inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
All My Rowdy Friends Are Coming Over Tonight * Man of Steel * Honky Tonkin' * The Conversation * Queen of My Heart * Two Old Cats Like Us (with Ray Charles) * Gonna Go Huntin' Tonight * Attitude Adjustment * Major Moves.
Twenty-seven songs tracing the careers of both Hank Williams and Hank Williams, Jr. Includes newspaper articles, family photos and these songs: All My Rowdy Friends Are Coming Over Tonight * Born to Boogie * Hey, Good Lookin' * Jambalaya (On the Bayou) * Lovesick Blues * There's a Tear in My Beer.
(Piano/Vocal/Guitar Artist Songbook). This comprehensive compilation contains every song written by country music legend Hank Williams. Includes 128 in all: Cold, Cold Heart * Hey, Good Lookin' * Honky Tonkin' * I Ain't Got Nothing but Time * I Can't Help It (If I'm Still in Love with You) * I Saw the Light * I'm a Long Gone Daddy * I'm So Lonesome I Could Cry * Jambalaya (On the Bayou) * Jesus Is Calling * A Mansion on the Hill * My Son Calls Another Man Daddy * There's a Tear in My Beer * Your Cheatin' Heart * many more! Also includes a biography.
The American Anti-Slavery Society originally published Narrative of James Williams, an American Slave in 1838 to much fanfare, describing it as a rare slave autobiography. Soon thereafter, however, southerners challenged the authenticity of the work and the society retracted it. Abolitionists at the time were unable to defend the book; and, until now, historians could not verify Williams's identity or find the Alabama slave owners he named in the book. As a result, most scholars characterized the author as a fraud, perhaps never even a slave, or at least not under the circumstances described in the book. In this annotated edition of Narrative of James Williams, an American Slave, Hank Trent provides newly discovered biographical information about the true author of the book -- an African American man enslaved in Alabama and Virginia. Trent identifies Williams's owners in those states as well as in Maryland and Louisiana. He explains how Williams escaped from slavery and then altered his life story to throw investigators off his track. Through meticulous and extensive research, Trent also reveals unknown details of James Williams's real life, drawing upon runaway ads, court cases, census records, and estate inventories never before linked to him or to the narrative. In the end, Trent proves that the author of the book was truly an enslaved man, albeit one who wrote a romanticized, fictionalized story based on his real life, which proved even more complex and remarkable than the story he told.
(Piano/Vocal/Guitar Artist Songbook). This comprehensive compilation contains every song written by country music legend Hank Williams. Includes 128 in all: Cold, Cold Heart * Hey, Good Lookin' * Honky Tonkin' * I Ain't Got Nothing but Time * I Can't Help It (If I'm Still in Love with You) * I Saw the Light * I'm a Long Gone Daddy * I'm So Lonesome I Could Cry * Jambalaya (On the Bayou) * Jesus Is Calling * A Mansion on the Hill * My Son Calls Another Man Daddy * There's a Tear in My Beer * Your Cheatin' Heart * many more! Also includes a biography.
One of America’s most beloved folk singers, Arlo Guthrie was at the pinnacle of his fame in the late 1960s and early 1970s with his best-selling album Alice’s Restaurant and his iconic appearance at Woodstock. Yet Guthrie’s career as a musician, humorist, and storyteller extends far beyond his years in the celebrity spotlight. Rising Son: The Life and Music of Arlo Guthrie, written by award-winning author Hank Reineke, recounts the veteran musician’s second act, from the early 1980s to the present. Featuring extensive reflections and commentary from Guthrie himself, this book is the only authorized biography of the renowned folk singer. As a modern-day troubadour drawn to experimentation, Arlo Guthrie has also carried forward the traditions inherited from his legendary father, Woody Guthrie. Rising Son examines Arlo’s role in preserving Woody’s legacy of social protest and examines his collaborations with his father’s friend Pete Seeger. The book also highlights the contributions of Guthrie’s mother, Marjorie Mazia Guthrie, a dancer with the Martha Graham Company and the Guthrie family’s first archivist. Drawing on substantial research, the author traces Guthrie’s efforts to free himself from corporate oversight of his music and art. In 1983, Guthrie created his own label, Rising Son Records, to reissue titles from his back catalog and create new music. Guthrie speaks frankly about record company blues and music industry tangles, offering lively accounts of the people he met and the places he performed. The narrative takes several detours, with Guthrie sharing memories written in the spirt of his signature shaggy-dog storytelling style. Rising Son also illuminates the spiritual journey of a restless pilgrim: a man devoted to exploring and synthesizing the most benevolent principles of charity and kindness as practiced by different religious traditions. “What I’ve tried to do,” Guthrie has reflected, “is to use live music to change people’s lives.” This definitive biography invites new appreciation for Arlo Guthrie’s remarkable career as a musician, storyteller, and humanitarian activist.
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.
“Music affects every person. It is the soundtrack of our happiness, zest for achievement and relationships to others. Music brings great ideas and feelings. It soothes the soul. It creates and sustains memories.” – Hank Moore Pop Music Legends covers change and growth of the music recording industry. It is based on the Hank Moore’s involvement in music over the years, interviews with hundreds of music stars and his knowledge of pop culture. It is the only book that encompasses a full-scope music perspective and is designed to have high appeal mass appeal, historical, entertainment and is applicable to a broad audience.
Historians have long discussed the interracial families of prominent slave dealers in Richmond, Virginia, and elsewhere, yet, until now, the story of slave trader Bacon Tait remained untold. Among the most prominent and wealthy citizens of Richmond, Bacon Tait embarked upon a striking and unexpected double life: that of a white slave trader married to a free black woman. In The Secret Life of Bacon Tait, Hank Trent tells Tait’s complete story for the first time, reconstructing the hidden aspects of his strange and often paradoxical life through meticulous research in lawsuits, newspapers, deeds, and other original records. Active and ambitious in a career notorious even among slave owners for its viciousness, Bacon Tait nevertheless claimed to be married to a free woman of color, Courtney Fountain, whose extended family were involved in the abolitionist movement and the Underground Railroad. As Trent reveals, Bacon Tait maintained his domestic sphere as a loving husband and father in a mixed-race family in the North while running a successful and ruthless slave-trading business in the South. Though he possessed legal control over thousands of other black women at different times, Trent argues that Tait remained loyal to his wife, avoiding the predatory sexual practices of many slave traders. No less remarkably, Courtney Tait and their four children received the benefits of Tait’s wealth while remaining close to her family of origin, many of whom spoke out against the practice of slavery and even fought in the Civil War on the side of the Union. In a fascinating display of historical detective work, Trent illuminates the worlds Bacon Tait and his family inhabited, from the complex partnerships and rivalries among slave traders to the anxieties surrounding free black populations in Courtney and Bacon Tait’s adopted city of Salem, Massachusetts. Tait’s double life illuminates the complex interplay of control, manipulation, love, hate, denigration, and respect among interracial families, all within the larger context of a society that revolved around the enslavement of black Americans by white traders.
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