A spiffy guide to anything and everything a boy needs to know!How to do almost anything in one handy book.Found yourself in a sticky situation? Inside you'll learn how to escape quicksand (p. 40), build a raft (p.41), start a survival fire (p.99), or fly a helicopter (p. 11).Want to impress your friends? Now you can rip a phonebook in half (p. 35), hypnotize a chicken (p. 56), or read their minds (p. 73).Boring Saturday afternoon? Not anymore when you find out how to make a waterbomb (p. 79), a boomerang (p. 95), or a volcano (p. 88).And loads of other keen things you need to know how to do!
More Escapades from That Boy. If you enjoyed the first book, you will enjoy this one, too. This a collection of short stories written by Mr. Hoover about things that happened to him and others during his life.
The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.
More entertaining stories about the life and times of Guy Hess Hoover. Whe he trtired from work, it was time for him to sit down and write about some of the things that happened during his life. Some happy, some not so much. There is also a large print version of this book available.
The time has come to move into a more humanistic approach of technology and to understand where our world is moving to in the early twenty-first century. The design and development of our future products needs to be orchestrated, whether they be conceptual, technical or organizational. Orchestrating Human-Centered Design presents an Orchestra model that attempts to articulate technology, organizations and people. Human-centered design (HCD) should not be limited to local/short-term/linear engineering, but actively focus on global/long-term/non-linear design, and constantly identify emergent properties from the use of artifacts. Orchestrating Human-Centered Design results from incremental syntheses of courses the author has given at the Florida Institute of Technology in the HCD PhD program. It is focused on technological and philosophical concepts that high-level managers, technicians and all those interested in the design of artifacts should consider. Our growing software -intensive world imposes better knowledge on cognitive engineering, life-critical systems, complexity analysis, organizational design and management, modeling and simulation, and advanced interaction media, and this well-constructed and informative book provides a road map for this.
The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.
This is a collection of short stories about some of the crazy things that happened to Mr. Hoover, while growing up in Webster County, West Virginia. Then he moved to the big city of Clarksburg, West Virginia, and things got even crazier. There is also a large print version of this book available.
Ten stories, many on homosexual themes, some with intellectual overtones. The subjects range from a sex-thirsty boy scout troop leader, to a writer's musings on God while in a spa for nudists.
This unique title is a book of few words but many ideas, a visual "Travel Diary of a Daydreamer". Noted illustrator Guy Billout's soft yet vibrant art reveals the experiences of a boy who boards a train for a long journey. Full color.
“You done lived a tough life, boy, and I know I’m part responsible for that. I ain’t askin’ you to excuse me or forgive me. Just know I did the best I knew to do. I was just tryin’ to make you tough enough to deal with the world. To stand tall among men, I knew you had to be strong and have yo’ own mind.” “You were preparing me for war, Grandfather.” Guy Johnson, the author of the critically acclaimed debut Standing at the Scratch Line, continues the Tremain family saga. Jackson St. Clair Tremain hasn’t spoken to his grandfather King in nearly twenty years. Disgusted by the violence and bloodlust that seemed to be his grandfather’s way of life, Jackson chose to distance himself from King and live a simpler life. But now King is gravely ill, and his impending death places Jackson’s life—as well as those of his family and friends—in jeopardy. Reluctantly, Jackson travels to Mexico to see King. But after a brief reconciliation, his grandfather is assassinated, and Jackson suspects that his grandmother Serena may have had a hand in it. Jackson takes control of King’s organization, and as he does, he reflects on the summers he spent in Mexico as a child and the lessons he learned there at the knee of his strong-willed, complex grandfather. In Echoes of a Distant Summer, Guy Johnson introduces us to a new hero, Jackson St. Clair Tremain, who learns that, like his grandfather, he must be willing to protect those he loves—at all costs.
Since the mid-1980s, Sudan has been involved in civil war fueled by religious, ethnic, and regional strife. Thousands of children have experienced horrors and intense hardships beyond the scale of human understanding. They have been dubbed the Lost Boys of Sudan. Many, orphaned by the war, have arrived at Kakuma, a refugee camp in Kenya. The label of the Lost Boys was borrowed from the children's story Peter Pan. The Lost Boys of Sudan describe a generation of Sudanese boys driven from their tribal lands by the devastation of the civil war between the North and the South. The Original Lost Boy of Sudan told by King Deng Akon, details the truth regarding the war in southern Sudan, the scorching desert, heat, and the historical events that led to the bloodshed. The true experiences of "the Lost Boys of Sudan" has been overlooked or simply mentioned by the media. However, King Deng Akon provides an opportunity to witness a perilous quest for freedom from a first-person perspective. King Deng is the emblem of peace and The Original Lost Boy of Sudan is the insignia of struggle out of Africa to America.
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