Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.
These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.
A Globe and Mail Best Book of the Year: “Part Western, part historical epic, part romantic melodrama and part crime novel” (Montreal Gazette). Son of a Canadian lumber baron, Wesley Case is a former soldier who sets out into the untamed borderlands between Canada and the United States to escape a dark secret from his past. He settles in Montana, where he hopes to buy a cattle ranch, and where he begins work as a liaison between the American and Canadian militaries in an effort to contain the Native Americans’ unresolved anger in the wake of the Civil War. Amidst the brutal violence that erupts between the Sioux warriors and US forces, Case’s plan for a quiet ranch life is further compromised by an unexpected dilemma: he falls in love with the beautiful, outspoken, and recently widowed Ada Tarr. It’s a budding romance that soon inflames the jealousy of Ada’s quiet and deeply disturbed admirer—a tension that will explode just as the American government unleashes its final assault on the Indians. Following The Englishman’s Boy and The Last Crossing, this is part of the acclaimed trilogy by an author who “is often compared to Larry McMurtry, and rightfully so” (Booklist). “A love story, a thriller, a Conradian meditation on courage and manhood, and a thoughtful examination of the origins of Canada’s tangled relationship with its big southern neighbor . . . An epic that matches its grand ambitions.” —Winnipeg Free Press “One of North America’s best writers.” —Annie Proulx, New York Times–bestselling author of Barkskins
The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.
By the award-winning author of The Last Crossing and The Englishman's Boy Deftly layered, humane, these stories brilliantly capture the pathos and comedy of the human condition. Following the death of his domineering father, a middle-aged man tries to uncover a truth about their sometimes difficult relationship. When a grade-six teacher tyrannizes a student without apparent reason, the boy learns an unexpected lesson and his young life is changed irrevocably. An elderly widow falls prey to a con artist, revealing what we are capable of sacrificing to appease what we dread the most. A twelve-year-old boy is shunted off to his grandmother's farm and becomes part of an adult world he scarcely understands. A group of high-school students play on a classmate's self-delusions and set up what promises to be the most loaded boxing match ever staged. Whether writing from the point of view of a child, an adolescent, or a man in his seventies, Guy Vanderhaeghe takes us into the lives of his characters with razor-sharp insights laced with gentle humour.
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera’s brother is finally shattered and the truth behind Vera’s long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe’s reputation as one of Canada’s most engaging and accomplished storytellers.
Set in the late nineteenth-century Canadian and American West, Guy Vanderhaeghe's bestselling and multi-award-winning epic Frontier Trilogy is now available together for the first time. The Englishman's Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West--the Cypress Hills Massacre--to tell an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter--"the Englishman's boy"--whose fate, ultimately, is a tragic one. Winner of Canada Reads 2004, The Last Crossing tells the epic story of an unlikely group--including two Englishmen in search of their lost brother; their half-Blackfoot, half-Scottish guide; a Civil War veteran searching for salvation; a young woman determined to avenge her sister's brutal murder--who make the treacherous journey across the unknown landscape of the West, only to become entangled in an unfolding drama that forces each person to come to terms with his own demons. Set in the aftermath of Custer's defeat at the Battle of Little Big Horn, A Good Man weaves together the lives of a compellingly drawn cast of characters, including Wesley Case, a disgraced military officer who works as a liaison between the American and Canadian militaries in an effort to contain the Native Americans' unresolved anger in the wake of the Civil War; Ada Tarr, the beautiful, outspoken widow he has fallen in love with; and Michael Dunne, her disturbed admirer. When the American government unleashes its final assault on the Indians, Dunne commences his own vicious plan for vengeance in one last feverish attempt to claim Ada as his own.
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera’s brother is finally shattered and the truth behind Vera’s long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe’s reputation as one of Canada’s most engaging and accomplished storytellers.
Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.
These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera’s brother is finally shattered and the truth behind Vera’s long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe’s reputation as one of Canada’s most engaging and accomplished storytellers.
As a youth, Shorty McAdoo participated in a massacre of Indians. Fifty years later, still suffering from guilt, he is approached by a filmmaker to tell his story. A chance to make amends--or get exploited.
By the award-winning author of The Last Crossing and The Englishman's Boy Deftly layered, humane, these stories brilliantly capture the pathos and comedy of the human condition. Following the death of his domineering father, a middle-aged man tries to uncover a truth about their sometimes difficult relationship. When a grade-six teacher tyrannizes a student without apparent reason, the boy learns an unexpected lesson and his young life is changed irrevocably. An elderly widow falls prey to a con artist, revealing what we are capable of sacrificing to appease what we dread the most. A twelve-year-old boy is shunted off to his grandmother's farm and becomes part of an adult world he scarcely understands. A group of high-school students play on a classmate's self-delusions and set up what promises to be the most loaded boxing match ever staged. Whether writing from the point of view of a child, an adolescent, or a man in his seventies, Guy Vanderhaeghe takes us into the lives of his characters with razor-sharp insights laced with gentle humour.
A Globe and Mail Best Book of the Year: “Part Western, part historical epic, part romantic melodrama and part crime novel” (Montreal Gazette). Son of a Canadian lumber baron, Wesley Case is a former soldier who sets out into the untamed borderlands between Canada and the United States to escape a dark secret from his past. He settles in Montana, where he hopes to buy a cattle ranch, and where he begins work as a liaison between the American and Canadian militaries in an effort to contain the Native Americans’ unresolved anger in the wake of the Civil War. Amidst the brutal violence that erupts between the Sioux warriors and US forces, Case’s plan for a quiet ranch life is further compromised by an unexpected dilemma: he falls in love with the beautiful, outspoken, and recently widowed Ada Tarr. It’s a budding romance that soon inflames the jealousy of Ada’s quiet and deeply disturbed admirer—a tension that will explode just as the American government unleashes its final assault on the Indians. Following The Englishman’s Boy and The Last Crossing, this is part of the acclaimed trilogy by an author who “is often compared to Larry McMurtry, and rightfully so” (Booklist). “A love story, a thriller, a Conradian meditation on courage and manhood, and a thoughtful examination of the origins of Canada’s tangled relationship with its big southern neighbor . . . An epic that matches its grand ambitions.” —Winnipeg Free Press “One of North America’s best writers.” —Annie Proulx, New York Times–bestselling author of Barkskins
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