Traditions at Odds explores the Pentateuch's literary influence on other biblical texts. There exist a number of content discrepancies between pentateuchal and non-pentateuchal texts that treat the same subject. Through a detailed analysis, the author argues that the discrepancies are not alterations of pentateuchal material, as is generally argued, but rather indications of independent traditions. Thus, much of biblical literature was written outside of the Pentateuch's purview. Corroborating evidence is found in literature from the Second Temple Period, which also exhibits a lack of conformity to the Pentateuch. After demonstrating this independence, this study explores its implications on the composition of biblical texts and the process of canonization. Marked by an interdisciplinary approach, the study incorporates recent theoretical developments in literary and ideological criticism, as well as ritual, historiography and textual citation. It not only provides a broader base of study, but serves to address a deficiency in biblical studies: most studies of intertextuality operate with little theoretical grounding, while studies in ritual or historiography are based on models from the late 19th/early 20th centuries.
An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley. The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.
This book provides an insight into the latest advances in bone fracture healing and remodeling algorithm and their incorporation into patient-specific finite element models and the use of machine learning and artificial intelligence to predict the bone regeneration and osseointegration process with a certain degree of accuracy. It also examines the applications of numerical models to simulate the fracture healing process, which may prove to be advantageous in determining the optimal mechanical-based treatment or reconstruction after an accident or illness. This book is aimed at medical and dental professionals who are involved in implantology and tissue engineering such as dentists, oral and maxillofacial surgeons, orthopedic surgeons, students, and researchers.
Ceramics have been used as biomaterials for oral and maxillofacial applications due to their excellent bioactivity, high hardness and wear resistance. One of the key drawbacks of synthetic implants is their failure to adapt to the local tissue environment. Improvements in reliability and biocompatibility of implants and prostheses can be achieved through surface modifications including the use of biomaterial thin films and nanocoatings. This book provides readers with information about dental implants and biomateriual fabrication for maxillofacial procedures and dental bone / tissue repair. It is an ideal reference for medical and dental students and professionals (dentists, oral and maxillofacial surgeons, orthopedic surgeons, prosthodontics) who are involved in implantology and tissue engineering. It will also provide valuable insights into the application and production of bioactive materials for any researchers and apprentices in materials science and biomedical engineering.
This book provides in-depth assessment on the latest clinical advances in multifunctional calcium phosphate nanocoatings and its influence on bone regeneration and early healing following implantation. A greater emphasis will be placed on the use of nanocomposite coatings to deliver biological materials such as mesenchymal stem cells, growth factors, bone morphogenetic and extracellular matrix proteins, and pharmaceutics such as simvastatin to improve and promote bone growth as well as reducing the timeframe needed for implant integration in both healthy and osteoporotic patients. The content of the book caters to clinical practitioners and researchers working in the field of biomaterials for bone regeneration.
This volume is the outgrowth of a Special Session on Geometry, held at the November 1987 meeting of the AMS at the University of California at Los Angeles. The unusually well-attended session attracted more than sixty participants and featured over forty addresses by some of the day's outstanding geometers. By common consent, it was decided that the papers to be collected in the present volume should be surveys of relatively broad areas of geometry, rather than detailed presentations of new research results. A comprehensive survey of the field is beyond the scope of a volume such as this. Nonetheless, the editors have sought to provide all geometers, whatever their specialties, with some insight into recent developments in a variety of topics in this active area of research.
This fascinating and generously illustrated book offers an in-depth look at the art and life of Judith Scott, and accompanies the first major exhibition of her artworks in the U.S. Judith Scott's story has become widely known: born with Down syndrome, and institutionalized for thirty years, before moving to the Bay Area to be near her twin sister, Scott had long-hidden artistic sensibilities that were first discovered at the visionary Creative Growth Art Center in Oakland. There, she developed an affinity for fiber and other found materials, creating remarkable and idiosyncratic objects--fastidiously assembled structures that radically challenge our attempts to define them as sculpture. In addition to illustrations of more than forty essential works, this volume includes a number of essays that trace Scott's artistic development and her place within the field of contemporary art as a whole. A previously unpublished interview with Scott's twin sister, Joyce, tells the story of how Judith's move from relative isolation to a supportive and nurturing environment allowed an unexpected and extraordinary talent to emerge and flourish."--Publisher description.
The claim that marriage is a venue for status exchange of achieved traits, like education, and ascribed attributes, notably race and ethnic membership, has regained traction in the social stratification literature. Most studies that consider status exchanges ignore birthplace as a social boundary for status exchanges via couple formation. This paper evaluates the status exchange hypothesis for Australia and the United States, two Anglophone nations with long immigration traditions whose admission regimes place different emphases on skills. A loglinear analysis reveals evidence of status exchange in the United States among immigrants with lower levels of education and mixed nativity couples with foreign-born husbands. Partly because Australian educational boundaries are less sharply demarcated at the postsecondary level, we find is weaker evidence for the status exchange hypothesis. Australian status exchanges across nativity boundaries usually involve marriages between immigrant spouses with a postsecondary credential below a college degree and native-born high school graduates."--Abstract.
This is the true story of a boy with a simple dream - to become a man. But he fell and became a dropout of school, friends, life, himself. But with the helping hand of a teacher, he turned his life around, found friends and love, and fulfilled his dream. This is the story of how that boy went from dropout to millionaire Princeton PhD.
This volume is the outgrowth of a Special Session on Geometry, held at the November 1987 meeting of the AMS at the University of California at Los Angeles. The unusually well-attended session attracted more than sixty participants and featured over forty addresses by some of the day's outstanding geometers. By common consent, it was decided that the papers to be collected in the present volume should be surveys of relatively broad areas of geometry, rather than detailed presentations of new research results. A comprehensive survey of the field is beyond the scope of a volume such as this. Nonetheless, the editors have sought to provide all geometers, whatever their specialties, with some insight into recent developments in a variety of topics in this active area of research.
This book covers in depth how the trip-wire was set across the 38th parallel once the Kremlin made unequivocally Korea's determination to communize the whole of Korea at the US-USSR joint commission and how Stalin prepared North Korea to invade South Korea. It shows how the top Americans in Seoul, remained free of ominous North Korea build up and massing of her troops along the parallel, mollified the South Korean leaders anguishing all of the impending disaster on one hand and, on the other, how they pleaded the Pentagon for F-51 prop-driven fighters and arms heavier than South Korea had to offset the North Korean threat and what led a top US military advisor to warn that South Korea might capitulate and how Washington dealt with it. The book shows what motivated the Japanese colonial rulers to radicalize Koreans and how it played out in the face off between the US and the Soviet Union. Finally it shows how much the Americans knew of what the Russians were doing to prepare North Korea for the invasion prior to the outbreak of the Korean War.
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