Gwen Petersen earlier enlightened us on the joys of shoveling manure. Now, in this delightful new collection of pithy and hilarious essays, she explains how her philosophy of life comes with a good dose of horse sense. Here’s advice on how to fall off a horse with style, dressing to avoid embarrassing your equine friend, 1,001 uses for bag balm, perfecting the care and feeding of veterinarians and farriers, cattle drives and brandings, and falling in love all over again (with a horse, that is). Petersen’s words are as amusing as they are instructive, and whether you’re a horse lover or simply someone in need of a down-to-earth laugh, this is a book you won’t want to miss.
It’s not a job you want to take on without a sense of humor. Oops--it’s not a job at all. It’s an all-encompassing life, being a country woman on the ranch or farm, and with wit and equanimity like Gwen Petersen’s, it can be survived. In fact, with Petersen’s help, it can be drop-dead hilarious. A much-loved cowgirl scribe in rare form, Petersen eases us through the rigors of country living, from raising chickens to shoveling manure to cooking Rocky Mountain oysters. You’d think midwifing a calf was no laughing matter--until Gwen steps in with her expert advice. She has wise counsel for sharing the yard with a gaggle of ill-tempered geese; step-by-step instructions for harvesting pig manure; and sound advice for staying cool through haying season and coping with the chaos of Christmas on the ranch or farm. For good measure, the book includes poems and recipes that will transport you to a country state of mind--whether you hail from the city’s busiest streets or the ranch’s quietest gravel roads. Equal parts handy how-to advice, rural humor, philosophy, and fond farm nostalgia, How to Shovel Manure and Other Life Lessons for the Country Woman is all good.
Gwen Petersen earlier enlightened us on the joys of shoveling manure. Now, in this delightful new collection of pithy and hilarious essays, she explains how her philosophy of life comes with a good dose of horse sense. Here’s advice on how to fall off a horse with style, dressing to avoid embarrassing your equine friend, 1,001 uses for bag balm, perfecting the care and feeding of veterinarians and farriers, cattle drives and brandings, and falling in love all over again (with a horse, that is). Petersen’s words are as amusing as they are instructive, and whether you’re a horse lover or simply someone in need of a down-to-earth laugh, this is a book you won’t want to miss.
The spectacular, true story of a scrappy teenager from New York’s Lower East Side who stowed away on the most remarkable feat of science and daring of the Jazz Age, The Stowaway is “a thrilling adventure that captures not only the making of a man but of a nation” (David Grann, bestselling author of Killers of the Flower Moon). It was 1928: a time of illicit booze, of Gatsby and Babe Ruth, of freewheeling fun. The Great War was over and American optimism was higher than the stock market. What better moment to launch an expedition to Antarctica, the planet’s final frontier? Everyone wanted in on the adventure. Rockefellers and Vanderbilts begged to be taken along as mess boys, and newspapers across the globe covered the planning’s every stage. And then, the night before the expedition’s flagship set off, Billy Gawronski—a mischievous, first-generation New York City high schooler, desperate to escape a dreary future in the family upholstery business—jumped into the Hudson River and snuck aboard. Could he get away with it? From the soda shops of New York’s Lower East Side to the dance halls of sultry Francophone Tahiti, all the way to Antarctica’s blinding white and deadly freeze, author Laurie Gwen Shapiro “narrates this period piece with gusto” (Los Angeles Times), taking readers on the “novelistic” (The New Yorker) and unforgettable voyage of a plucky young stowaway who became a Roaring Twenties celebrity, a mascot for an up-by-your bootstraps era.
For more than 10,000 years, people have been shaping clay into brick for use in creating permanent shelter. With increased skill, they used brick to form arches and gateways in complex buildings of different sizes and shapes. Eventually bricks were used to decorate walls and floors, and what had once been a strictly utilitarian item began to take on an aesthetic role. Current attention to architectural ceramics, the interest in installations, and the advance of public art have transformed brick into an increasingly popular medium. Artists now collaborate with brick factories to produce a wide range of work utilizing the unique properties of brick. Some of them carve the clay while it is green and then fire it; others use already fired bricks to produce their art. In Brickworks, Gwen Heeney shows the amazing creations of an international group of artists who work with brick and also gives practical information about getting commissions, working with brick factories and designing with bricks. In addition she offers insight into the technicalities involved in producing brick artworks. She covers the process from the initial pile of raw bricks, through design, the making of the piece, dismantling, firing, and reconstructing in situ. Illustrated with images that will both enlighten and engage artists, architects, and those involved in public art, Brickworks is the complete guide for anyone wanting to work creatively with this medium.
Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats—Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinsen, Ray Charles, Thelonious Monk, Billie Holiday, Sarah Vaughan, Coleman Hawkins, Zoot Sims, and Dianne Reeves, among many others. Terry also reveals much about his own personal life, his experiences with racism, how he helped break the color barrier in 1960 when he joined the Tonight Show band on NBC, and why—at ninety years old—his students from around the world still call and visit him for lessons.
Gain valuable teaching and coaching skills with Teaching Power Yoga for Sports, a complete resource for reducing injury and developing strength, flexibility, and performance in your athletes with yoga.
Bio-Imperialism focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. Bio-Imperialism is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.
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