On the last night of her season, Winter hosts a sleepover party for her sisters-and the youngest Enchanted Sister, Spring, finally feels old enough to go! But Spring is nervous . . . she's never slept away from home before. The evening ends in disaster when a storm scares Spring into leaving the party early. But when Bluster Tempest steals Mother Nature's scepter and puts her under a sleeping spell, Spring must muster her courage to lead her sisters into the Barrens to get it back. Can Spring convince Bluster and his mischievous boys, the Weeds, to wake up Mother Nature and return the scepter before the Seasons Ceremony is ruined? This charming series is perfectly suited for newly independent readers who love the Rainbow Fairies and Candy Fairies series. Don't miss Summer's adventure, also available in Winter 2015!
Sisters Autumn, Winter, Spring, and Summer are nature's royalty. In Mother Nature's realm, they're responsible for each magical turn of the seasons. When they're not keeping all of nature in balance, the girls play, imagine, and explore their way around their enchanted world. And though they love harmony, the sisters often cross paths with the Weeds - wild boys who bring trouble with them wherever they go. This charming new series comes from The Jim Henson Company and is perfectly suited for newly independent readers who love the Rainbow Fairies and Candy Fairies series. The series launches with Autumn when she loses a special gift from Mother Nature. Can the sisters find the gift before Mother Nature's party?
Summer has always secretly enjoyed hanging out with Thunderbolt, one of the mischievous Weeds who bring disaster and mayhem everywhere they go. Sure, the Weeds have acted poorly in the past, but they can't be all bad . . . right? Summer's sisters couldn't disagree with her more-especially after the boys ruin Summer's bonfire party. When the two teams of magical siblings are encouraged by Mother Nature and Bluster Tempest to settle their disagreements in a series of competitive sports, Summer and Thunderbolt are forced to stop talking. But is winning and siding with their siblings really worth ruining their friendship? The fourth installment of this charming series is perfectly suited for newly independent readers who love the Rainbow Fairies and Candy Fairies series. Don't miss Spring's adventure, also in Winter 2015!
Winter is the most daring of the seasonal Sparkle Sisters. She loves to play with her sisters, Autumn, Spring, and Summer, but her very best friend is her pet polar bear, Flurry. He's the perfect companion for sledding, ice skating, and all kinds of wild escapades. When Winter and Flurry decide to build the biggest snow fort of all time, they're surprised by a baby arctic fox. Winter loves him immediately...which makes Flurry very jealous. When Flurry's hurt feelings send him running to play with the Weeds-wild boys who bring trouble wherever they go-Winter will need the help of all of her enchanted sisters to get him back! This charming series is perfectly suited for newly independent readers who love the Rainbow Fairies and Candy Fairies series. Don't miss Spring and Summer's adventures, coming in 2015!
In Mother Nature's realm, sisters Autumn, Winter, Spring, and Summer are nature's royalty, responsible for each magical turn of the seasons, but Autumn has lost a special gift from Mother Nature and her sisters must help her find it.
Although Spring is nervous about her first sleepover, Winter's Snowflake Slumber Party is great fun until a storm frightens Spring into leaving early, but she musters her courage to lead her sisters into the Barrens when the Weeds steal Mother Nature's scepter.
On the last night of her season, Winter hosts a sleepover party for her sisters-and the youngest Enchanted Sister, Spring, finally feels old enough to go! But Spring is nervous . . . she's never slept away from home before. The evening ends in disaster when a storm scares Spring into leaving the party early. But when Bluster Tempest steals Mother Nature's scepter and puts her under a sleeping spell, Spring must muster her courage to lead her sisters into the Barrens to get it back. Can Spring convince Bluster and his mischievous boys, the Weeds, to wake up Mother Nature and return the scepter before the Seasons Ceremony is ruined? This charming series is perfectly suited for newly independent readers who love the Rainbow Fairies and Candy Fairies series. Don't miss Summer's adventure, also available in Winter 2015!
When the Weeds ruin her bonfire party, Summer and her sisters agree to settle the rivalry through a series of competitive sports that further strain Summer and Thunderbolt's secret friendship. Simultaneous.
Sharing the responsibility of changing the seasons, sisters Autumn, Winter, Spring and Summer imagine and explore their way around their enchanted world while outmaneuvering the troublemaking Weed boys. Simultaneous.
When Flurry, a pet polar bear, becomes jealous and runs off to play with the Weeds, who are always causing trouble, the adventurous Winter will need the help of all of her enchanted Sparkle Sisters to get him back.
What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.
In this study of the Japanese jeweled pagoda mandalas, Halle O’Neal reveals the entangled realms of sacred body, beauty, and salvation. Much of the previous scholarship on these paintings concentrates on formal analysis and iconographic study of their narrative vignettes. This has marginalized the intriguing interplay of text and image at their heart, precluding a holistic understanding of the mandalas and diluting their full import in Buddhist visual culture. Word Embodied offers an alternative methodology, developing interdisciplinary insights into the social, religious, and artistic implications of this provocative entwining of word and image.O’Neal unpacks the paintings’ revolutionary use of text as picture to show how this visual conflation mirrors important conceptual indivisibilities in medieval Japan. The textual pagoda projects the complex constellation of relics, reliquaries, scripture, and body in religious doctrine, practice, and art. Word Embodied also expands our thinking about the demands of viewing, recasting the audience as active producers of meaning and offering a novel perspective on disciplinary discussions of word and image that often presuppose an ontological divide between them. This examination of the jeweled pagoda mandalas, therefore, recovers crucial dynamics underlying Japanese Buddhist art, including invisibility, performative viewing, and the spectacular visualizations of embodiment.
In this innovative study, German and film studies scholar Randall Halle advances the concept of "interzones"--geographical and ideational spaces of transit, interaction, transformation, and contested diversity--as a mechanism for analyzing European cinema. He focuses especially on films about borders, borderlands, and cultural zones as he traces the development of interzones from the inception of central European cinema to the avant-garde films of today. Throughout, he shows how cinema both reflects and engenders interzones that explore the important questions of Europe's social order: imperialism and nation-building in the late nineteenth and early twentieth centuries; "first contact" between former adversaries (such as East and West Germany) following World War II and the Cold War; and migration, neo-colonialism, and cultural imperialism in the twenty-first century. Ultimately, Halle argues that today's cinema both produces and reflects imaginative communities. He demonstrates how, rather than simply erasing boundaries, the European Union instead fosters a network of cultural interzones that encourage cinematic exploration of the new Europe's processes and limits of connectivity, tolerance, and cooperation.
In Queer Social Philosophy, Randall Halle analyzes key texts in the tradition of German critical theory from the perspective of contemporary queer theory, exposing gender and sexuality restrictions that undermine those texts' claims of universal truth. Addressing such figures as Kant, Hegel, Marx, Nietzsche, Adorno, and Habermas, Halle offers a unique contribution to contemporary debates about sexuality, civil society, and politics.
Reconsidering the dynamics of perception Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception. Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.
The story of New York’s west side no longer stars the Sharks and the Jets. Instead it’s a story of urban transformation, cultural shifts, and an expanding contemporary art scene. The Chelsea Gallery District has become New York’s most dominant neighborhood for contemporary art, and the streets of the west side are filled with gallery owners, art collectors, and tourists. Developments like the High Line, historical preservation projects like the Gansevoort Market, the Chelsea galleries, and plans for megaprojects like the Hudson Yards Development have redefined what is now being called the “Far West Side” of Manhattan. David Halle and Elisabeth Tiso offer a deep analysis of the transforming district in New York’s New Edge, and the result is a new understanding of how we perceive and interpret culture and the city in New York’s gallery district. From individual interviews with gallery owners to the behind-the-scenes politics of preservation initiatives and megaprojects, the book provides an in-depth account of the developments, obstacles, successes, and failures of the area and the factors that have contributed to them.
The book includes a selection of articles by Morris Halle dealing with issues in the theory and practice of phonetics and phonology. The articles, written in the course of the last forty years, concern matters that remain to this day at the cutting edge of the discipline.
Turn up the heat with this free e-sampler featuring seven irresistibly sexy and utterly enticing selections by some of the biggest names in contemporary romance and new adult fiction. Lose yourself in these stories and spread the love by sharing with your friends. Here’s a taste of: After the Rain by Renée Carlino When You’re Back by Abbi Glines Where Sea Meets Sky by Karina Halle Confess by Colleen Hoover Amber to Ashes by Gail McHugh Black Iris Leah Raeder Chasing River by K.A. Tucker Find out more about your favorite authors at Facebook.com/AtriaIndieAuthors and Twitter.com/AtriaBooks.
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