient butler, killing him, and when a second body is found near a quarry nearby Kat becomes entangled in a world of feuds and jealousies, finally encountering a cold-blooded killer who will stop at nothing to keep the past at bay. Praise for Hannah Dennison 'Will delight fans and new readers alike' People's Friend 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Introducing Vicky Hill, a suffocatingly single reporter whose attempts at finding the right man and the scoop of a lifetime take a backseat to murder. The debut of a brand new series set in the sleepy English town of Gipping-on- Plym features sweetly bumbling investigative journalist Vicky Hill, who will do anything to get that front-page story. But the unusual death of local hedge- jumping enthusiast just may lead to Vicky's own deadly downfall.
Just the thing to chase the blues away' M. C. Beaton All's fair in love . . . and antiques wars! Things are going well for Kat Stanford; not only is her antiques business thriving, she's also got a new date: Piers Carew, Viscount Chawley, who owns the estate next to Honeychurch Hall. Unfortunately, Kate has a rival. Impossibly beautiful Cassandra Bowden-Forbes is also in town, conducting valuations at the same fairs as Kat - and she makes no secret of the fact she's got her eye on Piers . . . And then things start to go wrong: Kat finds herself at the scene of not one but two mysterious deaths, and local tongues are wagging - is it coincidence, or murder? As Kat's fortunes nosedive it becomes clear that unless she can solve these unexplained deaths then she may just be the victim of the next accident . . . Praise for Hannah Dennison 'Will delight fans and new readers alike' People's Friend 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Death at High Tide is the delightful first installment in the Island Sisters series by Hannah Dennison, featuring two sisters who inherit an old hotel in the remote Isles of Scilly off the coast of Cornwall and find it full of intrigue, danger, and romance. When Evie Mead’s husband, Robert, suddenly drops dead of a heart attack, a mysterious note is found among his possessions. It indicates that Evie may own the rights to an old hotel on Tregarrick Rock, one of the Isles of Scilly. Still grieving, Evie is inclined to leave the matter to the accountant to sort out. Her sister Margot, however, flown in from her glamorous career in LA, has other plans. Envisioning a luxurious weekend getaway, she goes right ahead and buys two tickets—one way—to Tregarrick. Once at the hotel—used in its heyday to house detective novelists, and more fixer-upper than spa resort, after all—Evie and Margot attempt to get to the bottom of things. But the foul-tempered hotel owner claims he's never met the late Robert, even after Evie finds framed photos of them—alongside Robert's first wife—in his office. The rest of the island inhabitants, ranging from an ex-con receptionist to a vicar who communicates with cats, aren't any easier to read. But when a murder occurs at the hotel, and then another soon follows, frustration turns to desperation. There’s no getting off the island at high tide. And Evie and Margot, the only current visitors to Tregarrick, are suspects one and two. It falls to them to unravel secrets spanning generations—and several of their own—if they want to make it back alive.
First published in 1976, this much acclaimed book looks at the story of how today's large corporations have superseded the small competing firms of the nineteenth century. The long-run analysis confirms that the crucial periods in the formulation of the modern corporate system were the 1920's and 1960's. The merger wave of these decades was associated with a desire to improve the efficiency of Britain’s industrial organization, and the author shows that it was in a large measure responsible for the trend improvement (by historical if not international standards) in Britain's growth performance. Students of business, economic history and industrial economics will all welcome the return to print of a notable contribution to the continuing debate on the evolution and control of the corporate manufacturing sector.
To artist-writer-naturalist Hannah Hinchman, the blank pages of a journal are a call to awaken the soul, to celebrate being alive in the world, to get to know both the wilderness of our inmost selves and the "unpredictable and potent" natural world. In the richly illustrated pages of this book, she unfolds a myriad of wonders — the pattern of a bee abdomen, varieties of ice forms and sky colors, the joys of a garden — and shows us how to capture them on the page. Hinchman's respect for the miracle of our five senses, and her passion for what they can tell us about the world, is contagious. "Start with a smell, like a crushed marigold leaf, the sea, coal smoke," she advises, and from such raw materials begin to "decant the stuff of life" into journal form, "where it remains fresh, still tasting of its source." Even for one who has no intention of journal-keeping, to delve into Hinchman's own work is to see with new eyes. A Trail Through Leaves is a true gift and inspiration, a treasure-box of ways to write, draw, and be alive to the world. * "This is an important book, brilliantly produced. Its light will linger a long, long time." — John R. Stilgoe, professor in the history of landscape, Harvard University * "[B]oth a rich work of performance art and a personal growth tool with many handles." — Boston Globe
Dallas Theological Seminary is often viewed as a bastion of conservative evangelicalism, marked by an unswerving devotion to theological positions of fundamentalism, biblical inerrancy, and dispensational premillennialism.An Uncommon Union, the first book-length history of Dallas Theological Seminary, written by a graduate and veteran faculty member of DTS, provides a necessary corrective to such a simplistic assessment. Using the tenures of the school’s five presidents as the backbone for his narrative, John D. Hannah reveals the tensions that DTS has experienced in its eighty-plus years of existence.Each successive president of DTS brought his own unique style and perceptions to the school, even as he dealt with the changing religious and cultural milieu that swirled around it. Hannah argues that, rather than being a monolithic institution, Dallas Theological Seminary is a unique blend of differing heritages and of opposing traditions, a place that defies easy categorization.A keenly insightful and thoughtful work, An Uncommon Union illuminates the path charted by the leaders of a prominent American seminary in a rapidly changing world. All readers interested in the history and future of evangelicalism, regardless of their theological persuasion, will benefit from this book.
To be a fan is to scream alone together." This is the discovery Hannah Ewens makes in Fangirls: how music fandom is at once a journey of self-definition and a conduit for connection and camaraderie; how it is both complicated and empowering; and how now, more than ever, fandoms composed of girls and young queer people create cultures that shape and change an entire industry. This book is about what it means to be a fangirl. Speaking to hundreds of fans from the UK, US, Europe, and Japan, Ewens tells the story of music fandom using its own voices, recounting previously untold or glossed-over scenes from modern pop and rock music history. In doing so, she uncovers the importance of fan devotion: how Ariana Grande represents both tragedy and resilience to her followers, or what it means to meet an artist like Lady Gaga in person. From One Directioners, to members of the Beyhive, to the author's own fandom experiences, this book reclaims the "fangirl" label for its young members, celebrating their purpose, their power, and, most of all, their passion for the music they love.
Depression in Childhood and Adolescence: A Guide for Practitioners fills a gap in the literature by providing practitioners with a “go to” resource for understanding, assessing, and treating youth depression. All in one source, practitioners will find easy-to-follow and clearly worded coverage of diagnosis, bio psychosocial conceptualization, assessment, and treatment, as well as special topics including gender and developmental differences, suicidality, and the use of antidepressant medication in treatment. Cutting-edge information is supplemented with illustrative case studies designed to bring key points to life. This volume is an excellent resource for practitioners and trainees across a variety of fields including child/adolescent psychology and psychiatry, developmental psychology, clinical social work, and school psychology.
DECOLONISING GEOGRAPHY? “This book presents an extraordinarily sensitive account of geography’s histories in five African countries subjected to British colonial rule. Craggs and Neate draw together political and imaginative processes of decolonisation, through an innovative biographical approach that humanizes and enlivens the story of our academic discipline. It will be an invaluable resource for those seeking a deeper understanding of??decolonisation, its recent trajectories and far-reaching implications, on the African continent.” —Shari Daya, Affiliate Associate Professor in Environmental and Geographical Science, University of Cape Town “By placing the experiences, ideas, and practices of African geographers in the center of their analyses, Craggs and Neate provide an unprecedented account of historical and contemporary decolonizing struggles within Geography and the academy. This book should be required reading for all those looking to decolonize the discipline and dislodge it from its Global North histories, institutions, and ideologies.” —Mona Domosh, Professor of Geography, The Joan P. and Edward J. Foley Jr. 1933 Professor, Dartmouth College “This meticulous work explores how colonialism, decolonization and postcolonialism shaped African geography and geographers. It sheds light on efforts to ‘Africanize’ the discipline, a process which I was both witness to and a participant in.” —Stanley Okafor, Professor of Geography (Retired), University of Ibadan How did a generation of academic geographers engage with constitutional decolonisation during the end of the British empire in Africa? In Decolonising Geography? Disciplinary Histories and the End of the British Empire in Africa, 1948-1998, Ruth Craggs and Hannah Neate explore how the teaching, research, administration and activism of geographers in Africa shaped the discipline and the post-colonial geopolitics of the continent. The authors follow the professional lives of individual geographers to provide fresh insights into decolonisation in the former British Empire in Africa, drawing from extensive archival research and more than 40 oral history interviews with geographers in Ghana, Nigeria, South Africa, Tanzania and the UK. Decolonising Geography is a must-read for any reader in the UK and Africa with an interest in the relationships between geography and decolonisation.
Psychic powers, espionage, and unquenchable passion combine in this paranormal Regency romance by the New York Times bestselling author. Lady Alethea Vaughn Channing is haunted by a vision of a man in danger—the same man who she has seen in her dreams time and time again. She doesn't even know his name, and yet she feels an intense connection between them. And she knows with an inexplicable certainty that she is the only one standing between him and disaster. Rakish Lord Hartley Greville is capable of protecting himself, as he has proven more than once in his perilous work as a spy for the crown. If he's to carry out his duty, he'll need to put aside the achingly beautiful woman with the strange gift. And yet, when Alethea's visions reveal a plot that will pit innocent children in danger, Hartley will not be able to ignore the destiny that binds them together—or resist the passion burning between them.
Winner 2024 Banff Mountain Book Award for Adventure Travel "A sensuous book, more felt than described, more described than explained, more painted than penned: part memoir, part journal and. . . . part natural mystery tour."—Carl Safina, The New York Times Book Review A book to sweep you away from the shore, into a wild world of water, whale, storm, and starlight— to experience what it’s like to sail for weeks at a time with life set to a new rhythm. As a young girl, Hannah Stowe was raised at the tide’s edge on the Pembrokeshire coast of Wales, falling asleep to the sweep of the lighthouse beam. Now in her midtwenties, working as a marine biologist and sailor, Stowe draws on her professional experiences sailing tens of thousands of miles in the North Sea, North Atlantic, Mediterranean, Celtic Sea, and the Caribbean to explore the human relationship with wild waters. Why is it, she asks, that she and so many others have been drawn to life at sea—and what might the water around us be able to teach us? Braiding her powerful and deeply personal narrative and illustrations with stories of six keystone marine creatures—the fire crow, sperm whale, wandering albatross, humpback whale, shearwater, and the barnacle—Stowe invites readers to fall in love, as she has, with the sea and those that call it home, and to discover the majesty, wonder, and vulnerability of the underwater world. For fans of Rachel Carson and Annie Dillard, Move Like Water: My Story of the Sea is an inspiring, heartfelt hymn to the sea, a testament to finding and following a dream, and an unforgettable introduction to a deeply gifted nature writer of a new generation.
“A perfectly executed psychological thriller” (The Guardian) from the internationally bestselling author of The Wrong Mother and The Other Woman’s House Television producer Fliss Benson is surprised to discover that her superstar boss, Laurie Nattrass, is stepping down from his post. She’s even more surprised that he asks her to take over his documentary about crib-death mothers wrongly accused of murder. Thanks to Laurie’s advocacy, three women are now free, while the doctor who testified against them is under investigation for misconduct. Then one of the mothers is found dead. In her pocket is a card with sixteen numbers on it, arranged in four rows of four- exactly like the anonymous card Fliss has just received in the mail. The fifth book in Sophie Hannah’s beloved Zailer and Waterhouse series, The Cradle in the Grave combines the puzzle of a Golden Age mystery with a masterful tale of psychological suspense that Tana French and Laura Lippman fans will love.
In Hannah Dennison's Murder at Honeychurch Hall, Kat Stanford is just days away from starting her dream antique business with her newly widowed mother Iris when she gets a huge shock. Iris has recklessly purchased a dilapidated carriage house at Honeychurch Hall, an isolated country estate located several hundred miles from London. Yet it seems that Iris isn't the only one with surprises at Honeychurch Hall. Behind the crumbling façade, the inhabitants of the stately mansion are a lively group of eccentrics to be sure—both upstairs and downstairs —and they all have more than their fair share of skeletons in the closet. When the nanny goes missing, and Vera, the loyal housekeeper ends up dead in the grotto, suspicions abound. Throw in a feisty, octogenarian countess, a precocious seven year old who is obsessed with the famous fighter pilot called Biggles, and a treasure trove of antiques, and there is more than one motive for murder. As Iris's past comes back to haunt her, Kat realizes she hardly knows her mother at all. A when the bodies start piling up, it is up to Kat to unravel the tangled truth behind the murders at Honeychurch Hall.
Just the thing to chase the blues away' M. C. Beaton Is it a question of turn the other cheek... or an eye for an eye? At last St Mary's church is going to have its own vicar! Not only that, the gorgeous Reverend Pritchard is sixty, single... and in need of a wife. But when he spearheads a campaign to restore a derelict chapel - rumoured to be haunted by a German Luftwaffe pilot- in a far-flung corner of the Honeychurch estate, the Dowager Countess puts her foot down. But nobody quite understands why... Meanwhile, a fierce bidding war at an auction of military memorabilia ends in Kat's female adversary being murdered and Kat being held as the prime suspect. And then it turns out that several of the auctioned items are connected to Operation Tiger, a doomed rehearsal for the D-Day landings that took place in nearby Slapton Sands all those years ago. And Kat begins to realise that the vicar, the Luftwaffe ghost and all the World War II weaponry may all somehow be related... Praise for Hannah Dennison: 'The perfect classic English village mystery but with the addition of charm, wit and a thoroughly modern touch' Rhys Bowen 'Downton Abbey was yesterday. Murder at Honeychurch Hall lifts the lid on today's grand country estate in all its tarnished, scheming, inbred, deranged glory' Catriona McPherson 'Will delight fans and new readers alike' People's Friend 'A fun read' Carola Dunn 'Sparkles like a glass of Devon cider on a summer afternoon' Elizabeth Duncan
Looking for a new cozy mystery author to love? Dive in to this collection of excerpts from the Minotaur Books/St. Martin's Press Spring/Summer 2017 season (books published from late April to August). The Cozy Case Files collection includes: Trumpet of Death by Cynthia Riggs Sticks and Bones by Carolyn Haines Murderous Mayhem at Honeychurch Hall by Hannah Dennison Love & Death in Burgundy by Susan C. Shea Your Killin' Heart by Peggy O'Neal Peden Gone Gull by Donna Andrews Dog Dish of Doom by E.J. Copperman Enforcing the Paw by Diane Kelly Cat About Town by Cate Conte A Crime of Passion Fruit by Ellie Alexander
In Danger at the Cove, the second book in a delightful cozy series by Hannah Dennison a surprise visitor makes an appearance on the island—and murder ensues. Renovations on Tregarrick Rock Hotel are coming along, and Evie Mead thinks they just might be done by opening day. Then one of her sister Margot’s old Hollywood friends, Louise, arrives unannounced—and expecting VIP treatment. Evie has half a mind to tell Louise to find other accommodations, but Margot pleads with Evie, saying that Louise—despite her upbeat and demanding attitude—is grieving her recently deceased husband. Evie pities her, and besides, the sisters need help. A simple rewiring project has resulted in a major overhaul of the hotel, and they’re way over budget. The small life insurance policy left to Evie by her own husband is gone, and they are desperate for funds. Margot believes that Louise, a marketing guru, can put the hotel on the map and give it the boost it needs. But when a member of the hotel staff is found dead, and then another murder follows, the sisters’ plans crumble before their eyes. Who would do such a thing—and why? In a rollicking adventure involving a shipwreck filled with buried treasure, a dashing and mysterious Australian named Randy, and old rivalries stretching back to far before Evie and Margot ever set foot on the island, it’s all hands on deck to find the killer—and save the hotel.
When an early morning call wakes Vicky from the arms of her dream man, reality had better be worth it - and it is. A tipster tells her about the secret funeral of local celebrity Scarlett Flemming, organised by her grieving husband Doug. The entire town is baffled by the sudden death and oddly discreet funeral. After all, in life Scarlett had hardly been a shrinking violet. Vicky's suspicions are heightened when she learns of the Flemmings' shaky finances - and that Doug has as many admirers as Scarlett had enemies. And while canvassing suspects and juggling three potential suitors, Vicky must stay one step ahead of a killer once she realises she's no longer writing an obituary - she's writing an expose!
Vicky will do anything to get off the obituary circuit and on to the front page! If there's one thing Vicky has learnt as an obituary writer, it's how to spot something fishy at a funeral - and plenty is amiss at the service for Gordon Berry. The man was a champion hedge cutter so why are people willing to believe he electrocuted himself by striking a power line with his own clippers? At the reception there are rumblings of foul play - not to mention a fistfight between a mourner and the local Lothario. And in her quest for a scoop, Vicky will find she has to confront everything - from bad dates to mortal danger...
In this delightful new mystery our heroine Kat Stanford stumbles upon a hidden room in an abandoned wing at Honeychurch Hall. However, Kat's initial excitement soon ends in horror. There, lying on the cold, stone floor, Kat comes across the body of a young woman dressed in an Egyptian toga and wearing a tawdry fairground trinket around her broken neck. Suspicion falls on some of those who live at the Hall--both upstairs and down--and even those who are just been passing through. Matters come to a head as a killer lurks amid the aristocracy, and Downton Abbey fans will want more Killer Balls at Honeychurch Hall"--
Critically acclaimed queen of psychological crime Sophie Hannah's fifth suspense novel - a must-read for those who loved The Secret Place. 'Beautifully written' Daily Express 'Terrifying' Heat Murder begins at home... TV producer Fliss Benson receives an anonymous card at work. The card has sixteen numbers on it, arranged in four rows of four - numbers that mean nothing to her. On the same day, Fliss finds out she's going to be working on a documentary about miscarriages of justice involving cot-death mothers wrongly accused of murder. The documentary will focus on three women: Helen Yardley, Sarah Jaggard and Rachel Hines. All three women are now free, and the doctor who did her best to send them to prison for life, child protection zealot Dr Judith Duffy, is under investigation for misconduct. For reasons she has shared with nobody, this is the last project Fliss wants to be working on. And then Helen Yardley is found dead at her home, and in her pocket is a card with sixteen numbers on it, arranged in four rows of four . . .
When the body of a woman is found in a shallow stream, aspiring investigative journalist Vicky Hill suspects there's a connection between the murder and the string of recent silver thefts plaguing the small town of Gipping-on-Plym. And since both her boss and the local police refuse to investigate, Vicky takes on the case by herself - and she's determined to uncover the answers and clinch her fourth national exclusive! 'A dizzy romp with an endearingly gullible investigator' - Ann Purse 'A laugh a page ... a hilarious debut' - Carolyn Hart on A Vicky Hill Exclusive!
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