There are many short stories and books written with an inspirational storyline. Which also includes the Holy Bible They are hard to believe written so that the reader follows the guidelines like an educational premise. Thus, the belief of the reader only last a certain amount of time, leaving them with a cycle of disappointment. Falling Through The Cracks is a fiction trilogy dealing with events of characters during their daily lives. The book is based on a female main character in her 50's who fights sobriety over a five year period after her husband dies from a heart attack. She is surrounded by friends who try to help her. She follows their lead off and on for several months, then goes into relapse. Finally she falls in love with her husband's best friend and they plan their marriage.
The name of this book was derived from a college course, Systems Theory of Psychology. One of the major lessons I learned was, when people don't value you, they can make you invisible. Invisibility can be perpetuated in many different ways. To illustrate this truth, mixtures of corporate stories are shared. Identities of people and companies have been concealed. The professor who taught Systems Theory of Psychology said, "There should always be a learning process in everything we do." I asked him what I should learn from supporting an international sales force of fourteen people without appreciation and recognition. He enthusiastically responded, "You may have to learn it is time to look for another job." That psychology class became my therapy, which helped me to walk through the final days of my employment at that company and prepared me for my next chapter. Most of my thirty-seven-year corporate journey was spent in a secretarial/administrative role. Frankly, I had one of the best seats in the house. While supporting the senior leaders of companies, I learned a lot from the letters I typed, the papers I filed, the phone messages I took, the emails I read, and the conversations I overheard. Corporate America matured me and provided me with transferable skills. When I began working in corporate America, I was invisible, a shy, quiet, naive, young woman. Amazingly, I walked out a visible woman, stronger, confident, with leadership skills. Two nonprofit organizations emerged from me: a church, Cathedral of Faith International Ministries, Inc., and a personal ministry organization, Gwen Wheeler International Ministries, Inc. Additionally, after graduating from Rittners School of Floral Design in 2009, I started my floral design business, Sensational Floral Designs by Gwendolyn. May your journey through corporate America birth out of you stories that will heal, restore, and rescue others out of their invisibility. Don't give up! You are a champion, my friend. Visibility is on the horizon. Embrace it fiercely!
There are many short stories and books written with an inspirational storyline. Which also includes the Holy Bible They are hard to believe written so that the reader follows the guidelines like an educational premise. Thus, the belief of the reader only last a certain amount of time, leaving them with a cycle of disappointment. Falling Through The Cracks is a fiction trilogy dealing with events of characters during their daily lives. The book is based on a female main character in her 50s who fights sobriety over a five year period after her husband dies from a heart attack. She is surrounded by friends who try to help her. She follows their lead off and on for several months, then goes into relapse. Finally she falls in love with her husbands best friend and they plan their marriage.
The complete health-focused approach makes this a must-have instructional resource to support you throughout your Dental Hygiene educational program and beyond. Based on the trusted content in Newman and Carranza’s Clinical Periodontology, the most widely used periodontal textbook in the world, this resource provides the most up-to-date, complete, and essential information. The broad range of content covers everything from the biology of the periodontium – how it’s structured and the functions it serves, the new classification of periodontal disease, the link between periodontal disease and systemic health, and more. An extensive clinical section contains a complete guide to everything from procedure instrumentation to patient management at the point of care. Full color photos, illustrations, radiographs show how to perform periodontal procedures. Case based practice questions and skill evaluation checklists promote board-exam readiness. The clear instruction and health-focused approach provides support throughout the Dental Hygiene program and beyond. Online student and educator support on Evolve. Dental hygiene emphasis and relevance provides solid foundational content. Comprehensive topic coverage focuses on the translation of the science to evidence-based practice and clinical decision making. Extensive full-color photos and illustrations clearly demonstrate core concepts and reinforce important principles. Case-based clinical scenarios incorporated throughout the book mimic the patient case format used in credentialing exams. Many new and important chapters on periimplantitis, resolving inflammation, evidence-based decision making, and critical thinking. Robust art program of clinical images, charts, graphs, and unique illustrations enhances engagement. The most complete atlas of periodontal pathology ever offered for the dental hygienist. Key information and highlights presented as call out boxes.
Laila: God's Miracle and Our Faith was written as a testament to God's glory. He is a faithful God, and we witnessed a miracle that only He could give, and we give Him all the glory, honor, and praise. Laila was born 24 weeks prematurely and we were told she would not live but would be born and die. Laila's name was on prayer warriors', men and women of God's, prayer lists everywhere. There was an outpouring of powerful prayers as we stood in faith. We had confidence in God's Word. So, we prayed that she would not die but live. We stood firmly on God's Word. We could not let fear, doubt, or unbelief enter in. We chose to walk by faith and not by sight, and we declared boldly God's promises found in the Bible. Jesus, who is the same yesterday, today, and forever, raised Laila up from death to life. He did it all and it started on the cross at Calvary. He gave this miracle. In 2005 God placed a desire in my heart to write this book, Laila: God's Miracle and our Faith, to glorify Him and to testify of His great mercy, grace, and faithfulness. The focus is to be on Him, and the power and authority found in His Word, when believed and acted upon in faith. To declare that His Son Jesus is the same yesterday, today, and forever and that He still works miracles. To declare that death and life are in the power of the tongue, and that there is mountain-moving power in prayer, and abundantly more in the united prayers of believers, prayer warriors, and intercessors. At the time of this publication Laila will be eighteen. We continue to pray for God's great plans and purpose for her life. We confess that He created her to do great things and to glorify Him in every area of her life. To the readers, know God's promises, keep Him first in every area of your life, and expect to receive the manifestations of all you have prayed for, in the Name of Jesus, and in faith believing. It shall surely come to pass. Trust God. Much love.
An award-winning journalist tells the inspiring story of her unlikely midlife journey to master the daunting sport of obstacle course racing—a powerful, science-based account of the change possible at any age when we push limits. “This story of personal transformation is thrilling.”—Gretchen Rubin, #1 New York Times bestselling author of The Happiness Project and Life in Five Senses In her midforties, Gwendolyn Bounds attended a dinner party where someone asked a little girl: “What do you want to be when you grow up?” It struck Bounds: In middle age, no one asks you that anymore. So she put the question to herself. The answer set her on an unexpected five-year path of transformation from an unathletic office executive glued to her screens to an age-group medalist and world championship competitor in obstacle course racing—a demanding military-style sport requiring speed, endurance, mobility, and strength. In Not Too Late, Bounds explores how tackling something new and hard upended her expectations for middle age—while also helping her reconcile regrets of her youth. Her story takes us from playgrounds and gyms, where Bounds relearns childhood movements (swinging from monkey bars, climbing a rope); to far-flung Spartan Race courses, where she strives to master running in difficult terrain and to conquer challenges such as scaling tall walls, crawling under barbed wire, and carrying heavy loads of rocks up mountains. Bounds’s journey offers inspiration and a road map for anyone craving more out of life. Woven through Not Too Late are insights from scientists, longevity doctors, philosophers, elite athletes, and performance experts on how to reimagine our limits and who we think we are. Through Bounds’s story, as she changes her body and mindset, we learn about humans’ capacity to tap inner reserves, face fears, locate intrinsic motivation, and push boundaries at any life stage. Ultimately, one message prevails: When unleashing our full potential, age can be a secret weapon.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Gertrude Stein’s first novel, one that was never published during her lifetime, was called Q.E.D. She wrote it to exorcise the experience of her first passionate love affair with the New Yorker May Bookstaver, the friend and lover of the Bostonian Mabel Haynes, a fellow student of Gertrude Stein’s at Johns Hopkins Medical School between 1898 and 1902. The impact of the complicated affair on Stein’s writing has attracted considerable attention but the subsequent lives of her two intimate friends have not been covered so far in any detailed way. Gwendolyn Leick is the granddaughter of Mabel Haynes, who moved to Austria-Hungary in 1905. She began writing this book, after the chance discovery of her grandmother’s part in Gertrude Stein’s life some six years ago, in order to do justice to these remarkable women. The method of writing lays out the things, the notions and ideas, the people (friends, relatives, lovers, husbands), in the form of associative ‘entries’, woven around Gertrude Stein’s texts, as much as on private letters, photographs and other found objects. It is an encyclopaedic enterprise, rather than a chronologically ordered biographical account. The character and the lives of the three protagonists and the times they lived in emerge through the kaleidoscope of the accumulated vignettes.
The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.
From the Reliance Building and Coney Island to the Kimbell Museum and Disney Hall, the United States has been at the forefront of modern architecture. American life has generated many of the quintessential images of modern life, both generic types and particular buildings. Gwendolyn Wright’s USA is an engaging account of this evolution from the late nineteenth century to the twenty-first. Upending conventional arguments about the origin of American modern architecture, Wright shows that it was not a mere offshoot of European modernism brought across the Atlantic Ocean by émigrés but rather an exciting, distinctive and mutable hybrid. USA traces a history that spans from early skyscrapers and suburbs in the aftermath of the American Civil War up to the museums, schools and ‘green architecture’ of today. Wright takes account of diverse interests that affected design, ranging from politicians and developers to ambitious immigrants and middle-class citizens. Famous and lesser-known buildings across America come together--model dwellings for German workers in rural Massachusetts, New York’s Rockefeller Center, Cincinnati’s Carew Tower, Frank Lloyd Wright’s Taliesin West in the Arizona desert, the University of Miami campus, the Texas Instruments Semiconductor Plant, and the Corning Museum of Glass, among others--to show an extraordinary range of innovation. Ultimately, Wright reframes the history of American architecture as one of constantly evolving and volatile sensibilities, engaged with commerce, attuned to new media, exploring multiple concepts of freedom. The chapters are organized to show how changes in work life, home life and public life affected architecture--and vice versa. This book provides essential background for contemporary debates about affordable and luxury housing, avant-garde experiments, local identities, inspiring infrastructure and sustainable design. A clear, concise and richly illustrated account of modern American architecture, this timely book will be essential for all those who wonder about the remarkable legacy of American modernity in its most potent cultural expression.
TheHistorical Dictionary of Mesopotamia covers one of the oldest civilizations in history. Providing comprehensive coverage of significant persons, places, events, and institutions that influenced and shaped Mesopotamia's history. For the scholar and general reader alike, this guide provides a ready reference for the history of a civilization for which there are many gaps in the data.
In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.
Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.
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