Go, idle Boy! I quit thy pow'r; Thy couch of many a thorn and flow'r; Thy twanging bow, thine arrow keen, Deceitful Beauty's timid mien; The feign'd surprize, the roguish leer, The tender smile, the thrilling tear, Have now no pangs, no joys for me, So fare thee well, for I am free! Then flutter hence on wanton wing, Or lave thee in yon lucid spring, Or take thy bev'rage from the rose, Or on Louisa's breast repose: I wish thee well for pleasures past, Yet bless the hour, I'm free at last. But sure, methinks, the alter'd day Scatters around a mournful ray; And chilling ev'ry zephyr blows, And ev'ry stream untuneful flows; No rapture swells the linnet's voice, No more the vocal groves rejoice; And e'en thy song, sweet Bird of Eve! With whom I lov'd so oft to grieve, Now scarce regarded meets my ear, Unanswer'd by a sigh or tear. No more with devious step I choose To brush the mountain's morning dews; "To drink the spirit of the breeze," Or wander midst o'er-arching trees; Or woo with undisturb'd delight, The pale-cheek'd Virgin of the Night, That piercing thro' the leafy bow'r, Throws on the ground a silv'ry show'r. Alas! is all this boasted ease To lose each warm desire to please, No sweet solicitude to know, For others' bliss, for others' woe, A frozen apathy to find, A sad vacuity of mind? O hasten back, then, heavenly Boy, And with thine anguish bring thy joy! Return with all thy torments here, And let me hope, and doubt, and fear. O rend my heart with ev'ry pain! But let me, let me love again.
Ode to Death" by Hannah Cowley is an affirmative and contemplative poem likely exploring the themes of mortality, the passage of time, and the human experience of death. In this ode, readers can anticipate Cowley's poetic reflection on the nature of death and its significance in human life. The title, "Ode to Death," suggests a solemn and reflective tone, with Cowley's verses likely inviting readers to ponder the mysteries and inevitabilities of mortality. Cowley's language is likely to be poetic and evocative, as she grapples with the existential questions surrounding life and death. Her ode may offer a meditation on the transient nature of existence, the legacy of those who have passed, and the acceptance of mortality as an integral part of the human condition.
A Monody (on Chatterton)" is a poignant poetic composition by Hannah Cowley, an English playwright and poet of the 18th century. Born in 1743, Cowley was known for her works in the theatrical domain, and her monody reflects the Romantic sensibilities of her time. In this monody, Cowley expresses lament or elegy, focusing specifically on Thomas Chatterton. Chatterton was a young poet of the 18th century who gained posthumous acclaim for his talent but faced challenges during his lifetime. The term "monody" denotes a poetic lament for an individual or a solemn ode. Cowley's monody likely explores themes of melancholy, loss, or the tragic fate of Chatterton, who died at a young age. The monody form often allows for a deep exploration of emotions and a reflection on the human condition. To fully appreciate Cowley's "Monody (on Chatterton)," one could delve into the historical and literary context of Chatterton's life and the circumstances surrounding his death. Additionally, exploring Cowley's broader body of work would provide insights into her poetic style and thematic concerns. The monody serves as a literary tribute, offering readers a glimpse into Cowley's artistic expression and her engagement with the Romantic ideals prevalent during the 18th century. Copies of Cowley's works, including this monody, can be found in collections of classic literature or in libraries.
Hannah Cowley, nee Parkhouse (1743-1809) was an English dramatist and poet. Cowley's plays were produced frequently during her lifetime. The major themes of her plays; including her first, The Runaway (1776), and her major hit, The Belle's Stratagem (1780); revolve around marriage and how women strive to overcome the injustices imposed by family life and social custom. She had a less-distinguished career as a poet, writing The Scottish Village; or, Pitcairne Green in 1786, and The Siege of Acre in 1801. In the summer of 1787, under the nom de plume "Anna Matilda, " she and poet Robert Merry (writing under the name "Della Crusca") began a poetic correspondence in the pages of the journal The World. Their poems were sentimental and flirtatious. At first the two did not even know the others' identity; later they met and became part of a poetic movement called the Della Cruscans. Her other works include: Who's the Dupe? (1779), Albina (1779) and A Bold Stroke for a Husband (1783).
More Ways Than One: A Comedy" by Hannah Cowley is a delightful romp through the complexities of love, marriage, and mistaken identity. Set in the vibrant world of 18th-century London, the play follows the romantic misadventures of its charming characters as they navigate the pitfalls of courtship and societal expectations. With witty dialogue and clever plot twists, Cowley's comedy keeps audiences entertained as misunderstandings abound and true feelings are revealed. As characters scheme and plot in their pursuit of love and happiness, "More Ways Than One" offers a lighthearted yet insightful exploration of the human heart and the often unpredictable nature of romance. With its lively humor and endearing characters, this comedy is sure to delight audiences of all ages.
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