JAMES BEARD AWARD WINNER • 100+ fresh, plant-based, umami-packed recipes that show the range of traditional and modern Chinese vegan cuisine from the creator of The Plant-Based Wok. ONE OF THE TEN BEST COOKBOOKS OF THE YEAR: The Washington Post, Simply Recipes ONE OF THE BEST COOKBOOKS OF THE YEAR: The New York Times, Saveur, Vice, Epicurious, Library Journal When Hannah Che decided to become a vegan, she worried that it would separate her from the traditions and food that her Chinese family celebrated. But that was before she learned about zhai cai, the plant-based Chinese cuisine that emphasizes umami-rich ingredients and can be traced back over centuries to Buddhist temple kitchens. In The Vegan Chinese Kitchen, through gorgeous photography, stories, and recipes, Hannah Che shows us the magic of this highly developed and creative tradition in which nearly every dish in the Chinese repertoire can be replicated in a meatless way, such as Blistered Dry-Fried String Beans or Sweet and Sour Tofu. You’ll also find recipes that are naturally plant-based and as irresistible as they are nourishing, such as flaky scallion pancakes, corn stir-fried with peppers and pine nuts, or pea shoots braised in a velvety mushroom broth made with sesame-oil roux. This book will delight vegans, vegetarians, and omnivores alike, inviting you to explore a whole world of flavors and ingredients.
The ritual murder accusation is one of a series of myths that fall under the label blood libel, and describes the medieval legend that Jews require Christian blood for obscure religious purposes and are capable of committing murder to obtain it. This malicious myth continues to have an explosive afterlife in the public sphere, where Sarah Palin's 2011 gaffe is only the latest reminder of its power to excite controversy. Blood Libel is the first book-length study to analyze the recent historiography of the ritual murder accusation and to consider these debates in the context of intellectual and cultural history as well as methodology. Hannah R. Johnson articulates how ethics shapes methodological decisions in the study of the accusation and how questions about methodology, in turn, pose ethical problems of interpretation and understanding. Examining recent debates over the scholarship of historians such as Gavin Langmuir, Israel Yuval, and Ariel Toaff, Johnson argues that these discussions highlight an ongoing paradigm shift that seeks to reimagine questions of responsibility by deliberately refraining from a discourse of moral judgment and blame in favor of an emphasis on historical contingencies and hostile intergroup dynamics.
Durante la festa di fine anno accademico a Maple Hills, Russ Callaghan e Aurora Roberts prendono parte a un gioco alcolico che li porta a trascorrere insieme una notte di passione. Ma al mattino Aurora scappa via prima ancora che Russ abbia la possibilità di chiederle il nome completo. Nessuno dei due poteva immaginare che presto si sarebbero incontrati di nuovo al campo estivo, dove entrambi hanno deciso di prestare servizio sperando di sfuggire alle loro complicate vite domestiche. Russ non vuole affrontare le ripercussioni della dipendenza dal gioco d'azzardo del padre; Aurora è stanca di reclamare attenzioni e di essere considerata l'ultima ruota del carro in famiglia. Russ sa che infrangendo la rigida regola del campo "non si fraternizza con il personale" rischia di tornare a Maple Hills prima che l'estate sia finita, ma sfortunatamente per lui Aurora non è mai stata brava a rispettare le regole. Sapranno imparare a convivere pacificamente? O la loro unica notte insieme ha innescato un incendio che non possono spegnere?
“Wonderful . . . offers and provokes meditation on the timeless nature of censorship, its practices, its intentions and . . . its (unintended) outcomes.” —Times Higher Education Forbidden Knowledge explores the censorship of medical books from their proliferation in print through the prohibitions placed on them during the Counter-Reformation. How and why did books banned in Italy in the sixteenth century end up back on library shelves in the seventeenth? Historian Hannah Marcus uncovers how early modern physicians evaluated the utility of banned books and facilitated their continued circulation in conversation with Catholic authorities. Through extensive archival research, Marcus highlights how talk of scientific utility, once thought to have begun during the Scientific Revolution, in fact began earlier, emerging from ecclesiastical censorship and the desire to continue to use banned medical books. What’s more, this censorship in medicine, which preceded the Copernican debate in astronomy by sixty years, has had a lasting impact on how we talk about new and controversial developments in scientific knowledge. Beautiful illustrations accompany this masterful, timely book about the interplay between efforts at intellectual control and the utility of knowledge. “Marcus deftly explains the various contradictions that shaped the interactions between Catholic authorities and the medical and scientific communities of early modern Italy, showing how these dynamics defined the role of outside expertise in creating 'Catholic Knowledge' for centuries to come.” —Annals of Science “An important study that all scholars and advanced students of early modern Europe will want to read, especially those interested in early modern medicine, religion, and the history of the book. . . . Highly recommended.” —Choice
Morgan Brooks è una brava persona", ha detto Alan, "un grande psicologo e il mio mentore. Ci ha invitato a trascorrere il Natale con lui e la sua famiglia. Dobbiamo accettare?". Naturalmente, ho risposto: "Sì". E così, ho conosciuto Morgan Brooks nella nevosa Boston, durante il mio primo viaggio in America. Ho anche conosciuto Amelia, la moglie chef di fama, e Madison, la figlia un po' reticente. Inoltre, ho incontrato Dexter Trask, un uomo d'affari, un megalomane, il sedicente 'Re di Boston'. La vacanza è iniziata bene. Poi è apparso il primo cadavere, un giovane assassinato nel bosco. Quell'omicidio porta ad un rapimento e ad altri omicidi. Gli indizi puntano in una direzione. E, la verità si trova davvero in quella direzione? Con l'aiuto di Gabe, amico e vicino di casa di Morgan, nonché collega detective privato, mi sono aggirata nel labirinto adornato dalla neve. E la soluzione? Ha sorpreso tutti. Boston, dieci giorni in un paese dalle meraviglie invernali, dieci giorni che hanno confermato che le persone sono sfaccettate, a più livelli, e che chiunque può avere almeno uno scheletro pronto a uscire dall'armadio.
An illustrated critical survey of Academy Award–winning writer and director Sofia Coppola’s career, covering everything from her groundbreaking music videos through her latest films In the two decades since her first feature film was released, Sofia Coppola has created a tonally diverse, meticulously crafted, and unapologetically hyperfeminine aesthetic across a wide range of multimedia work. Her films explore untenable relationships and the euphoria and heartbreak these entail, and Coppola develops these themes deftly and with discernment across her movies and music videos. From The Virgin Suicides and Marie Antoinette to Lost in Translation and The Beguiled, Coppola’s award-nominated filmography is also unique in how its consistent visual aesthetic is informed by and in conversation with contemporary fine art and photography. Sofia Coppola offers a rich and intimate look at the overarching stylistic and thematic components of Coppola's work. In addition to critical essays about Coppola's filmography, the book will include interviews with some of her closest collaborators, including musician Jean-Benoît Dunckel and costume designer Nancy Steiner, along with a foreword by Italian filmmaker Alice Rohrwacher. It engages with her creative output while celebrating her talent as an imagemaker and storyteller. Along the way, readers meet again a cast of characters mired in the ennui of missed connections: loneliness, frustrated creativity, rebellious adolescence, and the double-edged knife of celebrity, all captured by the emotional, intimate power of the female gaze.
Meet the bold women history has tried to forget...until now! Women's stories are often written as if they spent their entire time on Earth casting woeful but beautiful glances towards the horizon and sighing into the bitter wind at the thought of any conflict. Well, that's not how it f**king happened. When you hear about a woman who was 100% pure and good, you're probably missing the best chapters in her life's story. Maybe she slept around. Maybe she stole. Maybe she crashed planes. Maybe she got shot, or maybe she shot a bad guy (who probably had it coming). Maybe she caused a scandal. Maybe she caused a riot . . . From badass writer Hannah Jewell, She Caused a Riot is an empowering, no-holds-barred look into the epic adventures and dangerous exploits of 100 inspiring women who were too brave, too brilliant, too unconventional, too political, too poor, not ladylike enough and not white enough to be recognized by their shitty contemporaries. Daring and gift-worthy, this is a bold tribute to the powerful women who came before us.
What are we doing then? Come on, lets go – all of us, lets tell everyone in the street, its too late we've lost, all the years of hardship, being murdered, imprisoned, having your homes taken, your jobs, your fields, your olives, your ability to move from one place to another – everything you have endured has been for nothing. They've won. So let's just leave it to them, disappear. It's what they want. You are doing what they want. You are an educated young Palestinian man. We need you here. Stay. Scenes from 68* Years is a selection of intertwined vignettes telling the story of ordinary Palestinians at a very human level with mischievous humour. It offers snapshots of the routine of life in the shadow of occupation: we look into an Israeli household with a rebellious pro-Palestinian teenager, join a tediously long queue at an Israeli check point, and get swept into an absurd act of civil disobedience by Palestinian civilians in a desperate attempt to get worldwide media attention. Scenes from 68* Years was selected from 100 scripts by the Arcola Theatre and the play received its world premiere at the Arcola Theatre on 5 April 2016 in a production by Sandpit Arts.
If your school’s homecoming king had a little too much in common with Henry VIII, would you survive with your head still attached? You’d think being the new girl in a tiny town would equal one very boring senior year. But if you’re me—Annie Marck, alias Cleves—and you accidentally transform into teenage royalty by entering Lancaster High on the arm of the king himself? Life becomes the exact opposite of boring. Henry has it all: he’s the jock, the genius and the brooding bad boy all in one. Which sort of explains why he’s on his sixth girlfriend in two years. What it doesn’t explain is why two of them—two of us—are dead. My best friend thinks it’s Henry’s fault, which is obviously ridiculous. My nemesis says we shouldn’t talk about it, which is straight-up sketchy. But as the resident nosy new girl, I’m determined to find out what really happened to Lancaster’s dead queens…ideally before history repeats itself.
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