Hysterical Water is a collection of fierce, funny, feminist poems, prose poems, and essays with poems woven through them, all connected by threads associated with female “hysteria” and motherhood. Hannah Baker Saltmarsh troubles the historic pseudodiagnostic term hysteria as both a constraining mode used to contain and silence women and as a mode that oddly freed women to behave outside the bounds of social norms. The poems in this collection question the way maternal thinking, sexuality, affect, and creativity have been dismissed as hysterical. Saltmarsh reclaims the word hysteria by arguing that women poets might, in art as in life, celebrate incongruous emotional experiences. Drawing on and reshaping an intriguing array of source materials, Saltmarsh borrows from the language of uncontrollable emotion, excess, cure, remedy, and cult-like obsession to give shape not only to the maternal body but also to a hysterical textual one. She revisits selective silence and selective speech in everyday crises of feelings, engages meaningful “anticommunication” through odd gestures and symbols, and indulges in nonsensical dream-speak, among other tactics, to carve a feminist poetics of madness out of the masculinist discourse that has located in the woman the hysteric.
A thoughtful exploration of male poets' contributions to the literature of motherhood In the late 1950s the notion of a "mother poem" emerged during a confessional literary movement that freed poets to use personal, psychosexual material about intimate topics such as parents, childhood, failed marriages, children, infidelity, and mental illness. In Male Poets and the Agon of the Mother, Hannah Baker Saltmarsh argues that male poets have contributed to what we think of as the literature of motherhood—that confessional and postconfessional modes have been formative in the way male poets have grappled with the stories of their mothers and how those stories reflect on the writers and their artistic identities. Through careful readings of formative elegies and homages written by male poets of this time, Saltmarsh explores how they engaged with femininity and feminine voices in the 1950s and 60s and sheds light on the inheritance of confessional motifs of gender and language as demonstrated by postconfessional writers responding to the rich subject matter of motherhood within the contexts of history, myth, and literature. A foreword is provided by Jo Gill, professor of twentieth-century and American literature in the Department of English and associate dean for education at the University of Exeter.
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
Meet Hector. Part cynic, part idealist, Louisiana-born Hector moves to Washington, D.C. for law school, where he fights demons of his past as he pursues his legal education. As 1L year carries on, Hector is increasingly drawn into the dark, evasive life of his late grandfather, Tom, who bears many similarities to Hector, and who died at the age of 30. As Hector learns about his grandfather's life, his own life becomes perilously close to mirroring Tom's tragic fate. Meet Emily. Confident and cool, Emily has had her life all mapped out since she was in grade school. At least, that is what she wants people to believe. Law school is just another box on her checklist as she works toward her desired future as a prosecutor. She soon learns that it won't be as easy as she expected, and when she gets involved in a classmate's ethical transgression, she finds her entire future-and her life-in jeopardy. Hector and Emily encounter friendships, romance, loss, and betrayal as they navigate their first year of law school against the backdrop of northeast Washington, D.C.
Baking is the most difficult aspect of the gluten-free diet to overcome, but using clever substitutes and ingenious baking methods, experienced baker Hannah Miles has created a delicious selection of gluten-free versions of everyone's favourites. Cookies, Brownies & Bars include Ginger Cookies, Caramel Shortbreads and White Chocolate and Walnut Brownies. A chapter devoted to Cakes provides inspiration for birthdays and other special occasions - try Apple and Pecan Cake; Caramelized Lemon Polenta Cake or Carrot and Coconut Cake. Small Bakes for every day include Buttermilk Scones and Apricot Cornmeal Muffins. Fantastic Breads to try are Perfect Pizza Dough, Bagels and Sunshine Cornbread. Pastry treats to try include Chocolate Profiteroles, Blackcurrant and Blueberry Millefeuille and Nectarine and Cream Choux Rings. Finally, Desserts include Plum and Amaretto Crumble and Toffee Apple Cheesecake. This book is a must for the gluten intolerant or for those who bake for gluten-intolerant family members or friends. Lawyer and 2007 MasterChef finalist, Hannah Miles has developed a second career as a cake maker and food writer.
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
This book, aimed specifically at Australian children age 10+ or teenagers who are not strong readers, was written with input from child protection, education and counselling professionals. Hannah explains what abuse is, and how to get help if the reader or somebody they know is being abused. This book aims to help children and young people who have been abused to know they are not alone, that it is okay to have whatever feelings they have, and that things will get better. Hannah provides useful information about what supports and strategies helped her to re-build her life following abuse. She writes of feeling proud of herself for overcoming great challenges. The book contains cartoon pictures and is equally appealing for boys and girls.
“Makes you feel like you're in Appalachia with Hannah Queen, picking fruit out back and baking . . . rich photography and unforgettable desserts.” —Erin Gleeson, The Forest Feast In the tradition of cooking with each season’s bounty, Hannah Queen applies the same spirit to her baking, turning out an abundance of fresh cakes, trifles, biscuits, and more. From the citrus of winter to the bright squash of summer, more than seventy classic and modern dessert recipes celebrate locally sourced ingredients. Relish the sweet fruit of the spring with the delectable Rhubarb Custard Cake, and savor the ripe flavors of autumn with Spiced Pumpkin Cupcakes with Bourbon Buttercream. The wide range of flavors and recipes for year-round baking ensure you will never tire of these fresh indulgences. Featuring Queen’s rich photography throughout, Honey and Jam not only showcases a collection of rustic desserts, but also captures the sprawling forests and farmlands of the Blue Ridge, anchoring each recipe in the backdrop of the Southern Appalachian Mountains.
ARISE and PROPHESY! Are Christians personally walking in the supernatural power and releasing the societal Kingdom transformation that Jesus made available? From everything we see around us, we know there must be more! The last days outpouring prophesied in Joel 2 began its fulfillment on the Day of Pentecost. And yet, it seems that in the centuries since this day, we have not seen the fullness of what God wants to do in the planet through His people. Why? WHEN WOMEN ARISE, LEAD AND PROPHESY THE ROAR OF THE CHURCH WILL EMERGE WITH FORCE AND POWER! Women on the Frontlines pioneer, Patricia King and prophetic teacher, Larry Sparks, extend a timeless invitation from Heaven to the daughters of God. In ARISE, you will learn how to: Understand and operate in the Kingdom authority that God restored through Jesus. Rediscover your dreams, visions, gifts, and career ambitions: God wants to infuse them with Holy Spirit power and strategy. Occupy the high places and become an influencer that establishes atmospheres and shapes cultures. Receive mantles and swords from the heavenly realm to fulfill your divine assignments. Experience deliverance and freedom from the enemys attempts to restrain your purpose from being fulfilled. Release your prophetic voice and take your place in an advancing supernatural revolution. Take your place on the frontlines of battle. Let your voice and life resound as a prophetic roar that brings Heaven to Earth as you fulfill your divine destiny and leave your mark on history!
This illustrated, colour book is appropriate for teenagers and young people who are strong readers. Hannah has shared her real-life teenage diaries to help other young people understand what it is like to be abused by someone you care about. She describes her experience of reporting the abuse to police and the legal process that followed. She explains what abuse is, and gives clear advice for readers who themselves need help, or have a friend who does. She also writes of the gains she has made in her recovery since speaking with counsellors about her experiences. The book contains beautiful paintings donated by Sarah Millicent Elliott. It was written with input from Australian counselling, child protection and education experts.
After catching her celebrity chef fiancé sizzling in the arms of another woman, Lindsey Bakewell left big city Wall Street for small town Beacon Harbor, Michigan to pursue her own passion as a pastry baker—and gets mixed up in someone’s sweet taste of revenge . . . More interested in kneading dough than adding it up, Lindsey’s breakup inspired her to set up the shop she always wanted in a place that always made her happy. She’d spent many childhood summers near this beach community and converting the old run-down lighthouse into a bakery café and home offers a perfect fresh start for Lindsey and her devoted Newfoundland dog, Wellington. But not everyone in town has a sweet tooth. The preservation society won’t have the lighthouse’s history sugar coated by lattes and cakes—and a protest group crashes Lindsey’s Memorial Day opening. Then her ex-fiancé Jeffrey Plank and his girlfriend Mia Long arrive to trash the place. In the ensuing chaos Mia chokes on a donut and dies. An autopsy reveals cyanide in Mia’s bloodstream and Lindsey is the police’s prime suspect. To clear her name, she’s going to need to combine ingredients found in the town’s checkered past to uncover the identity of a desperate killer . . . Includes Delicious Recipes! Advance praise for MURDER AT THE BEACON BAKESHOP “Darci Hannah mixes spicy characters, a sweet bakeshop, and a possibly haunted lighthouse into a charming beachfront Michigan village and serves up a mystery as delectable as the bakeshop’s treats and as twisty as the lighthouse stairs." —Ginger Bolton, author of Boston Scream Murder
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