This collection contains short stories translated for the first time as well as stories featured in Dedalus anthologies. Together with volume 1 they comprise the most comprehensive collection of Meyrink short stories to appear in English. ‘Meyrink's short stories epitomised the non-plus-ultra of all modern writing. Their magnificent colour, their spine-chilling and bizarre inventiveness, their aggression, their succinctness of style, their overwhelming originality of ideas, which is so evident in every sentence and phrase that there seem to be no lacunae.’Max Brod ‘His stories recall Gogol in their black, humorous vigour.’The European Books of the Year
Of the volumes available to the English public, The Green Face, first published in 1916, is the most enjoyable. In an Amsterdam that very much resembles the Prague of The Golem, a stranger, Hauberisser, enters by chance a magician's shop. The name on the shop, he believes, is Chidher Green; inside, among several strange customers, he hears an old man, who says his name is Green, explain that, like the Wandering Jew, he has been on earth 'ever since the moon has been circling the heaven.' When Hauberisser catches sight of the old man's face, it makes him sick with horror. The face haunts him. The rest of the novel chronicles Hauberisser's quest for the elusive and horrible old man." Alberto Manguel in The Observer This translation of The Green Face evokes a brooding, pre-first world war Amsterdam of ghettos, refugees and religious cults. The novel can be be read on many levels, something which no doubt contributed to its longevity. Eric Hidrew in The Leeds Guide Gustav Meyrink's most mystical novel yet. First published in 1916 to critical and commercial acclaim, the book is set in the near future of post-war Amsterdam, and is an elating vision of apocalypse. A trait of Meyrink's novels, particularly The Green Face, is its depth of meanings, which go beyond one single interpretation. It deals with love, a galaxy of grotesque characters, but it has other hidden significances, like the mystic conception of life. Full of symbols and parables, it's a very complex novel that is difficult to understand, but certainly worth the trouble. DT in Buzz Magazine
While the basis of these seminars is a series of 30 dreams of a male patient of Jung's, the commentary ranges associatively over a broad expanse of Jung's learning and experience. A special value of the seminar is the close view it gives of Jung's method of dream analysis through amplification. The editorial aim has been to preserve the integrity of Jung's text.
Of the volumes available to the English public, The Green Face, first published in 1916, is the most enjoyable. In an Amsterdam that very much resembles the Prague of The Golem, a stranger, Hauberisser, enters by chance a magician's shop. The name on the shop, he believes, is Chidher Green; inside, among several strange customers, he hears an old man, who says his name is Green, explain that, like the Wandering Jew, he has been on earth 'ever since the moon has been circling the heaven.' When Hauberisser catches sight of the old man's face, it makes him sick with horror. The face haunts him. The rest of the novel chronicles Hauberisser's quest for the elusive and horrible old man." Alberto Manguel in The Observer This translation of The Green Face evokes a brooding, pre-first world war Amsterdam of ghettos, refugees and religious cults. The novel can be be read on many levels, something which no doubt contributed to its longevity. Eric Hidrew in The Leeds Guide Gustav Meyrink's most mystical novel yet. First published in 1916 to critical and commercial acclaim, the book is set in the near future of post-war Amsterdam, and is an elating vision of apocalypse. A trait of Meyrink's novels, particularly The Green Face, is its depth of meanings, which go beyond one single interpretation. It deals with love, a galaxy of grotesque characters, but it has other hidden significances, like the mystic conception of life. Full of symbols and parables, it's a very complex novel that is difficult to understand, but certainly worth the trouble. DT in Buzz Magazine
Young Christiana Morgan recorded her vision quest experiences of inner archetypal encounters in words and paintings--which Carl Jung later used as the basis for seminar work in Zurich. First time available to the public, here are transcriptions of the seminar notes combined with color reproductions of Morgan's paintings, revealing archetypal parallels with western myth and eastern yoga. 41 color and 77 line illustrations. 10 photos. in two volumes.
A literary gem – a portrait from life of Franz Kafka – now with an ardent preface by Francine Prose, avowed “fan of Janouch’s odd and beautiful book.” Gustav Janouch met Franz Kafka, the celebrated author of The Metamorphosis, as a seventeen-year-old fledgling poet. As Francine Prose notes in her wonderful preface, “they fell into the habit of taking long strolls through the city, strolls on which Kafka seems to have said many amazing, incisive, literary, and per- things to his companion and interlocutor, the teenage Boswell of Prague. Crossing a windswept square, apropos of something or other, Kafka tells Janouch, ‘Life is infinitely great and profound as the immensity of the stars above us. One can only look at it through the narrow keyhole of one’s personal experience. But through it one perceives more than one can see. So above all one must keep the keyhole clean.’” They talk about writing (Kafka’s own, but also that of his favorite writers: Poe, Kleist, and Rimbaud, who “transforms vowels into colors”) as well as technology, film, crime, Darwinism, Chinese philosophy, carpentry, insomnia, street fights, Hindu scripture, art, suicide, and prayer. “Prayer,” Kafka notes, brings “its infinite radiance to bed in the frail little cradle of one’s own existence.”
This volume from the Collected Works of C.G. Jung has become known as perhaps the best introduction to Jung's work. In these famous essays he presented the essential core of his system. This is the first paperback publication of this key work in its revised and augmented second edition. The earliest versions of the essays are included in an Appendices, containing as they do the first tentative formulations of Jung's concept of archetypes and the collective unconscious, as well as his germinating theory of types.
Annotation Essays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" and "The Relations Between the Ego and the Unconscious," with their original versions in an appendix.
Nine essays, written between 1922 and 1941, on Paracelsus, Freud, Picasso, the sinologist Richard Wilhelm, Joyce's Ulysses, artistic creativity generally, and the source of artistic creativity in archetypal structures.
An introduction to the theories and concepts of one of the most original and influential religious thinkers of the 20th century. The book covers all of Jung's most significant themes, including man's need for a God and the mechanics of dream analysis.
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