Make your own luxury handmade gifts without the price tag with the queen of Couture Craft! In this inspirational yet practical craft book you will have access to a plethora of wonderful gifting and wrapping ideas that won't break the bank. With a luxury modern feel, and lots of insider stylist hints and tips, this book features darling projects that are simple to make and versatile enough for a range of occasions, from birthdays to weddings, anniversaries to Christmas. Created by British crafting expert Hannah Read-Baldrey, who knows a thing or two about gifting from running her business MakeBox & Co, this bible of making is a book you will treasure for a lifetime and refer to year after year for craft ideas. Hannah shares easy-to-make yet impressive ideas for timeless gifts that can be hand crafted, from luxury soy wax candle making to handmade paper flowers, personalised house portraits to a delicious bunch of roses cookies - all fun and creative projects that you will want to refer to time and time again. The book is broken down into easy-to-digest chapters, ranging from personalisation - to make your gifts truly unique; beautiful batches - for the prepared gift giver; handmade cards and wrapping; luxury gifts; and quick gifts - that only take around 15 minutes to create. Plus some fun etiquette features in between. So whether you want to spend lots of time on a gift or need to make one pronto Hannah has got you covered! With beautiful styled photography and tonnes of practical step-by-step advice, this book will give you everything you need to create beautiful handmade gifts that will be treasured by your loved ones for a lifetime.
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right. When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a fascinating view of American life in the mid-1800s and the literary conventions of the time. Written in the 1850's by a runaway slave, THE BONDSWOMAN'S NARRATIVE is a provocative literary landmark and a significant historical event that will captivate a diverse audience.
During the nineteenth century and especially after the Civil War, scores of black abolitionists like Frederick Douglass, Moses Roper and Ellen Craft travelled to England, Ireland, Scotland, and parts of rural Wales to educate the public on slavery. By sharing their oratorical, visual, and literary testimony to transatlantic audiences, African American activists galvanised the antislavery movement, which had severe consequences for former slaveholders, pro-slavery defenders, white racists, and ignorant publics. Their journeys highlighted not only their death-defying escapes from bondage but also their desire to speak out against slavery and white supremacy on foreign soil. Hannah-Rose Murray explores the radical transatlantic journeys formerly enslaved individuals made to the British Isles, and what light they shed on our understanding of the abolitionist movement. She uncovers the reasons why activists visited certain locations, how they adapted to the local political and social climate, and what impact their activism had on British society.
How the tools of STS can be used to understand art and science and the practices of these knowledge-making communities. In Art, Science, and the Politics of Knowledge, Hannah Star Rogers suggests that art and science are not as different from each other as we might assume. She shows how the tools of science and technology studies (STS) can be applied to artistic practice, offering new ways of thinking about people and objects that have largely fallen outside the scope of STS research. Arguing that the categories of art and science are labels with specific powers to order social worlds—and that art and science are best understood as networks that produce knowledge—Rogers shows, through a series of cases, the similarities and overlapping practices of these knowledge communities. The cases, which range from nineteenth-century artisans to contemporary bioartists, illustrate how art can provide the basis for a new subdiscipline called art, science, and technology studies (ASTS), offering hybrid tools for investigating art–science collaborations. Rogers’s subjects include the work of father and son glassblowers, the Blaschkas, whose glass models, produced in the nineteenth century for use in biological classification, are now displayed as works of art; the physics photographs of documentary photographer Berenice Abbott; and a bioart lab that produces work functioning as both artwork and scientific output. Finally, Rogers, an STS scholar and contemporary art–science curator, draws on her own work to consider the concept of curation as a form of critical analysis.
During America's Gilded Age (dates), the country was swept by a mania for all things Japanese. It spread from coast to coast, enticed everyone from robber barons to street vendors with its allure, and touched every aspect of life from patent medicines to wallpaper. Americans of the time found in Japanese art every design language: modernism or tradition, abstraction or realism, technical virtuosity or unfettered naturalism, craft or art, romance or functionalism. The art of Japan had a huge influence on American art and design. Title compares juxtapositions of American glass, silver and metal arts, ceramics, textiles, furniture, jewelry, advertising, and packaging with a spectrum of Japanese material ranging from expensive one-of-a-kind art crafts to mass-produced ephemera. Beginning in the Aesthetic movement, this book continues through the Arts & Crafts era and ends in Frank Lloyd Wright's vision, showing the reader how that model became transformed from Japanese to American in design and concept. Hannah Sigur is an art historian, writer, and editor with eight years' residence and study in East and Southeast Asia. She has a master's degree from the Institute of Fine Arts, New York University, and is completing a PhD in the arts of Japan. Her writings include co-authoring A Master Guide to the Art of Floral Design (Timber Press, 2002), which is listed in "The Best Books of 2002" by The Christian Science Monitor and is now in its second edition; and "The Golden Ideal: Chinese Landscape Themes in Japanese Art," in Lotus Leaves, A Master Guide to the Art of Floral Design (2001). She lives in Berkeley.
Now anyone with a PC or Mac can click on to the most exciting and stimulating activities for our computer generation. "Click!" takes the popular "activity" book category into new territory. 200 computer-generated line drawings.
With this book, you feel you can stop time and savor the rituals of life." --Maira Kalman An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed--where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns--by an American writer and food stylist who spent years working alongside artisans One night, Brooklyn-based artist and food writer Hannah Kirshner received a life-changing invitation to apprentice with a "saké evangelist" in a misty Japanese mountain village called Yamanaka. In a rapidly modernizing Japan, the region--a stronghold of the country's old-fashioned ways--was quickly becoming a destination for chefs and artisans looking to learn about the traditions that have long shaped Japanese culture. Kirshner put on a vest and tie and took her place behind the saké bar. Before long, she met a community of craftspeople, farmers, and foragers--master woodturners, hunters, a paper artist, and a man making charcoal in his nearly abandoned village on the outskirts of town. Kirshner found each craftsperson not only exhibited an extraordinary dedication to their work but their distinct expertise contributed to the fabric of the local culture. Inspired by these masters, she devoted herself to learning how they work and live. Taking readers deep into evergreen forests, terraced rice fields, and smoke-filled workshops, Kirshner captures the centuries-old traditions still alive in Yamanaka. Water, Wood, and Wild Things invites readers to see what goes into making a fine bowl, a cup of tea, or a harvest of rice and introduces the masters who dedicate their lives to this work. Part travelogue, part meditation on the meaning of work, and full of her own beautiful drawings and recipes, Kirshner's refreshing book is an ode to a place and its people, as well as a profound examination of what it means to sustain traditions and find purpose in cultivation and craft.
“Thiessen’s new book is all about promoting creativity at a slower pace, offering advice on finding the time and space to knit in a restful, calming way.” —The Knitter Slow Knitting introduced crafters to a process of more mindful making through five basic tenets: source carefully, make thoughtfully, think seasonally, experiment fearlessly, and explore openly. Now, this seasonal approach encourages knitters to delve deeper into those concepts, applying them to everyday making through a series of essays, projects, and patterns that explore the life of a knitter throughout the year. Organized similarly to a seasonal planting guide or farmer’s almanac, each chapter and section is designed to identify and encourage small ways that knitters may begin to employ noticeable change: organizing your yarn stash, carving out time for knitting, and starting on that baby blanket in a timely manner. The ideas explored here add up to a fuller, more mindful year, all through the joyful experience that is knitting.
In a series of biographical profiles, this volume celebrates the lives and achievements of women who made history in the Golden State. Throughout California’s history, remarkable women have been at the core of change and innovation. In this fascinating volume, Gloria Harris and Hannah Cohen relate the stories of forty women whose struggles and achievements have paved the way for generations. Coming from all walks of life and entering a variety of fields—from activism and conservation to science, medicine, entertainment, and more—these women overcame prejudice, skepticism and injustice to prove that women can do anything. Visionary architect Julia Morgan designed Hearst Castle; Dolores Huerta co-founded United Farm Workers; Donaldina Cameron, the angry angel of Chinatown, rescued brothel workers; and silent film actress Mary Pickford helped form United Artists Pictures. From fearless pioneers to determined reformers, Harris and Cohen chronicle the triumphs and disappointments of diverse women who dared to take risks and break down barriers.
A charmingly illustrated ode to increasingly threatened wildlife. The much-loved illustrations of Hannah Dale celebrate a new generation of wildlife around the world, including many endangered animals. Born to Be Wild features 50 charming portraits of new cubs, chicks and calves, some with the mother and father, some in their pride or tribe and some setting off on their own. Wildlife has never been under such threat from climate change, habitation loss and poachers and hunters. This book is a timely reminder of the beauty of the wild and the accompanying text explains how the parents undertake their role of nurturer in the wild. From orangutans to humpback whales, tigers to hedgehogs, penguins to elephants, and meerkats to koalas, Hannah Dale captures and preserves the essence of wildlife in this pocket sized book. A wonderful reference and beautiful little gift book for nature lovers.
Through an ethnographic study inside Japan’s Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials. Deep in the Fukuyama mountainside, “the grave of the graves” (o-haka no haka) houses acres of unwanted headstones—the material remains of Japan’s discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing. In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and—as the population ages, families disperse, and fewer homes have space for large lacquer cabinets—eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of “demonstration corpse.” Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.
In a global context of widespread fears over Islamic radicalisation and militancy, poor Muslim youth, especially those socialised in religious seminaries, have attracted overwhelmingly negative attention. In northern Nigeria, male Qur'anic students have garnered a reputation of resorting to violence in order to claim their share of highly unequally distributed resources. Drawing on material from long-term ethnographic and participatory fieldwork among Qur'anic students and their communities, this book offers an alternative perspective on youth, faith, and poverty. Mobilising insights from scholarship on education, poverty research and childhood and youth studies, Hannah Hoechner describes how religious discourses can moderate feelings of inadequacy triggered by experiences of exclusion, and how Qur'anic school enrolment offers a way forward in constrained circumstances, even though it likely reproduces poverty in the long run. A pioneering study of religious school students conducted through participatory methods, this book presents vital insights into the concerns of this much-vilified group.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
Focussing on the independent videogames sector, this book provides readers with a vocabulary to articulate and build their games writing practice; whether studying games or coming to games from another storytelling discipline. Writing for Games offers resources for communication, collaboration, reflection, and advocacy, inviting the reader to situate their practice in a centuries-long heritage of storytelling, as well as considering the material affordances of videogames, and the practical realities of working in game development processes. Structured into three parts, Theory considers the craft of both games and writing from a theoretical perspective, covering vocabulary for both game and story practices. Case Studies uses three case studies to explore the theory explored in Part 1. The Practical Workbook offers a series of provocations, tools and exercises that give the reader the means to refine and develop their writing, not just for now, but as a part of a life-long practice. Writing for Games: Theory and Practice is an approachable and entry-level text for anyone interested in the craft of writing for videogames. Hannah Nicklin is an award-winning narrative and game designer, writer, and academic who has been practising for nearly 15 years. She works hard to create playful experiences that see people and make people feel seen, and also argues for making games a more radical space through mentoring, advocacy, and redefining process. Trained as a playwright, Nicklin moved into interactive practices early on in her career and is now the CEO and studio lead at Danish indie studio Die Gute Fabrik, which most recently launched Mutazione in 2019.
“Thiessen has done her research, and talked to people who truly have insight into the process of making both yarn and clothing.” —Modern Daily Knitting Like the “slow food” movement, Slow Knitting encourages knitters to step back, pare down, and celebrate the craftsmanship of their work. In five chapters centered around the tenets of slow knitting—sourcing carefully, making thoughtfully, thinking environmentally, experimenting fearlessly, and exploring openly—Hannah Thiessen challenges knitters of all skill levels to view their practice in a new way. Each chapter contains explorations of fiber types; profiles of well-known yarn types, makers, and yarn suppliers; and garment patterns inspired by the featured fibers. With contributions from knitting superstars Norah Gaughan, Bristol Ivy, and many others, Slow Knitting proposes an approach to knitting that is both minimalist and all-encompassing, and emphasizes what makes knitting a meditation, a passion, and a unique necessity. “Promotes the concept of ‘slow knitting’ which discards the pressure to produce prolifically and instead, revolves around the idea that thoughtfully produced yarn will result in better projects for you-the crafter.” —MarthaStewart.com
New Perspectives on Happiness and Mental Wellbeing in Schoolchildren presents a revolutionary approach to handling social rejection during the latency period. It offers the reader an innovative educational approach, adapted to this pre-adolescent age group, for systemic intervention in classes experiencing negative social phenomena. Presenting latency as a significant developmental stage, it explains children’s cruelty in social rejection from a developmental perspective. The book presents the "Envelopes" therapy method to improve children’s status immediately and proposes a school intervention for social rejection. It also offers an educational approach appropriate to the developmental needs of latency age children. The approaches described are based on a new developmental psychology paradigm that can illuminate latency with far-reaching insights that aid in adapting approaches suitable to this age. This new paradigm of significant and unique intrapsychic development during early childhood asserts that the most important human development occurs during latency. With informative case studies used throughout, this book will be of great interest to academics and researchers in the fields of clinical psychology, educational psychology, and teacher training.
The book is about two little boys and a little girl. The little boys accidentally catch a fairy in their net whilst looking for bugs and insects. When the fairy is freed she flies away and hides. The children come up with an idea to say sorry and bring her back again.
Jonah is on a mission to break every bone in his body. Everyone knows that broken bones grow back stronger than they were before. And Jonah wants to be stronger—needs to be stronger—because everything around him is falling apart. Breaking, and then healing, is Jonah’s only way to cope with the stresses of home, girls, and the world on his shoulders. This is the story of his self-destructive spiral, his rock-bottom moment, and how he finally learns to accept help and find true strength through recovery.
“The computer may now be seen as a ‘universal machine,’ but this has not always been the case. This substantial collection of essays and documents shows how artists, poets, musicians, filmmakers and other experimenters first discovered the computer, and began using it as their tool and medium. Mainframe Experimentalism is essential reading for anyone who wants to penetrate behind superficial clichés about digital art and culture.”—Erkki Huhtamo, author of Illusions in Motion: A Media Archaeology of the Moving Panorama and Related Spectacles. “Higgins’ and Kahn’s anthology is an indispensable resource for anyone interested in the impact of computer technology on creative production in the arts and literature in the 1960s and beyond. This superb collection presents the first truly international examination of this subject, demonstrating the fascinating collaborations and interchanges that occurred as artists, poets, musicians, and filmmakers explored the potential for new, impersonal forms of expression offered by ‘mainframe experimentalism.’ Here is the prehistory of the digital arts of today in a volume that is equally essential to the histories of the individual fields involved as well as to scholarship on art and technology in general.”—Linda Dalrymple Henderson, author of Duchamp in Context: Science and Technology in the Large Glass and Related Works.
Whether chasing gophers (Sisu) or flirting with cowboys at the Buckhorn Bar (Hannah), artist Hannah Hinchman and her dog Sisu are excellent guides to some of the wildest country left in America. Treading carefully near a sandhill crane's nest, testing the ice on the river, and marveling at the seasonal influx of ducks, this pair of curious naturalists takes us into the intimate corners of western Montana, inquiring into all natural phenomena—which Hannah then captures on the page in detailed sketches, notes, and watercolors. If Annie Dillard were an artist, she might have composed a book like this. But few writers, or artists, can bring words and images together like Hannah Hinchman. Insightful, funny, and personal, she not only enables us to enter her own particular patch of the natural world, she also teaches us to see our own, bringing to her work an exceptional unity of hand, eye, and heart.
Most students who are deaf or hard of hearing (DHH) struggle with acquiring literacy skills, some as a direct result of their hearing loss, some because they are receiving insufficient modifications to access the general education curriculum, and some because they have additional learning challenges necessitating significant program modifications. This second edition of Literacy Instruction for Students who are Deaf and Hard of Hearing updates previous findings and describes current, evidence-based practices in teaching literacy to DHH learners. Beal, Dostal, and Easterbrooks provide educators and parents with a process for determining which literacy and language assessments are appropriate for individual DHH learners and whether an instructional practice is supported by evidence or causal factors. They describe the literacy process with an overview of related learning theories, language and literacy assessments, and evidence-based instructional strategies across the National Reading Panel's five areas of literacy instruction: phonemic awareness, phonics, vocabulary, fluency, and comprehension. The volume includes evidence-based writing strategies and case vignettes that highlight application of assessments and instructional strategies within each of these literacy areas. Crucially, it reviews the remaining challenges related to literacy instruction for DHH learners. Educators and parents who provide literacy instruction to DHH learners will benefit from the breadth and depth of literacy content provided in this concise literacy textbook.
A beguiling debut novel about friendship and failure Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women’s art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman – a ceramics graduate, uncannily like Nicola – to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession. She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola’s feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?
The Licit Life of Capitalism is both an account of a specific capitalist project—U.S. oil companies working off the shores of Equatorial Guinea—and a sweeping theorization of more general forms and processes that facilitate diverse capitalist projects around the world. Hannah Appel draws on extensive fieldwork with managers and rig workers, lawyers and bureaucrats, the expat wives of American oil executives and the Equatoguinean women who work in their homes, to turn conventional critiques of capitalism on their head, arguing that market practices do not merely exacerbate inequality; they are made by it. People and places differentially valued by gender, race, and colonial histories are the terrain on which the rules of capitalist economy are built. Appel shows how the corporate form and the contract, offshore rigs and economic theory are the assemblages of liberalism and race, expertise and gender, technology and domesticity that enable the licit life of capitalism—practices that are legally sanctioned, widely replicated, and ordinary, at the same time as they are messy, contested, and, arguably, indefensible.
The complete guide to getting you the best in every kind of product babies need—for little or no money! The ultimate money-saving guide for moms and dads is now bigger and better, with more bargains for baby! This new updated edition of our most popular parents’ shopping guide has more of everything: more pages, more listings, more deals, more samples, and more fabulous freebies than ever before. Includes hundreds of ways to receive FREE food, formula, bottles, diapers, videos, toys, and much more. “Her list of companies to contact for new-parent perks goes way beyond diaper samples and babyfood coupons.” —Fit Pregnancy magazine “More than a compendium of free-giveaways ... lots of tips and resources for penny-wise parents.” —Today’s Parent Baby & Toddler “We Recommend this new parents guide to a plethora of baby ‘freebies’.” —Work and Family Life newsletter
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