John and Anne have two children and a good marriage—they have sex, drive hybrids, and recently, they cut out sugar. But John has been spying on the neighbors, frankly, for a while now, and at 9 a.m, Halloween morning, the neighbors drop by for a visit. THE CHEATS is a play about your marriage, and how it can get f*cked when you forget to lock the front door.
Just south of Williamstown, if you take a left at the Red Lion Inn, there’s an off-season part of Berkshire County where no one locks their doors, just in case someone comes home who’s forgotten their key. In this quiet corner of Western Massachusetts, a motley cast of strangers from a dying young woman’s past find one another on a night when they need each other most. THE WHIRLIGIG is a sparkle-dark, rollicking, rural romance about Death, Time, Mistaken Identity, Chance, Sex, Chancy Sex, and mostly, mostly Love.
John and Anne have two children and a good marriage—they have sex, drive hybrids, and recently, they cut out sugar. But John has been spying on the neighbors, frankly, for a while now, and at 9 a.m, Halloween morning, the neighbors drop by for a visit. THE CHEATS is a play about your marriage, and how it can get f*cked when you forget to lock the front door.
Just south of Williamstown, if you take a left at the Red Lion Inn, there’s an off-season part of Berkshire County where no one locks their doors, just in case someone comes home who’s forgotten their key. In this quiet corner of Western Massachusetts, a motley cast of strangers from a dying young woman’s past find one another on a night when they need each other most. THE WHIRLIGIG is a sparkle-dark, rollicking, rural romance about Death, Time, Mistaken Identity, Chance, Sex, Chancy Sex, and mostly, mostly Love.
The lively memoir of one of New Zealand's wittiest art, urbanism and social commentators. Legendary art commentator Hamish Keith returned to much-deserved national attention when his television series and accompanying book The Big Picture seized the imagination of New Zealanders. The high-rating show and bestselling book rekindled fresh enthusiasm for the complex and fascinating story of our art heritage and cemented Keith's stature as one of our most engaging, confronting and witty cultural commentators. Native Wit, Keith's witty, revealing memoir, gives readers an insight into his well-lived, rich and immensely varied life. Whether as a confrere of Colin McCahon, the chairman of the Arts Council, husband of Oscar-winning film costume designer Ngila Dickson, bon vivant and accomplished chef or arch enemy of doddering bureaucrats, Keith has a dynamic personality and a trenchant analysis that makes him a pleasure to read.
A few years before he died James MacGibbon confessed to his close family that he had spied for the Soviet Union during World War II. At the end of the war MI5 suspected him of espionage and interrogated him but he did not confess. Nevertheless they kept James, his wife Jean and their young family under close surveillance for a number of years, regularly intercepting their mail and recording their telephone conversations. Only after James's death did the true significance of what he might have revealed become clear – in his wartime office role, James had access to the plans for Operation Overlord, D-Day. In this book, James's son Hamish tells the story of his parents, their interaction with the communist party and their flirtation with wartime espionage. It is a unique portrait of two very ordinary people caught up in the extraordinary events of World War Two and the Cold War.
There has been a tremendous growth of interest in the human voice and its disorders during the past decade. This has led to the development of a variety of 'voice labs' or 'voice clinics' that are able to offer unique interdisciplinary assessment and treatment facilities. To cover aJlthe bases, the voice care team requires input frorn laryngology, speech-language pathology, psychiatry, neurology, voice science, music pedagogy, biomedical engineering and other peripheral fields. Because of the multidisciplinary nature of voice dinics there have been a number of books written that address our subject from different professional perspectives. These tend to be multi-authored works that draw on expertise from around the world, such as alaryngologist frorn New York, a speech pathologist from Toronto, etc. All are coJleagues that share similar interests but never actually share the management problems of the same patients. This book has been planned and written by the members ofa single 'voice clinic'iIt is our hope that it willreflect a singleness of direction and purpose in the way it presents our approach to a complex topic. Because of our regular interactive meetings over problem patients inwhich we debate the meaning of our observations, the evolution of etiological dassification systems, and the rationale for particular therapy approaches, we feel that we have become a team that is greater than the sum of its parts, and that there is value in sharing our cumulative thoughts with others. This is not simply a laryngology text for laryngologists.
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