Reclaiming Goodness: Education and the Spiritual Quest begins with the premise that sound models for achieving both spiritual fulfillment and the "good life" are lacking in contemporary culture. Arguing that contemporary education is responsible for having abandoned spirituality and the cultivation of goodness in people, Hanan A. Alexander advances a definition of spirituality which acknowledges an integral connection to education. Reclaiming Goodness charts a way to reintegrate ethical and spiritual values with the values of critical thought and reason. Written in accessible and non-technical prose, it will be of interest to professional educators as well as to a wider audience.
The roots of the Hasmonean Revolt: the reign of Antiochus IV -- Questions of identity: the "teacher of righteousness," the "man of lies," and Jonathan the Hasmonean -- The succession of high priests: John Hyrcanus and his sons in the Pesher to Joshua 6:26 -- Alexander Jannaeus and his war against Ptolemy Lathyrus -- A prayer for the welfare of King Jonathan -- The Pharisees' conflict with Alexander Jannaeus and Demetrius' invasion of Judaea -- The successors of Alexander Jannaeus and the conquest of Judaea by Pompey -- The assassination of Pompey -- The changing notion of the enemy and its impact on the Pesharim.
This challenging and provocative book reimagines the justification, substance, process, and study of education in open, pluralistic, liberal democratic societies. Hanan Alexander argues that educators need to enable students to embark on a quest for intelligent spirituality, while paying heed to a pedagogy of difference. Through close analysis of the work of such thinkers as William James, Charles Taylor, Elliot Eisner, Michael Oakeshott, Isaiah Berlin, Martin Buber, Michael Apple and Terrence McLaughlin, Reimagining Liberal Education offers an account of school curriculum and moral and religious instruction that throws new light on the possibilities of a nuanced, rounded education for citizenship. Divided into three parts – Transcendental Pragmatism in Educational Research, Pedagogy of Difference and the Other Face of Liberalism, and Intelligent Spirituality in the Curriculum, this is a thrilling work of philosophy that builds upon the author's award-winning text Reclaiming Goodness: Education and the Spiritual Quest.
Reclaiming Goodness: Education and the Spiritual Quest begins with the premise that sound models for achieving both spiritual fulfillment and the "good life" are lacking in contemporary culture. Arguing that contemporary education is responsible for having abandoned spirituality and the cultivation of goodness in people, Hanan A. Alexander advances a definition of spirituality which acknowledges an integral connection to education. Reclaiming Goodness charts a way to reintegrate ethical and spiritual values with the values of critical thought and reason. Written in accessible and non-technical prose, it will be of interest to professional educators as well as to a wider audience.
The roots of the Hasmonean Revolt: the reign of Antiochus IV -- Questions of identity: the "teacher of righteousness," the "man of lies," and Jonathan the Hasmonean -- The succession of high priests: John Hyrcanus and his sons in the Pesher to Joshua 6:26 -- Alexander Jannaeus and his war against Ptolemy Lathyrus -- A prayer for the welfare of King Jonathan -- The Pharisees' conflict with Alexander Jannaeus and Demetrius' invasion of Judaea -- The successors of Alexander Jannaeus and the conquest of Judaea by Pompey -- The assassination of Pompey -- The changing notion of the enemy and its impact on the Pesharim.
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
NATASHA hanyalah gadis kampung. Pertemuannya dengan Asyraf walaupun tanpa sepatah kata menimbulkan bait-bait kasih dalam hatinya. Begitu juga dengan Asyraf. Dia tahu Anuar, sahabat baiknya mencintai Natasha. Hakikatnya, dia hanyalah manusia biasa yang tidak dapat menolak gelora hati yang semakin membara. Mujur masih berbaki iman dan taqwa. Natasha keliru. Jiwa dia ditagih oleh dua jejaka. Kasih pada Asyraf tidak pernah padam tetapi halangan orang tua membuatkan dia pasrah. Saat hatinya mula terbuka buat Anuar yang setia menanti, Asyraf hadir kembali mendambakan kasihnya.
Among the most prominent hallmarks of the late Prof. Hanan Eshel (1958–2010) were his generosity, passion, and integrative approach. The eighteen essays in this volume were selected by Prof. Eshel shortly before his untimely death, to be printed as a collection aimed at contextualizing the textual finds of the Dead Sea Scrolls within their archaeological settings and within the contours of contemporary scholarship.The Qumran texts that stand at the center of these articles are correlated with archaeological and geographic information and with a variety of textual sources including epigraphic evidence and, especially, the Hebrew Bible, Josephus, and rabbinic texts. The essays are organized according to the provenance of the discovered material, with sections devoted to the Damascus Documentand the scrolls from Caves 1, 3, 4, and 11, as well as a final more general chapter.Half of the essays have been previously published in English, while the other half have been translated from Hebrew here for the first time. The book includes essays that have been co-authored with Esther Eshel, Shlomit Kendi-Harel, Zeev Safrai, and John Strugnell.
It has often been said that the nineteenth century was a relatively stagnant period for Chinese fiction, but preeminent scholar Patrick Hanan shows that the opposite is true: the finest novels of the nineteenth century show a constant experimentation and evolution. In this collection of detailed and insightful essays, Hanan examines Chinese fiction before and during the period in which Chinese writers first came into contact with western fiction. Hanan explores the uses made of fiction by westerners in China; the adaptation and integration of western methods in Chinese fiction; and the continued vitality of the Chinese fictional tradition. Some western missionaries, for example, wrote religious novels in Chinese, almost always with the aid of native assistants who tended to change aspects of the work to "fit" Chinese taste. Later, such works as Washington Irving's "Rip Van Winkle," Jonathan Swift's "A Voyage to Lilliput," the novels of Jules Verne, and French detective stories were translated into Chinese. These interventions and their effects are explored here for virtually the first time.
It's 1984 in the west of Ireland, and two sisters have unwittingly betrayed each other. My Heart Went Walking follows Una, who gives up everything to protect the people she loves, and her sister Ellie, who is left behind to pick up the pieces. With the prose of Sue Monk Kidd mixed with the dialogue of Maeve Binchy, this is a captivating, emotional, and uplifting debut novel set against the sweeping landscape of rural Ireland and Dublin City in the 1980s. Una runs away from her home and family in Donegal to start over in the “big smoke” of Dublin City, leaving a bereft family looking for answers. A year later, wondering if it might be safe to go back, she comes face-to-face with the heartbreaking reality that if she does so, she'll ruin her sister Ellie's newfound happiness. Una stays away and processes her pain alone while building a new life for herself with help from an unexpected source … until tragedy strikes and she must go home, where the secrets she has fought so hard to keep could destroy all their lives. My Heart Went Walking is a story of heartbreak and difficult choices, of tragedy and romance, of giving up everything to save your loved ones and trying to figure out your new path in life. With its evocative and witty prose, Sally Hanan will take you back to the '80s and pull you in to the Irish approach to life — that of grit and laughter — and leave you with an overriding reminder of the possibility of hope and restoration in all things.
Goodman's Basic Medical Endocrinology, Fifth Edition, has been student tested and approved for decades. This essential textbook provides up-to-date coverage of rapidly unfolding advances in the understanding of hormones involved in regulating most aspects of bodily functions. It is richly illustrated in full color with both descriptive schematic diagrams and laboratory findings obtained in clinical studies. This is a classic reference for moving forward into advanced study. Clinical case studies in every chapter E-book version available with every copy for obtaining images and tables for lectures or notes Clinicians added as co-authors to enhance usefulness by physicians and medical students and residents Detailed molecular biology of hormones and hormone action for graduate and advanced undergraduate students Expanded and updated color images emphasizing hormone action at the molecular level In-depth molecular biology and clinical sections boxed for ease of access
One of the world's great folk story-cycles adapted for the stage by leading theatre maker Tim Supple, from the stories written by the seminal Lebanese novelist Hanan al-Shaykh. This unique edition will unlock the ancient tales for a new generation of readers and performers. Written by Arabic writers from tales gathered in India, Persia and across the great Arab Empire, the One Thousand and One Nights are the never-ending stories told by Shahrazad night after night, under sentence of death, to the king Shahrayar who has vowed to marry a virgin every night and kill her in the morning. Shahrazad prolongs her life by keeping the King engrossed in a web of stories that never ends - a fascinating kaleidoscope of life, love and destiny. The tales that unfold are erotic, violent, supernatural and endlessly surprising. The web of tales woven by Shahrazad were exoticised and bowdlerised in the West under the title of the Arabian Nights. This adaptation unearths the true character of One Thousand and One Nights as it is in the oldest Arabic manuscripts. In turns erotic, brutal, witty, poetic and complex, the tales tell of love and marriage, power and punishment, rich and poor, and the endless trials and uncertainties of fate. The great cities and thriving trade routes of the Islamic world provide the setting for these stories that employ supernatural mystery and intense realism to portray the deep and endless drama of human experience.
Between Utopia and Dystopia offers a new interpretation of Erasmian humanism. It argues that Erasmian humanism created the identity of the universal and critical intellectual, but that this identity undermined the fundamental premises of humanist discourse. It closely reads several works of Erasmus and Thomas More, employing an interdisciplinary approach to the study of intellectual history, and adopting theoretical insights and methodological procedures from various disciplines.
With the acclaim won by her first two novels, Hanan al-Shaykh established herself as the Arab world's foremost woman writer. Beirut Blues, published to similar acclaim, further confirms her place in Arabic literature, and brings her writing to a new, groundbreaking level. The daring fragmented structure of this epistolary novel mirrors the chaos surrounding the heroine, Asmahan, as she futilely writes letters to her loved ones, to her friends, to Beirut, and to the war itself--letters of lament that are never to be answered except with their own resounding echoes. In Beirut Blues, Hanan al-Shaykh evokes a Beirut that has been seen by few, and that will never be seen again.
Over the last three decades, a new generation of conceptual artists has come to the fore in the Arab Middle East. As wars, peace treaties, sanctions, and large-scale economic developments have reshaped the region, this cohort of cultural producers has also found themselves at the center of intergenerational debates on the role of art in society. Central to these cultural debates is a steady stream of support from North American and European funding organizations—resources that only increased with the start of the Arab uprisings in the early 2010s. The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to understand the aesthetics of material production within liberal economies. Hanan Toukan outlines the political and social functions of transnationally connected and internationally funded arts organizations and initiatives, and reveals how the production of art within global frameworks can contribute to hegemonic structures even as it is critiquing them—or how it can be counterhegemonic even when it first appears not to be. In so doing, Toukan proposes not only a new way of reading contemporary art practices as they situate themselves globally, but also a new way of reading the domestic politics of the region from the vantage point of art.
Short stories on the wandering life of Jewish refugees after World War II. Typical is The Man from Les Milles, on a reunion in New York of Jews who were inmates of a concentration camp in Vichy France.
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