A few years ago, Sun-Hae Kim met a female student at a British museum who was studying medieval womens social activities. She was unable to find information from women at that time because they didnt leave much in written form. She then looked around for some nurses autobiographies and again found very little information available, even by Florence Nightingale. In response to this lack of personal writing from nurses, she presents Among Hibiscus and Roses, an account of her years as a nurse. She tells of the challenges of being an army nurse and of the fun times with her fellow nurses. She approached each new challenge with expectation and the hope that she would be helping more people. When she immigrated to the United States, she faced new cultures, languages, and social life; she met many new and interesting people. Throughout her transition, she was filled with wonder and excitement for her new life. Most importantly, she recounts the challenges and rewards of being a nurse for over thirty-seven years, in both South Korea and the United States. She lived proudly a life that was not old fashioned and yet still proved she could be happy and healthy without indulging in drugs, alcohol, sex, and gambling. Sharing the too-often-unheard story of a nurse, Among Hibiscus and Roses describes a unique and out-of-the-ordinary life journey.
“Hello out there! Do you have ears to listen?” Mia asks. Ten year-old Mia, her father dead, two sisters missing, is left with Mother and a baby brother. Her country, Korea, is ravaged by a war. Extreme hunger and cold await. What's more, Mia is thrown into ruthless discrimination as “the family of the Reds”.In her desperate quest for survival she works as a “shoe-shine-boy.” Without education, there is no hope, but she has no money to pay for it. Tormented, she chooses to go to an orphanage to get a free education. Against all odds, she perseveres and becomes a pediatrician in the U.S.After 35 years of not knowing whether her sisters are alive or dead, Mia begins a sobering extraordinary journey to North Korea and finds her homeland changed incomprehensibly. Would she find her sisters to be all right? How about their families? Will she give her niece the future that was stolen from her sisters? Will her nuclear scientist nephew survive? Will she forge a hopeful future after the hauntingly terrifying past?
This book explores the notion of timely mean, a virtue established in the Confucian tradition, in dialogue with the Christian understanding of discernment, especially as used in spirituality studies. It considers the historical development of these concepts, addressing the early encounter between Confucianism and Christianity as demonstrated in China and Korea, and the fusion of the two perspectives in the nineteenth century. The chapters examine some of the major scholars and texts that have influenced both theory and practice, providing insight through a comparison of representative figures from each tradition. The author contends that bringing Confucian ‘timely mean’ into conversation with Christian ‘discernment’ reveals that the immense riches accumulated within each tradition can mutually enhance one another. The book reflects on the possibility of a viable process for ethical and spiritual discernment that is highly relevant for our global age. It is valuable reading for scholars and students of both Confucianism and Christian theology as well as of applied ethics, particularly those interested in comparative spirituality and interreligious relations.
Dawn of Labor, at last translated into English, is the legendary South Korean poet Park Nohae’s first collection, published in 1984 when he was twenty-seven years old. Despite a government ban, the book sold a million copies and propelled Park Nohae as the generation’s leading resistance poet. Dawn of Labor is an enduring classic that shook a society, transformed lives, and demonstrated the power of poetry. The war of night labor once over, I pour cold soju over my aching heart. Ah . . . I can’t go on like this for long. For sure, I can’t go on like this. —“Dawn of Labor” If I ever kill myself, I’ll probably do it at dawn. —“For a Peaceful Evening” We too want to become heaven. Not a dark clouded heaven that presses down, but a clear blue heaven over a world that lifts one another. —“Heaven”
This book applies various concepts based on practical experimental considerations to industrial fields: aerospace structure, shipbuilding and marine engineering, automotive, and elevator composites. Written by prominent authors who contribute to the success of advanced composites technology and leading influential laboratories and companies, the book includes unique concept research, recent trends, and further insights. Particular effort is made to deal with notable constituent materials of advanced composites, even nanostructures.This book deals with applied research from the basics of a rare nanomaterial called halloysite nanotube, which is environmentally friendly and leads nanomaterials in advanced industrial composite materials and functional, structural materials with high practical value. This book includes practical nano-bridging techniques on nanostructures, manufacturing, analysis, and advanced composites' applications using the research know-how accumulated over the years by prominent experts in these areas.
At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.
This poignant short novel follows North Korean refugee Loh Kiwan to a place where he doesn’t speak the language or understand the customs. His story of hardship and determination is gradually revealed in flashbacks by the narrator, Kim, a writer for a South Korean TV show, who learned about Loh from a news report. She traces his progress from North Korea to Brussels to London as he struggles to make his way and find a home in an unfamiliar world. Readers come to see that Kim, too, has embarked on a journey, one driven by her need to understand what drives people to live, even thrive, despite tremendous loss and despair. Her own conflicted feelings of personal and professional guilt are mirrored in the novel’s other characters: Jae, Kim’s romantic interest and producer of the TV show she once wrote for; Yunju, a young cancer victim whose illness she now regrets exploiting; Pak, a doctor who helped Loh in Brussels, yet suffers deep remorse over the many life and death decisions he has made for his patients. Cho Haejin weaves these characters into a story of hope and trust, one that asks basic questions about what it means to be human and humane. First published in 2011 in South Korea, this timely book won the 2013 Shin Dong-yup Prize for Literature.
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