Originally published in 1988, this volume includes the full text and translation of The Judgment of the King of Navarre by Guillaume de Machaut, alongside textual and biographical notes includiging the life of the author, comparative studies of Chaucer and Machaut, and criticism and study guides.
Guillaume de Machaut, the most important poet and musician of fourteenth-century France, had considerable influence on subsequent generations of writers in both France and England. With this scholarly translation, Minnette Gaudet and Constance B. Hieatt made his long-neglected narrative poem, the Dit de l’alerion – a treatise on love and falconry – available to students of medieval literature. In the poem, Machaut defines the problems and pleasures of courtly love by comparing them to those of falconry, a sport which modern readers know little about. The introduction and notes to this edition provide valuable information about the art of falconry, thus clarifying aspects of the poem which might be hard to understand today. The scholarly notes and introduction furnish explications and variant readings of obscure passages and comments on wordplay. A running summary of the contents of the poem is also provided in the margins.
Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this new, integrated edition of Machaut's complete poetry and music. Volume 1, The Debate Series, presents the two "judgment" poems, which are among his most important artistically in terms of their formal innovations and their influence on contemporaries, notably Geoffrey Chaucer, and the associated Lay de plour, presented here with its music. This volume includes the French originals and facing English translations.
This is the first complete edition and the first English translation of one of the most fascinating poems of the late Middle Ages. Machaut's narrative tells "the true story" of the aged poet's romance with a young admirer, constructed around the letters and lyric poems they exchanged, and offers unique insights into the making of poetry, music and manuscripts. Introductory essays survey Machaut's biography, reevaluate the autobiographical content of the poem, explore the literary context, and discuss the miniatures, which are reproduced within the text. Also included is a full listing of variant readings, a commentary on references to contemporary events and the writing of the poem, an outline chronology, indices of lyrics, and a table to convert line numbers between this edition and the incomplete 1875 edition of P. Paris.
Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this new, integrated edition of Machaut's complete poetry and music. Volume 1, The Debate Series, presents the two "judgment" poems, which are among his most important artistically in terms of their formal innovations and their influence on contemporaries, notably Geoffrey Chaucer, and the associated Lay de plour, presented here with its music."--Provided by publisher.
Originally published in 1988, this volume includes the full text and translation of The Judgment of the King of Navarre by Guillaume de Machaut, alongside textual and biographical notes includiging the life of the author, comparative studies of Chaucer and Machaut, and criticism and study guides.
Full facsimile reproduction of a medieval French manuscript (MS Vg), containing the literary and musical works of Guillaume de Machaut; originally owned by Jean, duke of Berry, now in the collection of James E. and Elizabeth J. Ferrell (currently on loan to the Parker Library, Corpus Christi College, Cambridge, England).
Guillaume de Machaut, the most important poet and musician of fourteenth-century France, had considerable influence on subsequent generations of writers in both France and England. With this scholarly translation, Minnette Gaudet and Constance B. Hieatt made his long-neglected narrative poem, the Dit de l’alerion – a treatise on love and falconry – available to students of medieval literature. In the poem, Machaut defines the problems and pleasures of courtly love by comparing them to those of falconry, a sport which modern readers know little about. The introduction and notes to this edition provide valuable information about the art of falconry, thus clarifying aspects of the poem which might be hard to understand today. The scholarly notes and introduction furnish explications and variant readings of obscure passages and comments on wordplay. A running summary of the contents of the poem is also provided in the margins.
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