Small businesses were at the heart of the economic growth and social transformation that characterized the industrial revolution in eighteenth and nineteenth century Britain; this monograph examines the economic, social, and cultural history of some of these forgotten businesses and the men and women who worked in them and ran them.
2011 Fringe First Award Winner "Henry, are you awake?” Henry lives each day like the last. Exactly like the last. Every day, he tries to make sense of the world around him; the girl sitting on the lawn outside his window, the pages of a book filled with the same sentence, the 80 year old man looking at him in the mirror. In 2009 Patient H.M.’s brain is dissected live on the internet to a global audience of 400,000 people, cut into carefully preserved slices: manuscripts of tissue like the pages of a book. In 1953 Henry Molaison emerges from experimental brain surgery without any recollection of the last two years of his life or the ability to form new memories. In 1935 nine-year old Henry is knocked over by a bike, leaving him unconscious for five minutes. Following Analogue's critically acclaimed Mile End and Beachy Head and inspired by the world’s most important neuroscientific case-study, 2401 Objects tells the remarkable story of a man who could no longer remember, but who has proven impossible to forget.
A man wakes, face down, sprawled across his single bed, the sunlight gently creeping through the window. Today is the day he will change his life. A Boeing 777 begins its descent towards Heathrow. The wheels unfold out of the belly of the plane. The frozen body of a stowaway is tipped out and cuts through the clear morning sky In the car park of B&Q, Andy looks up. Something is falling out of the sky. A man crash-lands on the ground in front of him. Stowaway is the story of a man from India who moves to the UAE for the promise of work and prosperity. When he finds himself trapped within a Dubai labour camp, with his passport and wages withheld from him, he hides in the wheel well of a plane bound for the UK, in a bid for a better life. It’s a story about invisible and physical borders and the people who transcend them. But what are the rules of telling someone else’s story when they come from a world so very different from our own; where telling their story could act to perpetuate an unresolved history of imperialism? With the skeleton of a plane cutting across the stage, Stowaway flies back and forth through time and place, looking at storytelling as a political act.
The history of the Black Sea as a source of Mediterranean slaves stretches from ancient Greek colonies to human trafficking networks in the present day. At its height during the fourteenth and early fifteenth centuries, the Black Sea slave trade was not the sole source of Mediterranean slaves; Genoese, Venetian, and Egyptian merchants bought captives taken in conflicts throughout the region, from North Africa, sub-Saharan Africa, the Balkans, and the Aegean Sea. Yet the trade in Black Sea slaves provided merchants with profit and prestige; states with military recruits, tax revenue, and diplomatic influence; and households with the service of women, men, and children. Even though Genoa, Venice, and the Mamluk sultanate of Egypt and Greater Syria were the three most important strands in the web of the Black Sea slave trade, they have rarely been studied together. Examining Latin and Arabic sources in tandem, Hannah Barker shows that Christian and Muslim inhabitants of the Mediterranean shared a set of assumptions and practices that amounted to a common culture of slavery. Indeed, the Genoese, Venetian, and Mamluk slave trades were thoroughly entangled, with wide-ranging effects. Genoese and Venetian disruption of the Mamluk trade led to reprisals against Italian merchants living in Mamluk cities, while their participation in the trade led to scathing criticism by supporters of the crusade movement who demanded commercial powers use their leverage to weaken the force of Islam. Reading notarial registers, tax records, law, merchants' accounts, travelers' tales and letters, sermons, slave-buying manuals, and literary works as well as treaties governing the slave trade and crusade propaganda, Barker gives a rich picture of the context in which merchants traded and enslaved people met their fate.
Newspapers, Politics and English Society, 1695-1855 explores the development of newspapers between the lapsing of the Printing Act in the late seventeenth century, and the removal of newspaper taxation in the mid-nineteenth century. Newspapers played a decisive role; increasingly being used to promote existing governmental policy as well as helping to articulate popular opinion; and so not only altered the manner in which politics was conducted at the centre, but also the way in which it operated at every level of English life.
This lively new study covers the dramatic expansion of the press from the seventeenth century to the mid nineteenth century. Hannah Barker explores the factors behind the rise of newspapers to a major force helping to reflect and shape public opinion and altering the way in which politics operated at every level of English life. Newspapers, Politics and English Society 1695-1855 provides a unique insight into the political and social history of eighteenth and nineteenth century England as well as an important study of the history of the media.
Offering a study of the experiences of women during the industrial revolution, this title challenges widely held views on women's social and economic roles in the late 18th and early 19th centuries.
A new collection of essays which challenges many existing assumptions, particularly the conventional models of separate spheres and economic change. All the essays are specifically written for a student market, making detailed research accessible to a wide readership and the opening chapter provides a comprehensive overview of the subject describing the development of gender history as a whole and the study of eighteenth-century England. This is an exciting collection which is a major revision of the subject.
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