Hal Howland picks up where his popular memoir The Human Drummer leaves off, discussing the aging process, art, books, business, censorship, drugs, drums and drummers, education, family, fashion, fear, film, history, Key West (the author's warm adopted hometown), music and musicians, opera, politics, religion, sex, travel, Washington, D.C. (Howland's chilly birthplace), writers and writing, and more with wit, insight, moral conviction, and self-effacing humor. Written at a crucial moment in American history and in the author's career, True West: A Cultural Reckoning examines where we as a society have been and where we might go, if only we could stop repeating our mistakes. A comprehensive bibliography and an index make True West a lively, readable reference work.
An amazing collection of short stories from Key West writer and musician Hal Howland, you will encounter several popular characters from Howland's previous titles and introduces a world of unforgettable newcomers. The first of two title stories reminisces about a lifetime spent living in and visiting great cities around the globe. And the second title story remembers the women with whom a man came of age, if not into maturity. Also you will find "Evidence," where a middle-aged actor remembers two former girlfriends, opposites in every way, who presumably still own photographs of him naked. "The Grand Tour" follows a small-time nineteen seventies crooner and his disparate bandmates on a hilarious American road trip. "Jocelyn Davies" tells of a lovelorn singer whose sexual awakening dissolves a stalled relationship. "Piano Trio" describes a noisy sex romp taking place upstairs in an old woman's guesthouse. And "The Mansfield Effect" recalls a comic one-night stand with an over-endowed drama student. More than 30 stories in all.
In the allegorical novella After Jerusalem, a beautiful Palestinian double agent in the Israeli army and a visiting American pianist are caught up in a plot to assassinate the prime minister of Israel. In "Acrophobia and the Professor," a distinguished marine biologist battles her irrational fear of heights. In "American Oratorio," an eighteenth-century colonial composer accidentally duplicates the world's most famous piece of choral music. "An Army of Beggars" finds a stoned Florida Keys homeowner taking a break from gardening to entertain conflicting hallucinations. In "Dad Fakes His Death and Goes West," the middle-aged son of a CIA agent dreams that his father made good on his threat to trade domestic predictability for the rugged frontier life of his youth. In "The Fine Art of Professional Suicide" (featuring several characters from Howland's previous titles), a Key West writer learns the danger of using an old friend as the model for a fictional femme fatale. "The Jazz Buyer" celebrates the goofy cast of characters who make up the staff of a doomed Baltimore record store. "Murder in the Ivory Tower" travels the dark corridors of an East Coast music conservatory where genius and mediocrity share the spotlight. "The Permanent Resident" examines the fine line between living alone and living a fantasy. In "Public Sex," a beautiful Georgetown sex addict visits a twelve-step program just for fun. In "The Southernmost Erection," an anonymous philanthropist challenges a tacky tourist town to clean up its act. In "Stay," a Key West taxi driver unwittingly causes a series of suicides and then seeks the counsel of a psychic friend-with-benefits. "A Whole New Leonard" follows a Miami journalist distracted by a dramatic overnight change in his anatomy. And "The Younger Woman's Wordplay" recalls an intellectually stimulating romance with a horrible secret.
Cities," winner of an honorable mention in the Lorian Hemingway Short Story Competition, reminisces about a lifetime spent living in and visiting great cities around the globe. In "Evidence," a middle-aged actor remembers two former girlfriends, opposites in every way, who presumably still own photographs of him naked. "The Grand Tour" follows a small-time nineteen seventies crooner and his disparate bandmates on a hilarious American road trip. In "Grounded on Garbage," the pilot of a commercial jetliner accidentally touches down at the wrong airport, built on a precarious landfill seven miles away from the right airport. "The Hijacking of the Dave Mandarine Band" examines what happens when a greedy nightclub owner and a dishonest musician cannot leave bandleading to the bandleader. In "Hope, for Now," a man remembers a lonely evening with a sweet young prostitute. "The Impresario" satirizes another arrogant club owner and his mistreatment of the musicians who keep his business open. "Jocelyn Davies" is a lovelorn singer whose sexual awakening dissolves a stalled relationship. "Karla in the Closet" follows a lesbian's high-school sweetheart through two stunning reunions that span four decades. In "Keeping Score," a brilliant young math student has an affair with her English professor and offers him a novel way to remember her and her predecessors. "La bataille des bandes" tours the world with a successful French Beatles tribute band that refuses to sing or speak English. In "Library Daydream," a novelist moonlighting as a library cataloger imagines things one might say to an uneducated employer. In "Madeira in Translation," a man reminisces about a beautiful young Brazilian he met on vacation and the communication they developed in the absence of words. "The Mansfield Effect" recalls a comic one-night stand with an over-endowed drama student. "Minton and Mistral" is a tragic love story about two conjoined twins. In "Nora in the Office," a man remembers the first time he made love with a colleague. "Old Vienna" is a nonfiction interlude in which the author pays tribute to his hometown. In "Out of Sequence," a telekinetic tourist wreaks havoc on Key West's technocratic music scene. "Perils of Paris" follows the misadventures of an accident-prone teenager. "Piano Trio" describes a noisy sex romp taking place upstairs in an old woman's guesthouse. In "Saved by the Guitar Solo," the jazz buyer of a large Baltimore record store considers rock songs whose most attractive feature is their guitar solo. "Scarred for Life" reveals the fixation of a young woman who as a little girl had witnessed a case of indecent exposure. In "The Sculpture Gardener," a Key West arts administrator turned call girl describes a sensual afternoon with her first client, a respected artist who had sat on her organization's board of directors. In "Second Thoughts," a young woman serving thirty years for killing her husband on their honeymoon discusses the crime with her new cellmate. In "The Siren of Salt Lake City," a musician remembers the most reckless one-nighter of his career. "Sybil and Biff" are two college students, one sexually dynamic and the other merely tantalizing. "The Teflon Hayseed" lampoons an illiterate county-government employee whose lack of credentials is no impediment to his career. "The Time Traveler of Naples" is a second nonfiction interlude, about an eccentric Italian Renaissance composer whose music, centuries ahead of its time, nearly redeems his having murdered his first wife. In "The Trinity of Regret," a failed old playwright recalls the three disappointments that set the course of his life. In "Watching His Language," a CIA analyst whose career spans the Cold War adopts a ridiculous method to stop swearing in the workplace. And "Women" remembers the lovers with whom a man came of age, if not into maturity.
(Piano/Vocal/Guitar Songbook). This all-new, super-sized collection contains top tunes from such recent Broadway hits as The Addams Family, Avenue Q, Billy Elliot, The Color Purple, Grey Gardens, In the Heights, Legally Blonde, The Light in the Piazza, The Little Mermaid, Mamma Mia!, Memphis, 9 to 5, Spamalot, Spring Awakening, Urinetown, Wicked and more! A must for musical fans.
(Vocal Collection). Songs particularly suitable for and appealing to young voices selected from 5 volumes of The Singer's Musical Theatre Anthology, plus additional songs for teens from stage, film and television musicals.
(Vocal Collection). The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Includes: ANNIE: Easy Street * BARNUM: Bigger Isn't Better * CHILDREN OF EDEN: Lost in the Wilderness * CITY OF ANGELS: Stay with Me * DIRTY ROTTEN SCOUNDRELS: Great Big Stuff * DO I HEAR A WALTZ?: Take the Moment * THE DROWSY CHAPERONE: I Am Aldolpho * GODSPELL: Alas for You o GREASE: Mooning * GREY GARDENS: Body Beautiful Beale * Drift Away * HAIRSPRAY: The Nicest Kids in Town * Hairspray * JERSEY BOYS: December 1963 (Oh, What a Night) * Can't Take My Eyes Off of You * THE LAST FIVE YEARS: Shiksa Goddess * Moving Too Fast * THE LIGHT IN THE PIAZZA: Il mondo era vuoto * Passeggiata * LITTLE WOMEN: Take a Chance on Me * MOVIN' OUT: She's Got a Way * Summer, Highland Falls * MYTHS AND HYMNS: Saturn Returns * Hero and Leander * ON THE TWENTIETH CENTURY: I Have Written a Play * THE PIRATE QUEEN: I'll Be There * THE PRODUCERS: Springtime for Hitler * Heil Myself * RENT: What You Own * SONGS FOR A NEW WORLD: She Cries * SPRING AWAKENING: Left Behind * TARZAN: Two Worlds * Strangers like Me * THOROUGHLY MODERN MILLIE: What Do I Need with Love * TICK, TICK ... BOOM!: 30/90 * Sunday * URBAN COWBOY: It Don't Get Better Than This * WEST SIDE STORY: Something's Coming * Maria.
(Vocal Collection). Tenor edition. Songs especially good for auditions have been chosen from Volumes 1-5 of The Singer's Musical Theatre Anthology and edited to 30-40 second "16-Bar" excerpts. Each volume includes over 100 songs in original keys.
(Vocal Collection). Contents include: All That Matters from Finding Neverland * Always Better from The Bridges of Madison County * Another Winter in a Summer Town from Grey Gardens * The Beauty Is from The Light in the Piazza * Beyond My Wildest Dreams from The Little Mermaid * Follow Your Heart from Urinetown * Heaven Knows from Far from Heaven * Here at Horace Green from School of Rock * How Will I Know? from Death Takes a Holiday * I Don't Know What I'd Do Without You from A Gentleman's Guide to Love and Murder * I Don't Need a Roof from Big Fish * I Still Believe from Amazing Grace * I've Decided to Marry You from A Gentleman's Guide to Love and Murder * The Light in the Piazza from The Light in the Piazza * Listen to Your Heart from Young Frankenstein * Morning Person from Shrek the Musical * Not a Love Story from Tales from the Bad Years * Nothing Is Too Wonderful to Be True from Dirty Rotten Scoundrels * Nothing Stops Another Day from Ghost the Musical * Poor Monty from A Gentleman's Guide to Love and Murder * Popular from Wicked * Princess from A Man of No Importance * Some Things Are Meant to Be from Little Women o Sylvia's Lullaby from Finding Neverland * Tell Me Why from Amazing Grace * To Build a Home from The Bridges of Madison County * Two Men in My Life from Big Fish * The View from Here from Darling * Waiting from The Addams Family * What Do You Call a Man Like That? from The Bridges of Madison County * Where Did the Rock Go? from School of Rock * Will You? from Grey Gardens o With You from Ghost the Musical * The World Above from The Little Mermaid .
(Vocal Collection). Contents include: Always Starting Over from If/Then * Anywhere but Here from Honeymoon in Vegas * Asheville from Bright Star * Astonishing from Little Women * Burn from Hamilton * Five and a Half Minutes from The Woman Upstairs * Fly, Fly Away from Catch Me if You Can * Gimme Gimme from Thoroughly Modern Millie * The Girl Who Drove Away from The Unauthorized Autobiography of Samantha Brown * The History of Wrong Guys from Kinky Boots * How Did We Come to This? from The Wild Party * How to Return Home from The Freshman Experiment * I Am Playing Me from title of show * I Can Do Better Than That from The Last Five Years * I'm Done from Rocky * I'm Not That Girl from Wicked * The Life of the Party from The Wild Party * Mama Who Bore Me from Spring Awakening * My Most Beautiful Day from Tuck Everlasting * Not for the Life of Me from Thoroughly Modern Millie * Once More I Can See from Wonderland * One Perfect Moment from Bring It On * Pulled from The Addams Family * Raining from Rocky * Safer from First Date * Say the Word from The Unauthorized Autobiography of Samantha Brown * Show Off from The Drowsy Chaperone * Still Hurting from The Last Five Years * That Would Be Enough from Hamilton * There's a Fine, Fine Line from Avenue Q * Watch What Happens from Newsies * A Way Back to Then from title of show * Whatever Happened To My Part? from Monty Python's Spamalot * You Learn To Live Without from If/Then .
(Vocal Collection). This expansive series takes an in-depth look into contemporary theatre repertoire for singers, spanning the 1980s, '90s and into the 21st century. Approximately 35-40 songs per volume represent the most interesting choices for singers from a wide variety of Broadway, Off-Broadway and London shows. Every auditioning singer will find plenty of intriguing possibilities! This third edition includes songs from The Color Purple , Elegies for Angels, Punks and Raging Queens , Hamilton , If/Then , The Light in the Piazza , Rocky the Musical , Spring Awakening , Wicked, and more!
(Vocal Collection). Contents include: Bright Star from Bright Star * Enjoy the Trip from Bring It On: The Musical * Foolish to Think from A Gentleman's Guide to Love & Murder * Great Big Stuff from Dirty Rotten Scoundrels * Hard to Be the Bard from Something Rotten * Heartbreaker from Bright Star * Her Voice from The Little Mermaid * I Am Aldolpho from The Drowsy Chaperone * If I Didn't Believe in You from The Last Five Years * Isn't That Enough from Honeymoon in Vegas * It All Fades Away from The Bridges of Madison County * Leave from Once * Left Behind from Spring Awakening * Love to Me from The Light in the Piazza * Man from The Full Monty * Memphis Lives in Me from Memphis * Moving Too Fast from The Last Five Years * Proud of Your Boy from Aladdin * Say It To Me Now from Once * Sibella from A Gentleman's Guide to Love & Murder * Stranger from Big Fish * The Streets of Dublin from A Man of No Importance * Take a Chance on Me from Little Women * Testimony from Amazing Grace * Top of the World from Tuck Everlasting * Truly Alive from Amazing Grace * What Do I Need With Love from Thoroughly Modern Millie * What Is It About Her? from The Wild Party * Whatever from It Shoulda Been You * When I Climb to the Top of Mount Rock from School of Rock * You Don't Need to Love Me from If/Then * You Never Know from If/Then * You'll Be Back from Hamilton
(Vocal Sheet Music). The Hal Leonard Vocal Sheet Music series is an exciting new series for singers, featuring authentic piano accompaniments and custom guitar chord diagrams, tailored to each song's unique chord progressions and designed to provide realistic support. 25 songs for men's voices are included in this volume, all from contemporary Broadway classic shows: Aladdin * Avenue Q * Big Fish * The Book of Mormon * Dear Evan Hansen * The Drowsy Chaperone * Once * Shrek the Musical * Something Rotten! * Spring Awakening * and more.
(Vocal Collection). A collection of songs from the musical stage, written for duets of various voice types. The selections are presented in their authentic settings, excerpted from the original vocal scores. Contents: ALADDIN: A Million Miles Away and A Whole New World * AMAZING GRACE: Someone Who Hears * ANASTASIA: In a Crowd of Thousands * BIG FISH: Time Stops * THE BOOK OF MORMON: Baptize Me * THE BRIDGES OF MADISON COUNTY: Falling Into You and Before and After You/One Second and a Million Miles * DEAR EVAN HANSEN: Only Us * FINDING NEVERLAND: What You Mean to Me * FIRST DATE: Something That Will Last * FROZEN: Love Is an Open Door * A GENTLEMAN'S GUIDE TO LOVE & MURDER: Better with a Man and Inside Out * GHOST THE MUSICAL: Here Right Now * HAMILTON: Dear Theodosia * IF/THEN: Some Other Me * LA LA LAND: City of Stars and A Lovely Night * LITTLE WOMEN: Some Things Are Meant to Be * NATASHA, PIERRE & THE GREAT COMET OF 1812: Sonya & Natasha * NEWSIES THE MUSICAL: Something to Believe In * ONCE: Falling Slowly * SCHOOL OF ROCK: Children of Rock * SHREK THE MUSICAL: I Think I Got You Beat * SIDE SHOW: I Will Never Leave You * SOMETHING ROTTEN!: I Love the Way * WAITRESS THE MUSICAL: You Matter to Me * WAR PAINT: If I'd Been a Man.
Most film buffs know that Citizen Kane was based on the life of publisher William Randolph Hearst. But few are aware that key characters in films like Double Indemnity, Cool Hand Luke, Jaws, Rain Man, A Few Good Men and Zero Dark Thirty were inspired by actual persons. This survey of a clef characters covers a selection of fictionalized personalities, beginning with the Silent Era. The landmark lawsuit surrounding Rasputin and the Empress (1932) introduced disclaimers in film credits, assuring audiences that characters were not based on real people--even when they were. Entries cover screen incarnations of Wyatt Earp, Al Capone, Bing Crosby, Amelia Earhart, Buster Keaton, Howard Hughes, Janis Joplin and Richard Nixon, along with the inspirations behind perennial favorites like Charlie Chan and Indiana Jones.
(Vocal Collection). Contents include: Adrian from Rocky * All That's Known from Spring Awakening * A Chance for Me from Amazing Grace * Come to an Agreement from Honeymoon in Vegas * Everything's Golden from Bright Star * Expectations from Amazing Grace * Fight from the Heart from Rocky * Fight the Dragons from Big Fish * Gold from Once * The Hammer from Matilda the Musical * How I Am from Little Women * How It Ends from Big Fish * I Don't Understand the Poor from A Gentleman's Guide to Love & Murder * I Wish I Could Go Back to College from Avenue Q * I'd Order Love from First Date * I'm Allergic to Cats from Theory of Relativity * If the World Turned Upside Down from Finding Neverland * Inutil from In the Heights * Keep on Standing from Rocky * Man About Town from Young Frankenstein * Neverland from Finding Neverland * Not a Common Man from American Psycho * Nowhere Left to Run from Amazing Grace * Out of the Sun from Honeymoon in Vegas * Purpose from Avenue Q * A Story of My Own from Big Fish * Temporarily Lost from The Bridges of Madison County * Time from Tuck Everlasting * To Thine Own Self Be True (Reprise) from Something Rotten * What Is It About Her? from The Wild Party * What Would You Do? from If/Then * When Words Fail from Shrek the Musical * When Your Mind's Made Up from Once * Where Are All the People? from Chaplin * Yesterday, Tomorrow, and Today from Women on the Verge of a Nervous Breakdown
(Vocal Collection). Volume 6 of this landmark series includes songs from shows that opened since the release of Volume 5 (2008), such as The Addams Family, First Date, A Gentleman's Guide to Love and Murder, If/Then, Kinky Boots, Sister Act and many others. Volume 6 also explores a deeper look into repertoire from classic shows. This series is the world's most trusted source for great theatre literature for singing actors. Features of the series include: authentic editions for each song in the original key; songs chosen particularly for each voice type; selection of songs from classic and contemporary shows; includes notes about each show and song. Mezzo-soprano/belter book.
(Fake Book). This fifth edition has been completely revised and now includes over 820 standards from 260 shows. Perfect for professional gigging musicians or hobbyists who simply want all their favorites in one collection! Songs include: Ain't Misbehavin' * All I Ask of You * And All That Jazz * And I Am Telling You I'm Not Going * Another Op'nin', Another Show * Another Suitcase in Another Hall * At the Ballet * Any Dream Will Do * Beauty and the Beast * Before the Parade Passes By * Big Girls Don't Cry * Bring Him Home * Capped Teeth and Caesar Salad * Castle on a Cloud * A Change in Me * Circle of Life * Close Every Door to Me * The Color Purple * Comedy Tonight * Consider Yourself * Don't Cry for Me Argentina * Edelweiss * Footloose * Getting to Know You * Hakuna Matata * Heat Wave * Hello, Dolly! * I Wanna Be a Producer * I'm Not Wearing Underwear Today * If I Said I Loved You * The Impossible Dream (The Quest) * It Only Takes a Moment * The Light in the Piazza * Love Changes Everything * Mama, I'm a Big Girl Now * Mama Who Bore Me * Mamma Mia * Memory * My Junk * On My Own * People * Popular * Prepare Ye (The Way of the Lord) * Seasons of Love * Seventy Six Trombones * The Song That Goes like This * Springtime for Hitler * The Surrey with the Fringe on Top * There Is Nothin' like a Dame * Tomorrow * Transylvania Mania * Try to Remember * and hundreds more!
H.R. Pufnstuf, Lidsville, Sigmund and the Sea Monsters, Land of the Lost: For a generation of children growing up in the late sixties and early seventies, these were some of the most memorable shows on Saturday morning television. At a time when television cartoons had lost some of their luster, two puppeteers named Sid and Marty Krofft put together a series of shows that captivated children. Using colorful sets and mysterious lands full of characters that had boundless energy, the Kroffts created a new form of children's television, rooted in the medium's earliest shows but nevertheless original in its concept. This work first provides a history of the Kroffts' pretelevision career, then offers discussions of their 11 Saturday morning shows. Complete cast and credit information is enhanced by interviews with many of the actors and actresses, behind-the-scenes information, print reviews of the series, and plot listings of the individual episodes. The H.R. Pufnstuf feature film, the brothers' other television work, and their short-lived indoor theme park are also detailed.
Many historians of U.S. foreign relations think of the post-World War II period as a time when the United States, as an anti-colonial power, advocated collective security through the United Nations and denounced territorial aggrandizement. Yet between 1945 and 1947, the United States violated its wartime rhetoric and instead sought an imperial solution to its postwar security problems in East Asia by acquiring unilateral control of the western Pacific Islands and dominating influence throughout the entire Pacific Basin. This detailed study examines American foreign policy from the beginning of the Truman Administration to the implementation of Containment in the summer and fall of 1947. As a case study of the Truman Administration's Early Cold War efforts, it explores pre-Containment policy in light of U.S. security concerns vis-a-vis the Pearl Harbor Syndrome. The American pursuit of a secure Pacific Basin was inconsistent at the time with its foreign policy toward other areas of the world. Thus, the consolidation of power in this region was an exception to the avowed goal of a multilateral response to the policies of the Soviet Union. This example of national or strategic security went much further than simple military control; it included the cultural assimilation of the indigenous population and the unilateral exclusion of all other powers. Analyzing traditional archival records in a new light, Friedman also investigates the persisting American notions of a Westward moving frontier that stretches beyond North American territorial bounds.
The key to fast and fun piano proficiency! Whether you’re a wannabe Mozart or are an experienced hand at tinkling the ivories, the latest edition of Piano For Dummies has what you need to take you to the next level in making beautiful music using this much-loved and versatile instrument. Working as an introductory course—or as a refresher to keep those fingers nimble—you’ll find information on getting started, improving your technique and performance, and the best ways to practice until you hit finely tuned perfection. And, along the way, you’ll pick up the techniques for different styles, including classical, blues, and rock. In an easy-to-follow style, the book also helps you sharpen your sight-reading. You can also tune in to audio and video online to help you improve your creativity and discipline, as well as hear and see that you’re hitting the right notes. Choose the right piano Know your keys Scale up for success Care for your instrument Whatever you want from your love affair with the old “88,” you’ll find enough right here to keep you hammering happily—and even more proficiently—away for years to come! P.S. If you think this book seems familiar, you’re probably right. The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Piano For Dummies (9781118900055). The book you see here shouldn’t be considered a new or updated product. But if you’re in the mood to learn something new, check out some of our other books. We’re always writing about new topics!
The scattered desert and mountain communities of Riverside and San Bernardino Counties grew exponentially through late twentieth-century urban flight. The "Inland Empire" became home to four million people. Their forebears' remarkable stories of survival, heroism and everyday charm and waywardness are captured here by historian Hal Durian. Unique episodes in the lives of Riverside founder John North, citrus pioneer Eliza Tibbets, hotelier Frank Miller, historian Mrs. Janet Gould and army general "Hap" Arnold are recounted, along with prison escapes, "desert rats," murder trials and church and military base lore. The famous Mission Inn's legacy is here, along with journeys to Rialto, Colton, Blythe, Twentynine Palms and other unique Inland Empire locales.
This book is about the war-gaming activities of the Naval War College (NWC) in the late summer and fall of 1946 in Newport, Rhode Island ... [and] how the end of World War II and the beginning of the Cold War impacted the Naval War College in terms of changing its focus from Japan to the Soviet Union as the primary enemy in the Pacific Basin."--From preface
Beginning with Charlie Chaplin's Shoulder Arms, released in America near the end of World War I, the military comedy film has been one of Hollywood's most durable genres. This generously illustrated history examines over 225 Army, Navy and Marine-related comedies produced between 1918 and 2009, including the abundance of laughspinners released during World War II in the wake of Abbott and Costello's phenomenally successful Buck Privates (1941), and the many lighthearted service films of the immediate postwar era, among them Mister Roberts (1955) and No Time for Sergeants (1958). Also included are discussions of such subgenres as silent films (The General), military-academy farces (Brother Rat), women in uniform (Private Benjamin), misfits making good (Stripes), anti-war comedies (MASH), and fact-based films (The Men Who Stare at Goats). A closing filmography is included in this richly detailed volume.
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