This project report is a part of the NMR KOL project Nordic Policy Cluster for F-gases with the purpose of comparing the Nordic countries’ methodologies and regulations related to the use of F-gases.Fluorinated gases (F-gases, including HFCs, PFCs, SF6 and NF3) are a range of potent greenhouse gases that are used in a number of different applications and products for refrigeration, foams, aerosols, and technical installations.The report contains a survey and an overview of F-gas methodologies used for UNFCCC reporting, as well as an account of emissions and regulations in the Nordic countries.The objective with the analysis was to provide an overview of differences and similarities within the Nordic countries in relation to F-gases. The analysis shall enable harmonization of data collection, emission factors, choice of methods, and regulatory instruments.
As told to Leif Eriksson and Martin Svensson. Alexander Gustafsson grew up in Arboga, a small town in Sweden. A country boy, he started boxing when he was 10 - winning the national youth medal at the age of 16. After a handful of run-ins with the law he began practicing mixed martial arts and working his way up the ranks of the UFC. Nicknamed The Mauler by his training partners, due to his power, killer instinct and somewhat recklessness whilst fighting; this is the story of Gustafssons struggle to succeed in one of the world's most challenging sports. Family, friends, and the Christian faith all play decisive rolls. But above all, it's Alexander's unique talent for martial arts which, in just a few short years, sees him become one of the UFC's main poster boys. The Mauler is a frank and at times painful account of a young man rapidly heading off the rails, and of his fight to reach the top of his game in an effort to change his life forever.
Available online: https://pub.norden.org/temanord2022-538/ Emissions of particle matter, heavy metals and persistent organic pollutants (POPs) cause health issues to humans and other organisms. Air pollution is also linked to climate change and global warming. Reducing air pollution emissions is thus pivotal to the Nordic countries in many aspects. However, mitigation actions on greenhouse gas emissions may lead to increased air pollution emissions. Balanced political decisions to curb both greenhouse gas emissions and emissions of air pollution are thus essential to the Nordic countries. The foundation for making well-informed decisions on policies and measures are accurate and well-founded national emission inventories. This policy brief summarizes a Nordic collaboration to improve the knowledge base of the Nordics national emission inventories on heavy metals and persistent organic pollutants.
Residential biomass combustion is a major source of PM2.5 and SLCP (Short Lived Climate Pollutants) emissions in Denmark, Finland and Sweden. SLCPs and PM2.5 have impact on climate, environment and health. When developing strategies for reduced emissions, reliable information on current emissions and assessments for how they can be reduced is essential. This report presents recommendations for how to further improve national activity data collection procedures for less uncertain emission inventory results. It also presents scenario results with estimated technical potentials for reduced emissions of SLCPs and PM2.5 from residential biomass combustion, transformed into potential impact on health and climate effects in 2035.
When poet/critic Lars Gustafsson was the editor of Bonniers Litterära Magasin, he was bombarded with the question, “What makes a good poem?” Forays into Swedish Poetry is his answer. The fifteen poems in this volume range across the history of Swedish poetry from the 1640s, at the beginning of the Period of Great Power, to the late twentieth century. Poets as diverse as Skogekär Bergbo, Erik Johan Stagnelius, August Strindberg, and Vilhelm Ekelund are discussed from historical, psychological, and sociopolitical viewpoints. However, Gustafsson includes only those poems he considers excellent. Each essay begins with a presentation of the poem both in Swedish and in English translation. Gustafsson’s analyses are built upon his subjective experiences with poems and poets and upon a more objective structural approach that investigates the actual machinery of the poems. Thus, Gustafsson enlightens us with his always imaginative, sometimes daring analyses, and we learn a great deal about the critic himself in the process. One of his main concerns is what he calls, in his discussion of Edith Södergran, the very mysteriousness of human existence. Time and again, Gustafsson emphasizes the enigmatic, arcane aspects of life in his analyses. In contrast, his vocabulary and approach also bespeak a constant interest in science and technology. In his introduction, Robert T. Rovinsky, the volume’s translator, presents examples of Gustafsson’s various thematic interests as voiced in his poems, several of which are translated here for the first time. While “The Machines” explores his theory of people as automatons and “Conversation between Philosophers” his linguistic pessimism, Gustafsson’s work as a whole shows his enchantment with its major theme: the intrinsic mystery of life.
Swedish society underwent great changes during the first decades of the 1900s and the new consumption and entertainment culture came under fire. Children and youth--but also women and the working classes--become symbols of the forces breaking down traditional structures and values. These groups were also identified as the principal audience for the new film medium. Hence, during the silent era, film culture interacted with society at large, filling the screen with contradictory images of diverging masculinities and gender/ethnic relations. In fact, film culture became one of the most important arenas where new gender relations could be articulated. This book covers Swedish film culture throughout the 1920s. It is the first in-depth exploration of Swedish silent film culture that goes beyond the small number of canonized films of the "Swedish Golden Age" that have been discussed as "art" for nearly 100 years. The study is based on extensive research and takes all Swedish feature films produced in the 1920s into consideration, together with a large number of source materials that include fan and trade magazines, manuscripts, censorship records, government reports and some 900 film reviews.
In Smile of the Midsummer Night, best-selling author Lars Gustafsson and Agneta Blomqvist present a very personal guide to their Swedish homeland. Setting off from the far South, their journey takes them up to Norrland, from the farms of Scania to Laponian, a UNESCO World Heritage Site. But it is the idyllic fjord in Bohulän, located in the Västmanland region, as well as Mälar Lake and Stockholm that they call home. Throughout, Gustafsson and Blomqvist are full of entertaining suggestions for excursions, including journeys through forests and moors where you can take in the odd elk or wolf along the way and visits to August Strindberg’s and Kurt Tucholsky’s graves. The first work of contemporary travel writing about Sweden by Swedish writers to have been translated into English, Smile of the Midsummer Night is a loving and poetic ode to this beautiful nation and a must-have for anyone interested in Scandinavia.
The Politics of Nordsploitation takes a transnational approach to exploring Nordic 'exploitation' films in their industrial contexts, viewing them as not only political manifestations of domestic considerations but also to position Nordic film cultures in a global context. Incorporating a wide range of films, from international cult classics like They Call Her One Eye (1974), homegrown martial arts films like The Ninja Mission (1984) to contemporary crowd-sourced fan productions like Iron Sky (2012), this volume examines the remarkable diversity of genre-based, commercially and culturally exploitative film production throughout the Nordic countries emphasized here through the term 'Nordsploitation'. This volume provides a historical exposition of largely ignored marginal films and film cultural patterns. It also outlines how influential these films have been in shaping the development of Nordic cinema. The effects are visible in the films of the new millennium as previously marginalized practices now enter the mainstream. With sharp insights and new research, The Politics of Nordsploitation redefines the concept of 'exploitation' and its role in small nation cinemas.
This project report is a part of the NMR KOL project Nordic Policy Cluster for F-gases with the purpose of comparing the Nordic countries’ methodologies and regulations related to the use of F-gases.Fluorinated gases (F-gases, including HFCs, PFCs, SF6 and NF3) are a range of potent greenhouse gases that are used in a number of different applications and products for refrigeration, foams, aerosols, and technical installations.The report contains a survey and an overview of F-gas methodologies used for UNFCCC reporting, as well as an account of emissions and regulations in the Nordic countries.The objective with the analysis was to provide an overview of differences and similarities within the Nordic countries in relation to F-gases. The analysis shall enable harmonization of data collection, emission factors, choice of methods, and regulatory instruments.
Residential biomass combustion is a major source of PM2.5 and SLCP (Short Lived Climate Pollutants) emissions in Denmark, Finland and Sweden. SLCPs and PM2.5 have impact on climate, environment and health. When developing strategies for reduced emissions, reliable information on current emissions and assessments for how they can be reduced is essential. This report presents recommendations for how to further improve national activity data collection procedures for less uncertain emission inventory results. It also presents scenario results with estimated technical potentials for reduced emissions of SLCPs and PM2.5 from residential biomass combustion, transformed into potential impact on health and climate effects in 2035.
To readers familiar with Lars Gustafsson's work, the playful philosophizing of Sigsmund will come as no surprise, as he leisurely pulls together seeming fragments into a narrative of 1970s Berlin that at once looks back to Homer, Dante, and the Faust legend and ahead to space warfare and intergalactic travel, childhood memories of Sweden, Marxist-Leninism, sports competition, art, epistemology, daydreams--nothing is excluded from the purview of Gustafsson's lighthearted humanism. And behind it all broods the restless spirit of the author's alter ego, the warring king, Sigismund III of Poland (d. 1632).
As told to Leif Eriksson and Martin Svensson. Alexander Gustafsson grew up in Arboga, a small town in Sweden. A country boy, he started boxing when he was 10 - winning the national youth medal at the age of 16. After a handful of run-ins with the law he began practicing mixed martial arts and working his way up the ranks of the UFC. Nicknamed The Mauler by his training partners, due to his power, killer instinct and somewhat recklessness whilst fighting; this is the story of Gustafssons struggle to succeed in one of the world's most challenging sports. Family, friends, and the Christian faith all play decisive rolls. But above all, it's Alexander's unique talent for martial arts which, in just a few short years, sees him become one of the UFC's main poster boys. The Mauler is a frank and at times painful account of a young man rapidly heading off the rails, and of his fight to reach the top of his game in an effort to change his life forever.
Tells the stories of a Swedish research engineer in communist China, railroad travelers, intellectuals in exile, the power of love, and the private worlds of the mentally retarded
Bernard Foy of the first part of the novel is a young American rabbi caught up in deadly international espionage. Part two is a portrait of the not so tranquil autumn years of an eighty-three-year-old Bernard Foy, poet and member of the Swedish Academy. The Third Bernard Foy is a brilliant, homicidal juvenile delinquent in today's Sweden.
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