The book ascribes the late state of paralysis affecting dissent in America to the adoption of a peculiar gospel of divisiveness, which was promoted in the Eighties by importing from France the "theories" of philosopher Michel Foucault.
A sweeping overview of world affairs and, especially having come across the name of William Yandell Elliott, Professor of Politics at Harvard through the first half of the 20th century. Sean found that Elliott had created a kindergarten of Anglo-American imperialists amongst his students, who included Henry Kissinger, Zbigniew Brzezinski, Samuel P. Huntington, and McGeorge Bundy. Upon further investigation, Sean came to understand Elliott's own integral role, connecting the modern national-security establishment with the British Round Table Movement's design to re-incorporate America into the British 'empire'. Whether that goal was achieved will be left to the reader to decide. However, it cannot be denied that W.Y. Elliott's life and intellectual history serves to demonstrate the interlocking relationship between academia, government, and big business.
This book consists of a collection of carefully selected review papers and lecture notes written by the author on Perturbative Quantum Chromodynamics (PQCD) and its experimental tests. A leading authority who has contributed significantly to the development of PQCD for more than 20 years, the author has selected articles on the basis of their present interest. These articles cover different aspects of the subject without unnecessary duplication and are accompanied by commentaries. Also, original material, specially written for this book, has been added to integrate and update the results and their presentation. Hence, more than providing a historical perspective on the subject, this volume also serves well as an authoritative guidebook on Perturbative QCD.
This book is open access under a CC BY 4.0 license. With this graduate-level primer, the principles of the standard model of particle physics receive a particular skillful, personal and enduring exposition by one of the great contributors to the field. In 2013 the late Prof. Altarelli wrote: The discovery of the Higgs boson and the non-observation of new particles or exotic phenomena have made a big step towards completing the experimental confirmation of the standard model of fundamental particle interactions. It is thus a good moment for me to collect, update and improve my graduate lecture notes on quantum chromodynamics and the theory of electroweak interactions, with main focus on collider physics. I hope that these lectures can provide an introduction to the subject for the interested reader, assumed to be already familiar with quantum field theory and some basic facts in elementary particle physics as taught in undergraduate courses. “These lecture notes are a beautiful example of Guido’s unique pedagogical abilities and scientific vision”. From the Foreword by Gian Giudice
In this highly original study of Italian baroque master Guido Reni (1575-1642), Richard Spear paints a compelling portrait of the artist - his complexities, his formative experiences, his cultural surroundings, and his unique sensibilities. Spear views Reni's career from a wide variety of perspectives and sets his life and works in social, economic, historical, artistic, religious, and psychological contexts. The author focuses first on Reni's peculiar character: a man at once deeply religious, rabidly misogynist, reportedly virginal, neurotically fearful of witches, and addicted to gambling. The author considers the enduring charisma of Reni's Crucifixions, weeping Marys, and repentant saints in the light of the Catholic doctrinal meaning of grace in Reni's time, the Church's attitude toward Mary and women, and the gendered implications of visual grace. Chapters on Reni's pricing policies, selling strategies, use of assistants, and attitude toward what constituted an "original", expose the motivating importance of money for Reni, and the concerns, even among seventeenth-century collectors, about how to distinguish original paintings from studio replicas or copies. The book investigates the ways renaissance and baroque attitudes toward art-making affected Reni and closes with a fresh view of Reni's unfinished canvases and last style, including the Divine Love, the beautiful and unusual painting that remained in Reni's studio at the time of his death.
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