Audubon was not the father of American ornithology. That honorific belongs to Alexander Wilson, whose encyclopedic American Ornithology established a distinctive approach that emphasized the observation of live birds. In the first full-length study to reproduce all of Wilson’s unpublished drawings for the nine-volume Ornithology, Edward Burtt and William Davis illustrate Wilson’s pioneering and, today, underappreciated achievement as the first ornithologist to describe the birds of the North American wilderness. Abandoning early ambitions to become a poet in the mold of his countryman Robert Burns, Wilson emigrated from Scotland to settle near Philadelphia, where the botanist William Bartram encouraged his proclivity for art and natural history. Wilson traveled 12,000 miles on foot, on horseback, in a rowboat, and by stage and ship, establishing a network of observers along the way. He wrote hundreds of accounts of indigenous birds, discovered many new species, and sketched the behavior and ecology of each species he encountered. Drawing on their expertise in both science and art, Burtt and Davis show how Wilson defied eighteenth-century conventions of biological illustration by striving for realistic depiction of birds in their native habitats. He drew them in poses meant to facilitate identification, making his work the model for modern field guides and an inspiration for Audubon, Spencer Fullerton Baird, and other naturalists who followed. On the bicentennial of his death, this beautifully illustrated volume is a fitting tribute to Alexander Wilson and his unique contributions to ornithology, ecology, and the study of animal behavior.
From the tobacco fields of western Kentucky to the streets of Harlem, from the Gullah Islands off the South Carolina and Georgia coasts to the all-black republic of Haiti, painter Ellis Wilson (1899-1977) examined the scope and depth of black culture. One of Kentucky's most significant African American artists, Wilson graduated from the Art Institute of Chicago in 1923. He spent five more years in the city before moving to New York, where he lived for the rest of his life. Aside from his participation in the WPA's Federal Arts Project and a Guggenheim Fellowship, he was never able to support himself fully by painting. Yet his work has long been praised for its boldness and individuality. Black workers were a favorite subject: field hands, factory workers, loggers, fishermen, and more. Of his 1940s series of black factory employees, Wilson stated, "That was the first time I had ever seen my people working in industry, so I painted them." Over time his documentary style gave way to one that emphasized shape and color over pure representation. Despite exhibitions in New York and elsewhere, Wilson considered a small show at the public library in his hometown of Mayfield in 1947 to be "one of the high points" of his life. This catalog accompanies the first major retrospective of Wilson's paintings.
When Edmund Wilson died in 1972 he was widely acclaimed as one of America's great literary critics. But it was often forgotten by many of his admirers that he was also a brilliant and penetrating critic of American life. In a literary career spanning half a century, Wilson commented on nearly every aspect of the American experience, and he produced a body of work on the subject that rivals those of Tocqueville and Henry Adams. In this book, George H. Douglas has distilled the essence from Wilson's many writings on America. An active reporter and journalist as much as a scholar, Wilson ranged from Harding to Nixon, from bathtub gin to marijuana. Douglas here surveys Wilson's mordant observations on the roaring twenties, the Great Depression, income tax, suburbia, sex, populist politics, the Vietnam War, the Great Society, the failure of American scholarship, pollution of the landscape, and the breakdown of traditional American values. The Wilson who emerges from this survey is a historical writer with deep and unshakable roots in Jeffersonian democracy. Among his most far-seeing and poignant books are studies of the literature of the American Civil War and of the treatment of the American Indian. Pained by the crumbling moral order, Wilson was never completely at home in the twentieth century. In politics he was neither a liberal nor a conservative as those terms are understood today. He endured those ideologies and their adherents, but his genius was that he could bring them into hard focus from the perspective of the traditional American individualist who was too pained to accept the standardized commercial world that had grown up around him. Edmund Wilson's America offers a distinctive overview of the nation's life and culture as seen and judged by its leading man of letters.
Past biographies, histories, and government documents have ignored Alice Paul's contribution to the women's suffrage movement, but this groundbreaking study scrupulously fills the gap in the historical record. Masterfully framed by an analysis of Paul's nonviolent and visual rhetorical strategies, Alice Paul and the American Suffrage Campaign narrates the remarkable story of the first person to picket the White House, the first to attempt a national political boycott, the first to burn the president in effigy, and the first to lead a successful campaign of nonviolence. Katherine H. Adams and Michael L. Keene also chronicle other dramatic techniques that Paul deftly used to gain publicity for the suffrage movement. Stunningly woven into the narrative are accounts of many instances in which women were in physical danger. Rather than avoid discussion of Paul's imprisonment, hunger strikes, and forced feeding, the authors divulge the strategies she employed in her campaign. Paul's controversial approach, the authors assert, was essential in changing American attitudes toward suffrage.
Ever since the presidency of Richard M. Nixon, scholars have been in a quandary over how much they really know about our country's presidents. Nixon, as is now understood, was unstable in personality. The signs appeared well before the discovery of the infamous Watergate tapes, an appalling example of what the presidency could come to. Many Americans have difficulty penetrating the public persona of their leaders. But to know the private side of such figures-the cores of their being-is important, because this side often governs what they do publicly. In Presidential Leadership, Robert H. Ferrell examines four sometimes maligned, sometimes misunderstood presidents: Woodrow Wilson, Warren G. Harding, Calvin Coolidge, and Harry S. Truman. Along with these portraits, Ferrell incorporates comments on Hoover and Franklin Delano Roosevelt as well as key figures in each president's administration. Also included in this volume is historian John A. Garraty's interview with Ferrell on American foreign policy from 1919 to 1945. As is his style, Ferrell draws from many sources previously untapped. In the case of Wilson, Ferrell relies on the diary of Colonel Edward M. House, who served under Wilson during his presidency. Ferrell uses White House physician Joel T. Boone's diary to provide an insider's look at Harding, Coolidge, and Hoover. In dealing with these presidents, Ferrell debunks long-held myths and approaches the presidencies with fresh insights into what drove them to make the decisions they made. Throughout the book, Ferrell emphasizes the personal styles of each president. He not only shows how they made their own determinations but also evaluates those whom they appointed to important positions. Scholars of American history will welcome this insightful look at the men who saw the United States through the first half of the twentieth century.
James Wilson’s life began as an Atlantic World success story, with mounting intellectual, political, and legal triumphs, but ended as a Greek tragedy. Each achievement brought greater anxiety about his place in the revolutionary world. James Wilson's life story is a testament to the success that tens of thousands of Scottish immigrants achieved after their trans-Atlantic voyage, but it also reminds us that not all had a happy ending. This book provides a more nuanced and complete picture of James Wilson’s contributions in American history. His contributions were far greater than just the attention paid to his legal lectures. His is a very human story of a Scottish immigrant who experienced success and acclaim for his activities on behalf of the American people during his public service, but in his personal affairs, and particularly financial life, he suffered the great heights and deep lows worthy of a Greek tragedy. James Wilson's life is an entry point into the events of the latter half of the 18th century and the impact of the Scottish Enlightenment on American society, discourse, and government.
When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: "I'm an American, and I never retreat." The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that Harlem's Rattlers and the Great War brings to the fore. With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film Stormy Weather and the novel Jazz), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the "Harlem Hellfighters," a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the "fighting focus" of military history with the insights of social commentary, Harlem's Rattlers and the Great War reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th. The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full i
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Through an examination of key historical documents, this book chronicles the Democratic Party's complete transformation from the small-government, Jeffersonian party to a party of activist government and social progressivism during the presidencies of Franklin D. Roosevelt, Lyndon Johnson, Bill Clinton, and Barack Obama. What are the objectives of today's Democratic Party, and what historic events have guided its evolution from a decidedly different ideological starting point more than 200 years ago? The Democratic Party: Documents Decoded supplies a thorough historical examination of the Democratic Party from its distant origins in George Washington's administration to the two-term administration of Barack Obama. Told through key documents and speeches, this history comes alive in the words and thoughts of those who built, sustained, and transformed the Democratic Party. No other book uses documents in this way to tell a comprehensive history of this party. The book utilizes primary documents to investigate a breadth of topics such as the Democratic party's positions on civil rights, discrimination, voting rights, taxation, representation, immigration, primary elections, caucuses, the Republican opposition, relations between church and state, the role of government, and foreign policy. The scholarly commentary provides essential context that bridges the gaps between documents and insightful explanations and clarifications of specific passages or terms to ensure reader comprehension. A work unlike any other on the history of the Democratic Party, this book will serve advanced high school students in government and history classes as well as undergraduate students taking courses in political science and history.
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