When Natasha's ex ups the ante and exposes some disturbing news about her friends, she's forced to cut ties, but can she really walk away from the women who have been standing by her side? Some friends help us heal . . . If you ask her, Natasha Davila will tell you there's nothing more important to her than her kids. She'll do anything for her son and daughter-even play nice with her ex-husband. Only now she's facing a problem she never expected: her ex is re-marrying and suing for full custody. She could fall to pieces . . . or she could call on her friends. Some help us change . . . There's Sara, whose tough talk hides a soft-and loyal-heart, and Haley, who has so much more to offer than a pretty face. When they're together, Natasha doesn't have to be someone's wife or someone's mother. She can just be. And some remind us what true friendship is really about . . .
A plastic Virgin Mary and a fortune teller are a girl's best friends in this laugh-out-loud novel about a superstitious young woman who doubts herself when it comes to finding love and living her life. Jessica Luna is your typical 26 year old: she has man trouble, mom trouble, and not a clue what to do with her life (though everyone else in her family seems to have plenty of suggestions!) After a lifetime of being babied by her family, Jess is incapable of trusting herself to make the right choices. So instead, she bases all of her life decisions on signs. She looks to everything for guidance, from the direction her rearview-mirror-Virgin-de-Guadalupe sways to whatever Madame Hortensia, her psychic, sees in the cards. When her sort-of boyfriend Guillermo, a gifted unmotivated artist, disappoints her again, Jessica thinks it's time to call it quits. Just to be sure, she checks in with Madame Hortensia who confirms that yes, it is time for a change. (Who knew $20 could buy so much security!) Right on cue, Jess meets Jonathan; he's the complete opposite of Guillermo--of all Jess's boyfriends, in fact. He's successful, has a stable job....and is white. Jess isn't sure if Jonathan is really the change Madame Hortensia saw. Sure he gives great career advice, but is he advising her on a career she actually wants? And yes he's all about commitment, but is it Jess or her mother who really wants marriage? Jess runs back to Madame Hortensia for advice, but even she is out of answers. Now there's only one thing that's certain: no one--not her mother, her sister, her boyfriend or her psychic--can tell her what to do. For better or for worse, Jess will have to take the plunge and make her own decisions if she wants to have any future at all.
An aspiring young journalist stuck blogging for a gossip site stumbles across a story that gives new meaning to the word legendary from "master wordsmith" award-winning author, Gwendolyn Zepeda (Alisa Valdes-Rodriguez, New York Times bestselling author of The Dirty Girls Social Club). If she can find the time, Sandy Saavedra will stop to breathe. New management has turned work upside down and her father's upcoming marriage-something he forgot to mention to Sandy-means there's no peace at home, either. But it's okay. No matter what's thrown her way, Sandy can deal. Because Sandy has a secret, and his name is Tío Jaime. A short drive out of Austin delivers Sandy into the wide-open spaces of the Hill Country, to the front porch of grandfatherly hermit Tío Jaime. There, in the company of pepper plants, a shaggy dog, and fresh squeezed lemonade, the old man imparts down-to-earth advice. Overbearing boss? Work smarter; she'll leave you alone. Disrespectful boyfriend? Pack your bags; a real woman tolerates only a real man. His simple perspective reminds Sandy she can make her own choices-something she's been forgetting lately. Feeling inspired, Sandy posts their chats online. But as she introduces the world to her personal Eden, her own life heads straight to hell . . .
Combining pieces of nonfiction, fiction, and parody, this collection of writing reflects contemporary women's lives as they struggle with coming of age, relationships, and parenthood.
“I was scared of a thing that might have happened. In daytime I’m sure it / never did. At night, I don’t trust daylit memories or instincts. In nightmares, like / filmstrips, the feared thing occurs.” In her second poetry collection, monsters—real and imagined—chase Houston Poet Laureate Gwendolyn Zepeda through late nights when she can’t sleep. Ghosts routinely visit in the early morning hours, but in spite of her fears, she dares to believe that she has escaped the devils that once followed her. This collection of 62 narrative poems contains witty observations about the rituals of contemporary life. In “Cocktail Hours,” she wonders, “What if all my nights were Christmas lights on patios with tinkling drinks /and fun conversations.” And in “Recipe for Fun,” Zepeda offers a ten-point guide to soothing away life’s frustrations, including a suggestion to get some peace by giving “everyone in your house pizza, cat food or video games.” Musings on family, remembrances of childhood games and encounters with strangers (and ants!) fill this clever, thought-provoking collection in which Zepeda dares to express her individuality. She knows that she is different, “Maybe I am a boy in drag. / Especially here, where I don’t feel like / everybody else.” She doesn’t follow others blindly or do what society expects of her. Readers will appreciate this second poetry collection, which is deeply personal yet universal in its hopes and fears.
I was scared of a thing that might have happened. In daytime I m sure it / never did. At night, I don t trust daylit memories or instincts. In nightmares, like / filmstrips, the feared thing occurs." In her second poetry collection, monsters real and imagined chase Houston Poet Laureate Gwendolyn Zepeda through late nights when she can t sleep. Ghosts routinely visit in the early morning hours, but in spite of her fears, she dares to believe that she has escaped the devils that once followed her. This collection of 62 narrative poems contains witty observations about the rituals of contemporary life. In "Cocktail Hours", she wonders, "What if all my nights were Christmas lights on patios with tinkling drinks /and fun conversations." And in "Recipe for Fun," Zepeda offers a ten-point guide to soothing away life s frustrations, including a suggestion to get some peace by giving "everyone in your house pizza, cat food or video games." Musings on family, remembrances of childhood games and encounters with strangers (and ants!) fill this clever, thought-provoking collection in which Zepeda dares to express her individuality. She knows that she is different, "Maybe I am a boy in drag. / Especially here, where I don t feel like / everybody else." She doesn t follow others blindly or do what society expects of her. Readers will appreciate this second poetry collection, which is deeply personal yet universal in its hopes and fears.
There are many short stories and books written with an inspirational storyline. Which also includes the Holy Bible They are hard to believe written so that the reader follows the guidelines like an educational premise. Thus, the belief of the reader only last a certain amount of time, leaving them with a cycle of disappointment. Falling Through The Cracks is a fiction trilogy dealing with events of characters during their daily lives. The book is based on a female main character in her 50s who fights sobriety over a five year period after her husband dies from a heart attack. She is surrounded by friends who try to help her. She follows their lead off and on for several months, then goes into relapse. Finally she falls in love with her husbands best friend and they plan their marriage.
A plastic Virgin Mary and a fortune teller are a girl's best friends in this laugh-out-loud novel about a superstitious young woman who doubts herself when it comes to finding love and living her life. Jessica Luna is your typical 26 year old: she has man trouble, mom trouble, and not a clue what to do with her life (though everyone else in her family seems to have plenty of suggestions!) After a lifetime of being babied by her family, Jess is incapable of trusting herself to make the right choices. So instead, she bases all of her life decisions on signs. She looks to everything for guidance, from the direction her rearview-mirror-Virgin-de-Guadalupe sways to whatever Madame Hortensia, her psychic, sees in the cards. When her sort-of boyfriend Guillermo, a gifted unmotivated artist, disappoints her again, Jessica thinks it's time to call it quits. Just to be sure, she checks in with Madame Hortensia who confirms that yes, it is time for a change. (Who knew $20 could buy so much security!) Right on cue, Jess meets Jonathan; he's the complete opposite of Guillermo--of all Jess's boyfriends, in fact. He's successful, has a stable job....and is white. Jess isn't sure if Jonathan is really the change Madame Hortensia saw. Sure he gives great career advice, but is he advising her on a career she actually wants? And yes he's all about commitment, but is it Jess or her mother who really wants marriage? Jess runs back to Madame Hortensia for advice, but even she is out of answers. Now there's only one thing that's certain: no one--not her mother, her sister, her boyfriend or her psychic--can tell her what to do. For better or for worse, Jess will have to take the plunge and make her own decisions if she wants to have any future at all.
An aspiring young journalist stuck blogging for a gossip site stumbles across a story that gives new meaning to the word legendary from "master wordsmith" award-winning author, Gwendolyn Zepeda (Alisa Valdes-Rodriguez, New York Times bestselling author of The Dirty Girls Social Club). If she can find the time, Sandy Saavedra will stop to breathe. New management has turned work upside down and her father's upcoming marriage-something he forgot to mention to Sandy-means there's no peace at home, either. But it's okay. No matter what's thrown her way, Sandy can deal. Because Sandy has a secret, and his name is Tío Jaime. A short drive out of Austin delivers Sandy into the wide-open spaces of the Hill Country, to the front porch of grandfatherly hermit Tío Jaime. There, in the company of pepper plants, a shaggy dog, and fresh squeezed lemonade, the old man imparts down-to-earth advice. Overbearing boss? Work smarter; she'll leave you alone. Disrespectful boyfriend? Pack your bags; a real woman tolerates only a real man. His simple perspective reminds Sandy she can make her own choices-something she's been forgetting lately. Feeling inspired, Sandy posts their chats online. But as she introduces the world to her personal Eden, her own life heads straight to hell . . .
“I was scared of a thing that might have happened. In daytime I’m sure it / never did. At night, I don’t trust daylit memories or instincts. In nightmares, like / filmstrips, the feared thing occurs.” In her second poetry collection, monsters—real and imagined—chase Houston Poet Laureate Gwendolyn Zepeda through late nights when she can’t sleep. Ghosts routinely visit in the early morning hours, but in spite of her fears, she dares to believe that she has escaped the devils that once followed her. This collection of 62 narrative poems contains witty observations about the rituals of contemporary life. In “Cocktail Hours,” she wonders, “What if all my nights were Christmas lights on patios with tinkling drinks /and fun conversations.” And in “Recipe for Fun,” Zepeda offers a ten-point guide to soothing away life’s frustrations, including a suggestion to get some peace by giving “everyone in your house pizza, cat food or video games.” Musings on family, remembrances of childhood games and encounters with strangers (and ants!) fill this clever, thought-provoking collection in which Zepeda dares to express her individuality. She knows that she is different, “Maybe I am a boy in drag. / Especially here, where I don’t feel like / everybody else.” She doesn’t follow others blindly or do what society expects of her. Readers will appreciate this second poetry collection, which is deeply personal yet universal in its hopes and fears.
Combining pieces of nonfiction, fiction, and parody, this collection of writing reflects contemporary women's lives as they struggle with coming of age, relationships, and parenthood.
Laila: God's Miracle and Our Faith was written as a testament to God's glory. He is a faithful God, and we witnessed a miracle that only He could give, and we give Him all the glory, honor, and praise. Laila was born 24 weeks prematurely and we were told she would not live but would be born and die. Laila's name was on prayer warriors', men and women of God's, prayer lists everywhere. There was an outpouring of powerful prayers as we stood in faith. We had confidence in God's Word. So, we prayed that she would not die but live. We stood firmly on God's Word. We could not let fear, doubt, or unbelief enter in. We chose to walk by faith and not by sight, and we declared boldly God's promises found in the Bible. Jesus, who is the same yesterday, today, and forever, raised Laila up from death to life. He did it all and it started on the cross at Calvary. He gave this miracle. In 2005 God placed a desire in my heart to write this book, Laila: God's Miracle and our Faith, to glorify Him and to testify of His great mercy, grace, and faithfulness. The focus is to be on Him, and the power and authority found in His Word, when believed and acted upon in faith. To declare that His Son Jesus is the same yesterday, today, and forever and that He still works miracles. To declare that death and life are in the power of the tongue, and that there is mountain-moving power in prayer, and abundantly more in the united prayers of believers, prayer warriors, and intercessors. At the time of this publication Laila will be eighteen. We continue to pray for God's great plans and purpose for her life. We confess that He created her to do great things and to glorify Him in every area of her life. To the readers, know God's promises, keep Him first in every area of your life, and expect to receive the manifestations of all you have prayed for, in the Name of Jesus, and in faith believing. It shall surely come to pass. Trust God. Much love.
Foundations of Educational Technology offers a fresh, interdisciplinary, problem-centered approach to educational technology, learning design, and instructional systems development. As the implementation of online, blended, hybrid, mobile, open, and adaptive learning systems rapidly expands, emerging tools such as learning analytics, artificial intelligence, mixed realities, serious games, and micro-credentialing are promising more complex and personalized learning experiences. This book provides faculty and graduate students with a conceptual, empirical, and practical basis for the effective use of these systems across contexts, integrating essential theories from the fields of human performance, learning and development, information and communications, and instructional design. Key additions to this revised and expanded third edition include coverage of the latest learning technologies, research from educational neuroscience, discussions about security and privacy, new attention to diversity, equity, and inclusion, updated activities, support materials, references, and more.
When Natasha's ex ups the ante and exposes some disturbing news about her friends, she's forced to cut ties, but can she really walk away from the women who have been standing by her side? Some friends help us heal . . . If you ask her, Natasha Davila will tell you there's nothing more important to her than her kids. She'll do anything for her son and daughter-even play nice with her ex-husband. Only now she's facing a problem she never expected: her ex is re-marrying and suing for full custody. She could fall to pieces . . . or she could call on her friends. Some help us change . . . There's Sara, whose tough talk hides a soft-and loyal-heart, and Haley, who has so much more to offer than a pretty face. When they're together, Natasha doesn't have to be someone's wife or someone's mother. She can just be. And some remind us what true friendship is really about . . .
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