“A remarkable story that moves from nineteenth-century England to today’s global ecological concerns around fast fashion.” —Times Literary Supplement Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then reused. Usually undisclosed, shoddy—also known as reworked wool—became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue. Hanna Rose Shell takes us on a journey from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. The narrative is both literary and historical, drawing on an extraordinary range of sources from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art, and bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world. Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering, and shows how, over the past century, the shredding “devil” has moved from wool to synthetics such as nylon stockings and Kevlar. The use of the term “virgin” wool emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem . . . well, shoddy. Over time, the word would become a synonym for “inferior” and describe a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration—of what we today think of as conscious clothing, eco-fashion, or sustainable textiles. “In a brilliantly quixotic, scholarly rich, fabulously illustrated trek, Shell guides readers through the history of the reprocessing of used clothing and textiles, reflecting on human ornament, fears of contagion (think of the associations of ‘shoddy’ versus ‘virgin’ wool), and the evolution of a vast industry.” —Harvard Magazine “The fascinating story of how a respectable textile product became synonymous with all things inferior . . . . a fun ride.” —Washington Independent Review of Books
“A remarkable story that moves from nineteenth-century England to today’s global ecological concerns around fast fashion.” —Times Literary Supplement Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then reused. Usually undisclosed, shoddy—also known as reworked wool—became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue. Hanna Rose Shell takes us on a journey from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. The narrative is both literary and historical, drawing on an extraordinary range of sources from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art, and bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world. Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering, and shows how, over the past century, the shredding “devil” has moved from wool to synthetics such as nylon stockings and Kevlar. The use of the term “virgin” wool emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem . . . well, shoddy. Over time, the word would become a synonym for “inferior” and describe a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration—of what we today think of as conscious clothing, eco-fashion, or sustainable textiles. “In a brilliantly quixotic, scholarly rich, fabulously illustrated trek, Shell guides readers through the history of the reprocessing of used clothing and textiles, reflecting on human ornament, fears of contagion (think of the associations of ‘shoddy’ versus ‘virgin’ wool), and the evolution of a vast industry.” —Harvard Magazine “The fascinating story of how a respectable textile product became synonymous with all things inferior . . . . a fun ride.” —Washington Independent Review of Books
Shelley Hanna was diagnosed with breast cancer in 2000, at the age of 41, and underwent a double mastectomy followed by three months of aggressive chemotherapy. After her treatment she began swimming with a local masters club and not only did it help her mental and physical fight back, she discovered a previously unknown talent. Shelley went on to win 3 gold medals in her age group at the 2004 NZ masters Games and went on to train as an Encore Instructor with the YWCA. to celebrate her fifth year in remission, Shelley cycled 500km through Vietnam and Cambodia with her husband, in a fundraising venture for Oxfam NZ. Sink or Swim is her poignant, inspiring and highly entertaining story of her journey from cancer victim to cancer survivor.
If you enjoy the extraordinary stories of Diana Gabaldon, Karen Marie Moning, and the paranormal works of Nora Roberts ... THE STARRY CHILD is a spell-binding, unforgettable story of a star-crossed love that survives through the ages, a tale as timeless as the mystic Scottish legends and forbidden lovers among the heather of long ago. Yet it is as vibrant and alive in the present day as those whose fates now hang in the balance. It's the story of a young mother who learns that her own destiny is forever tied to a man she hardly knows, a man of the Highlands. Yet in her heart, she realizes that he's someone she has always known. And at the center of it all lies an undying love held in secret by a little girl. Since the tragic death of her father, eight-year-old Sasha Nielson has not spoken a word. Her mother, Rainey, has taken her to doctors and therapists, but medical science has not found the cause or the cure for Sasha's silence. There are days when her behavior is baffling, even potentially dangerous, particularly during lightning storms. The authorities threaten to take Sasha away and time is running out. One man sees beyond Sasha's mysteries. Matt Macinnes is a gifted professor of ancient languages, a man who senses that there is a key to Sasha's silence, that she may in fact be guarding a secret of such profound and terrifying dimensions that it staggers the imagination. Only Matt can get Sasha to whisper her secrets, secrets she reveals to him in Old Gaelic, a language she has never had access to. Could this All-American little girl truly be carrying around the restless soul of an exiled Celtic queen of old? More than that, Matt finds himself drawn to Rainey's amazing strength and beauty. He feels ties to her that he can't explain. But her protective instincts toward little Sasha have built a fortress around her heart, a barrier that only hard-won trust and absolute proof of his worthiness can tear down. He is devoted to both mother and daughter, but the mystery of Sasha's secret destiny must be solved before he can reveal the passionate truth that burns within him. Rainey has fought to keep Sasha safe from the cruelty and ignorance of the world. She has tried everything to help Sasha overcome her silence, but in the end, Sasha's wordlessness has prevailed and stress and exhaustion are Rainey's constant companions. She can't fix things by herself, but she doesn't dare trust anyone else for fear others have a dark agenda that could lead to the loss of Sasha. Matt is very tempting. Aside from the fact that he has an almost mystical kind of attraction about him, it would be very easy to simply hand him her heart and her impossible responsibilities and let him take over for a while. Added to that, Sasha adores him at first sight. But is Matt only helping them in order to earn himself professional recognition and a hefty university grant? How can she deny being drawn to him with every breath she takes as if she has known and loved him for a thousand years? How can she dare to trust him when not only her heart is at stake, but Sasha's heart is in the balance as well?
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