Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
Football in Europe has undergone massive changes over the last decade. Regulating Football gets behind the headlines to look at the impact of ever increasing commercialisation and the commodification of football.The essence of the book is football as it is played, refereed, managed, bought, sold and consumed: the authors capture the life and action of the game as seen from the perspective of the numerous participants and place these experiences within a sociological, economic and legal context which reflects the increasing commodification of the sport. Exploring the ways in which the game is regulated, the authors question whether we have reached the point where commercial issues have superseded the club - and even the game of football itself. The role of players, agents, officials, governing bodies, and the media are all explored. The authors pay attention to levels of violence both on and off the field in both the professional and amateur forms of the game. Racism in the game is also surveyed with particular emphasis placed on efforts to combat racism on and off the pitch.
Olympic Laws: Culture, Values, Tensions is the first book to analyse fully the Olympic legal framework and its application to the IOC and the Olympic Games through a socio-legal lens. It opens up a new window into understanding the Olympic Games across recent iterations of the Games and on to future Games. The book begins by defining the parameters of the emergent legal sub-fields of Sports Law, lex Olympica and Olympic Law, through the identification of the sources of these Olympic Laws and their underpinning norms. It then uses a series of case studies to demonstrate how lex Olympica has evolved as a means of defending the Olympic Movement from unwanted legal interventions, how Olympic Law has been created to protect the commercial rights vested in the Games, and how the legacies created by this unique category of law have a lasting impact on host cities and beyond. It concludes with a call that the IOC should recalibrate its relationships with prospective hosts and the participating athletes by requiring specific adherence to the Fundamental Principles of Olympism. This is essential reading for any student or researcher with an interest in Olympic studies, sports law, or socio-legal studies or any practising lawyer or events professional looking to better understand the impact and institutions of mega-events.
Film and the Law is concerned with the phenomena of films about law, lawyers and justice. These have a long and distinguished history ranging from the classic Young Mr Lincoln in 1939 to the contemporary Erin Brockovich. The book examines the major theoretical perspectives within which 20th century work on law and film has appeared and analyses the problem of how law films can be classified. It provides a critical review of the work produced to date before proceeding to analyse the general features and ideology of law films. Apart from reviewing the way law and lawyers are portrayed in film generally, the book covers areas such as the use of true stories as the basis for film, the limited portrayals of judges and juries and the role of what we have termed invisible lawyers. In addition, the influence of film noir and particularly private eyes is examined along with an analysis of the Film and the Law concludes by examining future developments for film and the law and how its future terrain might be mapped.
This book examines the contractual relationships of creative artists within a number of areas of the entertainment industry. Whilst it focuses specifically on football, cricket, boxing and music, developments within other parts of the entertainment business are observed. The book also charts the concessions (artistic, professional and personal) that are often made by such artists in an attempt to achieve success and the consequent legal problems that may arise from their working relationships. Embracing historical materials and current legal practices, Contract and Control in the Entertainment Industry will be of interest to academics and students in the fields of law, sociology and cultural studies. It will also appeal to anyone who is interested in seeing how many areas of the entertainment industry have placed very restrictive contractual controls on the raw materials of the industry - the creative artists.
The story of the (now restored) Regent Street Cinema is the fourth volume exploring the University of Westminster's long and diverse history. This multi-authored volume tells its history from architectural, educational, legal and cinematic perspectives and is richly illustrated throughout with images from the University of Westminster archive.
Creative thinking is a technique that is used in invention, innovation, problem solving, and generating new product concepts, services, and organizations. We all are familiar with the practice of brainstorming, which brings into play speed, quantity, and sustained rhythm. It is the emblematic technique of one of the creative stances: the "dynamic" stance. But there is also a second creative stance: it is less known, involves going at a slow pace, searching out the vagueness of intuitive moments, and turning inward to the imagination. We refer to it as the "sensitive" stance. But what exactly is the sensitive stance? How is it integrated into the production of creative ideas and, more notably, into Creative Problem Solving (CPS)? These are the questions we will strive to answer in this book, where we will introduce and explore the mechanisms of the creative sensitive detour and its accompanying creative breaths: departure towards the imagination, the emergence of ideas, and sensitive convergence.
Jeff Guy is Professor of History at the University of Natal, Durban. He is the author of The Destruction of the Zulu Kingdom and The Heretic, a biography of Bishop Colenso.
This is a paperbound edition of a 2001 book combining biography and larger historical narrative. Guy (history, U. of Natal, South Africa) studies the life of the daughter of the Bishop of Natal, Hariette Colenso, as a window into the continuing process of imperialism and colonialism after the destruction of the Zulu Kingdom's political hierarchy. After the military defeat of the Zulus, the invaders turned their attention to diverting Zululand's productive capacity and material wealth to the benefit of the colonizers; but a number of women and men, including Colenso, resisted this exploitation. Guy argues that an examination of her interaction with the Zulus should be viewed as a contribution to understanding the complicated role of women in the world of late-19th-century imperialism. Annotation copyrighted by Book News, Inc., Portland, OR
A summary of the book by Facebook's COO, Sheryl Sandberg, and Wharton's top-rated professor, Adam Grant, entitled Option b. After the sudden death of her husband, Sheryl felt certain that she and her children would never feel pure joy again. "I was in 'the void,'" she writes, "a vast emptiness that fills your heart and lungs and restricts your ability to think or even breathe." Her friend Adam Grant, a psychologist at Wharton, told her there are concrete steps people can take to recover and rebound from life-shattering experiences. We are not born with a fixed amount of resilience. It is a muscle that everyone can build. Option b combines Sheryl's personal insights with Adam's eye-opening research on finding strength in the face of adversity. Includes analysis and multiple choice quizzes for improved understanding.
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