This eBook tells the story of Sacagawea, the most famous guide of the team led by Lewis and Clark that explored the American northwest in the early 19th century.
In 1909, all Honus Wagner baseball cards were destroyed, but not before a young orphan named Joey Marinolli could stash an entire uncut sheet of the cards away for his family to find decades later. ... Follow attorney Chuck Evans as he narrates this thr
From Sanctuary to Boardroom: A Jewish Approach to Leadership examines key Jewish texts on leadership and applies these concepts to today's issues associated with leading and managing organizations. Discussing authority, charisma, uses and abuses of power, and shared power, Lewis offers an understanding of classical models of Jewish leadership and translates these models into issues and questions which are the core of contemporary concern of existing and future Jewish leaders.
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Every day, billions of photographs, news stories, songs, X-rays, TV shows, phone calls, and emails are being scattered around the world as sequences of zeroes and ones: bits. We can’t escape this explosion of digital information and few of us want to–the benefits are too seductive. The technology has enabled unprecedented innovation, collaboration, entertainment, and democratic participation. But the same engineering marvels are shattering centuries-old assumptions about privacy, identity, free expression, and personal control as more and more details of our lives are captured as digital data. Can you control who sees all that personal information about you? Can email be truly confidential, when nothing seems to be private? Shouldn’t the Internet be censored the way radio and TV are? Is it really a federal crime to download music? When you use Google or Yahoo! to search for something, how do they decide which sites to show you? Do you still have free speech in the digital world? Do you have a voice in shaping government or corporate policies about any of this? Blown to Bits offers provocative answers to these questions and tells intriguing real-life stories. This book is a wake-up call to the human consequences of the digital explosion.
On the mystery side, Black Cat Weekly #25 has an original mystery by Joseph S. Walker, thanks to editor Michael Bracken, and Barb Goffman has tracked down an Edgar Award nominee by Judith Green. Plus we have a solve-it-yourself mystery from Hal Charles (the writing team of Charlie Sweet and Hal Blythe), and novels by Lange Lewis and Nicholas Carter. On the fantastic side, Cynthia Ward has selected “Cabbages and Kale” by David Marusek for this issue. Plus we have modern and classic tales by Larry Tritten, Lester dey Rey, Fletcher Pratt, and Richard Wilson. Good stuff! Here’s the complete lineup: Mysteries / Suspense / Adventure: “Here on Seventeen,” by Joseph S. Walker [short story] “A Present from the Past,” by Hal Charles [Solve-It-Yourself Mystery] “A Good, Safe Place,” by Judith Green [Barb Goffman Presents short story] Meat for Murder, by Lange Lewis [novel] The Pressing Peril, by Nicholas Carter [novel] Science Fiction & Fantasy: “Cabbages and Kale,” by David Marusek [Cynthia Ward Presents short story] “Play It Again, Sam,” by Larry Tritten [short story] “Done Without Eagles,” by Lester del Rey [short story] “Danger,” by Irvin Lester and Fletcher Pratt [short story] “Course of Empire,” by Richard Wilson [short story]
Ever wonder what it would be like to be the most recorded musician in popular music? This biography spotlights Rock and Roll Hall of Fame inductee and drummer extraordinaire Hal Blaine and his remarkable life experiences. From the Sinatras to the Beach Boys, Blaine drumrolled through the '50s, '60s and '70s, driving over 40 songs to the Number One slot. His works with Phil Spector and the Wrecking Crew sessions, his touring experiences and other hitmaking pressure sessions are amusingly revealed in this rare glimpse into a golden age of music. Exclusive scrapbook photos round out this biography to provide an entertaining and educating book for musicians and fans alike. "Hal Blaine is an original. I'm proud to say that Hal's playing has made the difference on many of my own records." - Neil Diamond "Hal Blaine set the standard for drum sounds in the '60s." - Herb Alpert
Naomi "Omie" Wise was drowned by her lover in the waters of North Carolina's Deep River in 1807, and her murder has been remembered in ballad and story for well over two centuries. Mistakes, romanticization and misremembering have been injected into Naomi's biography over time, blurring the line between reality and fiction. The authors of this book, whose family has lived in the Deep River area since the 18th century, are descendants of many of the people who knew Naomi Wise or were involved in her murder investigation. This is the story of a young woman betrayed and how her death gave way to the folk traditions by which she is remembered today. The book sheds light on the plight of impoverished women in early America and details the fascinating inner workings of the Piedmont North Carolina Quaker community that cared for Naomi in her final years and kept her memory alive.
How to imagine not only a new art or architecture but a new self or subject equal to them? In Prosthetic Gods, Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, Prosthetic Godsdoes not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.
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