Futurism was the state of the Fascist regime" - this is the view one encounters in most books written on Futurist art and literature. Whilst there can be no doubt about Futurist involvement with the founding of the fascist movement, little is known about the internal relationship between Futurists and Fascists in the years 1918-22, nor about the reasons for the Futurists' departure from the Fascist movement in 1920, or about Futurist opposition to (and even armed struggle against) the Fascist regime after 1924. Whilst the public documents testifying to Futurist support of Mussolini are well known, little has been written about Futurist anti-fascism camouflaged as official adherence to the regime. This study, based primarily on unknown or unpublished documents discovered in state archives and private collections, presents a new andfar more complex picture of the relationship of the two movements than has previously been shown by critics and historians.
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Günter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.
Futurism was the state of the Fascist regime" - this is the view one encounters in most books written on Futurist art and literature. Whilst there can be no doubt about Futurist involvement with the founding of the fascist movement, little is known about the internal relationship between Futurists and Fascists in the years 1918-22, nor about the reasons for the Futurists' departure from the Fascist movement in 1920, or about Futurist opposition to (and even armed struggle against) the Fascist regime after 1924. Whilst the public documents testifying to Futurist support of Mussolini are well known, little has been written about Futurist anti-fascism camouflaged as official adherence to the regime. This study, based primarily on unknown or unpublished documents discovered in state archives and private collections, presents a new andfar more complex picture of the relationship of the two movements than has previously been shown by critics and historians.
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