Gusatvo Flores-Macias' After Neoliberalism? offers the first systemic explanation of why the ever-popular left-wing governments in Latin American countries have become extremely radical or moderate once in power.
In the Network Society the development of a new communicational model has been taking shape. A communicational model characterized by the fusion of interpersonal communication and mass communication, connecting audiences and broadcasters under a hypertextual matrix linking several media devices. The Networked Communication model is the informational societies communication model. A model that must be understood also in its needed literacies for building our media diets, media matrixes and on how it's changing the way autonomy is managed and citizenship exercised in the Information Age. In this book Gustavo Cardoso develops an analysis that, focusing on the last decade, takes us from Europe to North America and from South America to Asia, combining under the framework of the Network Society a broad range of scientific perspectives from Media Studies to Political Science and Social Movements theory to Sociology of Communication.
This book connects the work of US private foundations, the US government, and Brazilian intellectuals to explore how they worked collaboratively to address racial disparities in Brazil during the Cold War. It reveals not only how anti-racism was promoted during this period, shaping the political and academic agenda, but also the importance of American foundations, especially the Rockefeller and Ford Foundations, in the process. Drawing on a vast array of archival and published sources from Brazil, the United States, and around the world, the book investigates the making of transnational connections and networks that sought to respond to the "race problem", seen as an increasingly dangerous threat to the liberal international order. This book is especially relevant to the areas of Race Studies, Social Sciences, Latin-American Studies, Political Science and History, particularly the History of Sociology and Anthropology, as well as to studies about the role of American foundations in the Cold War period. It will also be of interest to activists, social scientists, economists, historians, journalists, NGOs, and INGOs.
The United States has often acted as an empire in Latin America. Nevertheless, there has been an obvious dissimilarity between U.S. actions in South America and U.S. actions in the rest of Latin America, which is illustrated by the fact that the United States never sent troops to invade a South American country. While geographic distance and strategic considerations may have played a role, they provide at best incomplete explanations for the U.S.’s relative absence south of Panama. The fact that the United States has had a distinct pattern of interactions with South America is thus not captured by the typical concept of Latin America. In Brazil, the United States, and the South American Subsystem: Regional Politics and the Absent Empire, Carlos Gustavo Poggio Teixeira recuperates the virtually neglected literature on regional subsystems. In so doing, Teixeira maintains that researchers of inter-American relations would greatly benefit from a characterization reflecting actual regional realities more than entrenched preconceptions. Such a characterization involves subdividing the Western Hemisphere in two regional subsystems: North and South America. This subdivision allows for uncovering regional dynamics that can help explain the U.S.’s limited interference in South American affairs compared to the rest of Latin America. This book argues that the role of Brazil as a status quo regional power in South America is the key to understanding this phenomenon. Through a historical analysis focusing on specific cases spanning three centuries, this research demonstrates that Brazil, regardless of particular domestic settings, has deliberately affected the calculations of costs and benefits of a more significant US involvement in South America. While in the past Brazil has taken actions that resulted in increasing the benefits of the U.S.’s limited involvement in South America, in more recent times it has sought to increase the costs of a more significant U.S. presence. Teixeira then considers some of the theoretical and political implications of the framework laid out by this research. Brazil, the United States, and the South American Subsystem is a groundbreaking investigation of U.S.-Latin American relations and the politics of imperialism.
This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil's highly unequal society, this period also witnessed the documentary's rise to unprecedented vitality in quantity, quality, and diversity of production-which includes polished auteur films as well as rough-hewn collaborative works, films made in major metropolitan regions as well as in indigenous villages and in remote parts of the Amazon, intimate first-person documentaries as well as films that dive headfirst into struggles for social justice. The transformations of Brazilian society and of filmmaking coalesce and become entangled in this cinema's preoccupation with archives. Historically linked to the exercise and maintenance of power, the concept of the archive is critical for the documentary as a cultural practice that preserves images from the present for the future, unearths and repurposes visual materials from the past, and is historically invested in filmic images as records of the real. Contemporary films incorporate, reflect on, and rework a variety of archives, such as documents produced by official institutions, ethnographic images, home movies, and photo albums-and engage not only with what is preserved but also with lacunas in the record and with alternate forms of remembering, retrieving, and transmitting the past. Through its interaction with archives, this book argues, the contemporary documentary reflects on and intervenes in the distribution of visibilities and invisibilities, centers and margins, silences and speech, living memory and its preservation in the record-thus locating the documentary on archival borders that concern Brazilian society and filmmaking alike.
Four tales hovering between magical realism and ordinary unreality, where physical, affective and spiritual needs, to be compensated, depend on what the world can offer. "Da Capo" - a violinist suffers an accident and loses part of his hand. Although new technologies offer some solutions, sometimes a person must accept the irreparable. "A match of chess" - the efforts of an accomplished chess player in his self-imposed quest to beat an unknown opponent. "The multi-pointed stars" - influenced by H. P. Lovecraft, the tale recounts the efforts of an investigation team trying to solve the mystery of some brutal killings - including the difficulty of differentiating responsibilities from obligations and beliefs from facts. "Brussels" - a great friendship seems unable to lose its strength even with the distance that separates it, the failures of early adulthood, time, reality or travelling on a shoestring budget.
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