Three paranormal stories with a strong historical background. A trilogy of stories aimed at a youthful audience, and with strong themes of history and culture. Historically accurate and with added notes so the stories can be used in an academic context. Lively and informative to stimulate debate and discussion. Enchantment is the story of an English girl, Helen, who is shaken by strange perceptions and vibrations when touching ruins or artifacts from an ancient world. At college she meets Giulio, and the attraction, triggered by their different cultures, sparks off a sequence of events that takes place in different dimensions of time in which the present and the past, reality and dreams, overlap in a tangle of unpredictable twists. Matteo Revives. Since childhood, a successful middle-aged manager from Milan suffers from momentarily losing consciousness and being catapulted into another reality far away in time and culture. With the help of a psychologist friend, he finds out under hypnosis that he lived two hundred years before in West Bengal under another identity. Romeo and Juliet in Progress tells the experience of a Canadian professor of drama while preparing this Shakespearean tragedy featuring an international group of students at his university. The final performance will be staged in Verona. Julie, playing the role of Juliet, confesses to her teacher that she is tormented by the presence in her life of a young Italian lady executed for adultery with her lover in 1391.
“The settings of the stories, the facts described and the style of writing spring from the wealth of experience of a teacher and writer who has lived in many countries of the world.” The main purpose of Emotions of a Book is to analyse the relationship between the author, depicted as an artist, and a book presented as a living being gifted with its own personality. This axiom can be extended to any other category of artist: musician, painter, sculptor and so on, in their interaction with their respective working tools or objects. Guido asks if a book, a musical instrument, a paint brush has its own soul, sensitivity, the power to influence, to shape another’s will, to make its own decisions? Is it possible that these ‘things’, these apparently inert objects, can be supplied with an energy to give them their own life? Indeed, it is not only an artist who, when face to face with his working tool, engages in long dialogues with it as if it were a living thing. This happens to anyone used to seeing or dealing with the same things every day: a writing desk, a hammer, a spade or even a computer. Is, then, the process of creativity conditioned by this interaction? Each of us can give his own interpretation and answer. Guido has tried to monitor step by step the inner drama of an author, aware of his talent, but incapable of expressing it for various reasons. A few of these reasons are personal, such as precarious health, a lack of will and motivation, and another is the fact that the invisible life-blood of a blank book appears with an autonomous life. It expresses its world and its long history with the same human feelings as any person but it also possesses a power which it uses to influence talented authors. This book will appeal to those who enjoy reading about literature, history and culture.
Three paranormal stories with a strong historical background. A trilogy of stories aimed at a youthful audience, and with strong themes of history and culture. Historically accurate and with added notes so the stories can be used in an academic context. Lively and informative to stimulate debate and discussion. Enchantment is the story of an English girl, Helen, who is shaken by strange perceptions and vibrations when touching ruins or artifacts from an ancient world. At college she meets Giulio, and the attraction, triggered by their different cultures, sparks off a sequence of events that takes place in different dimensions of time in which the present and the past, reality and dreams, overlap in a tangle of unpredictable twists. Matteo Revives. Since childhood, a successful middle-aged manager from Milan suffers from momentarily losing consciousness and being catapulted into another reality far away in time and culture. With the help of a psychologist friend, he finds out under hypnosis that he lived two hundred years before in West Bengal under another identity. Romeo and Juliet in Progress tells the experience of a Canadian professor of drama while preparing this Shakespearean tragedy featuring an international group of students at his university. The final performance will be staged in Verona. Julie, playing the role of Juliet, confesses to her teacher that she is tormented by the presence in her life of a young Italian lady executed for adultery with her lover in 1391.
This book is open access under a CC BY 4.0 license. With this graduate-level primer, the principles of the standard model of particle physics receive a particular skillful, personal and enduring exposition by one of the great contributors to the field. In 2013 the late Prof. Altarelli wrote: The discovery of the Higgs boson and the non-observation of new particles or exotic phenomena have made a big step towards completing the experimental confirmation of the standard model of fundamental particle interactions. It is thus a good moment for me to collect, update and improve my graduate lecture notes on quantum chromodynamics and the theory of electroweak interactions, with main focus on collider physics. I hope that these lectures can provide an introduction to the subject for the interested reader, assumed to be already familiar with quantum field theory and some basic facts in elementary particle physics as taught in undergraduate courses. “These lecture notes are a beautiful example of Guido’s unique pedagogical abilities and scientific vision”. From the Foreword by Gian Giudice
This book consists of a collection of carefully selected review papers and lecture notes written by the author on Perturbative Quantum Chromodynamics (PQCD) and its experimental tests. A leading authority who has contributed significantly to the development of PQCD for more than 20 years, the author has selected articles on the basis of their present interest. These articles cover different aspects of the subject without unnecessary duplication and are accompanied by commentaries. Also, original material, specially written for this book, has been added to integrate and update the results and their presentation. Hence, more than providing a historical perspective on the subject, this volume also serves well as an authoritative guidebook on Perturbative QCD.
The book aims at providing an overview of the main economic issues related to tourism activities. While tourism is an important sector, contributing to more than 10% of the European Union’s GDP, research and teaching at the university level has only recently grown to a considerable level, and the field still lacks a firm research methodology. This book approaches tourism economics as an applied field of study in which tourism markets are represented as imperfect markets, with asymmetric and incomplete information among agents, bounded rationality, and with a strong presence of externalities and public goods. The economic issues studied in the book are approached both intuitively, largely using examples and case studies, and formally, with mathematical formalizations in text boxes.
This book will be useful for all physicians involved in cardiac imaging, whether they are in radiology, nuclear medicine, or cardiology, and should be mandatory for physicians engaged in gated cardiac SPECT. It is recommended without reservation." – from a review of the first edition in Radiology With gated cardiac SPECT now firmly established for the management of the cardiac patient, Drs. Germano and Berman bring you completely up to date with the multiple clinical applications as well as the recent technical developments of the modality. Clinical Gated Cardiac SPECT, Second Edition: covers all the available protocols describes a systematic approach for interpretation and reporting provides guidance for the recognition of artifacts includes flowcharts on the management of patients The relationship of gated cardiac SPECT to PET, MRI and CT is explored in separate chapters devoted to each modality. This book is essential reading for all clinicians involved in cardiac imaging.
When America began to emerge as a world power at the end of the nineteenth century, Italy was a young nation, recently unified. The technological advances brought about by electricity and the combustion engine were vastly speeding up the capacity of news, ideas, and artefacts to travel internationally. Furthermore, improved literacy and social reforms had produced an Italian working class with increased time, money, and education. At the turn of the century, if Italy's ruling elite continued the tradition of viewing Paris as a model of sophistication and good taste, millions of lowly-educated Italians began to dream of America, and many bought a transatlantic ticket to migrate there. By the 1920s, Italians were encountering America through Hollywood films and, thanks to illustrated magazines, they were mesmerised by the sight of Manhattan's futuristic skyline and by news of American lifestyle. The USA offered a model of modernity which flouted national borders and spoke to all. It could be snubbed, adored, or transformed for one's personal use, but it could not be ignored. Perversely, Italy was by then in the hands of a totalitarian dictatorship, Mussolini's Fascism. What were the effects of the nationalistic policies and campaigns aimed at protecting Italians from this supposedly pernicious foreign influence? What did Mussolini think of America? Why were jazz, American literature, and comics so popular, even as the USA became Italy's political enemy? America in Italian Culture provides a scholarly and captivating narrative of this epochal shift in Italian culture.
Since the fighting Irish first took to the field in 1887, Notre Dame has developed an incomparable level of tradition and achievement—both on the gridiron and in the classroom. With a record ninety-six All-American players and seven Heisman Trophy winners, it’s no wonder several of Notre Dame’s stars have gone on not only to star in the NFL, but also to successful careers and accolades in all walks of life. Notre Dame: Where Have You Gone? catches up with Fighting Irish players—from All-Americans and a former head coach to a few guys who barely made it off the bench, but reached their greatest achievement after leaving football. Fans will read how quarterback Tom Krug became Dick Vitale’s grandson, receiver Joey Getherall came to join the Los Angeles police department, and running back Nick Eddy is now teaching special education. These and countless other stories capture the flavor and spirit that is Notre Dame football.
A comprehensive review of current endovascular techniques for the treatment of cerebral aneurysms, this is a practical manual for those practicing, or intending to practice, this rapidly expanding branch of minimally invasive surgery. The authors provide descriptions based on an extensive combined experience of clinical management, technical problems, complications and recent results, and discuss the limitations and role of combined extravasular/endovascular techniques.
This monograph details a new solution to an old problem of metaphysics. It presents an improved version of Ostrich Nominalism to solve the Problem of Universals. This innovative approach allows one to resolve the different formulations of the Problem, which represents an important meta-metaphysical achievement. In order to accomplish this ambitious task, the author appeals to the notion and logic of ontological grounding. Instead of defending Quine’s original principle of ontological commitment, he proposes the principle of grounded ontological commitment. This represents an entirely new application of grounding. Some metaphysicians regard Ostrich Nominalism as a rejection of the problem rather than a proper solution to it. To counter this, the author presents solutions for each of the formulations. These include: the problem of predication, the problem of abstract reference, and the One Over Many as well as the Many Over One and the Similar but Different variants. This book will appeal to anyone interested in contemporary metaphysics. It will also serve as an ideal resource to scholars working on the history of philosophy. Many will recognize in the solution insights resembling those of traditional philosophers, especially of the Middle Ages.
A variety of different social, natural and technological systems can be described by the same mathematical framework. This holds from the Internet to food webs and to boards of company directors. In all these situations a graph of the elements of the system and their interconnections displays a universal feature. There are only few elements with many connections, and many elements with few connections. This book presents the experimental evidence of these "Scale-free networks" and provides students and researchers with a corpus of theoretical results and algorithms to analyse and understand these features. The content of this book and the exposition makes it a clear textbook for beginners, and a reference book for the experts.
This book is the culmination of three years of research effort on a multidisciplinary project in which physicists, mathematicians, computer scientists and social scientists worked together to arrive at a unifying picture of complex networks. The contributed chapters form a reference for the various problems in data analysis visualization and modeling of complex networks.
The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production. Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's literary history, such as relationships between the regime and particular publishers, as well as individual cases involving renowned writers like Moravia, Da Verona, and Vittorini. Censorship and Literature in Fascist Italy charts the development of Fascist censorship laws and practices, including the creation of the Ministry of Popular Culture and the anti-Semitic crack-down of the late 1930s. Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.
Human action is usually driven by the desire to obtain more for less, and, ideally something for nothing. This has sometimes been called the economic principle. The wish to “get free stuff” pervades all times and places, all sectors of the economy, all ages, and all social backgrounds. The very selfishness for which the market economy is often chided is, at bottom, a universal quest to obtain goods for free. Jörg Guido Hülsmann sets out to explore the boundaries of this endeavor. He investigates the nature, forms, causes, and consequences of gratuitous goods and concludes that they thrive within a free economy. But generosity and gratuitous abundance tend to be undermined and reversed by central banking and the welfare state. Dr Hülsmann is a professor of economics at the University of Angers in France. He is also a Senior Fellow of the Mises Institute and a corresponding member of the Pontifical Academy for Life.
This book brings together literary critics, political historians, historians of literature, cinema and theatre and cultural sociologists, to elucidate a fundamental area of enquiry into modern Italian history: the nature and scope of relations between the state and the cultural sphere.
“The settings of the stories, the facts described and the style of writing spring from the wealth of experience of a teacher and writer who has lived in many countries of the world.” The main purpose of Emotions of a Book is to analyse the relationship between the author, depicted as an artist, and a book presented as a living being gifted with its own personality. This axiom can be extended to any other category of artist: musician, painter, sculptor and so on, in their interaction with their respective working tools or objects. Guido asks if a book, a musical instrument, a paint brush has its own soul, sensitivity, the power to influence, to shape another’s will, to make its own decisions? Is it possible that these ‘things’, these apparently inert objects, can be supplied with an energy to give them their own life? Indeed, it is not only an artist who, when face to face with his working tool, engages in long dialogues with it as if it were a living thing. This happens to anyone used to seeing or dealing with the same things every day: a writing desk, a hammer, a spade or even a computer. Is, then, the process of creativity conditioned by this interaction? Each of us can give his own interpretation and answer. Guido has tried to monitor step by step the inner drama of an author, aware of his talent, but incapable of expressing it for various reasons. A few of these reasons are personal, such as precarious health, a lack of will and motivation, and another is the fact that the invisible life-blood of a blank book appears with an autonomous life. It expresses its world and its long history with the same human feelings as any person but it also possesses a power which it uses to influence talented authors. This book will appeal to those who enjoy reading about literature, history and culture.
This book is open access under a CC BY 4.0 license. With this graduate-level primer, the principles of the standard model of particle physics receive a particular skillful, personal and enduring exposition by one of the great contributors to the field. In 2013 the late Prof. Altarelli wrote: The discovery of the Higgs boson and the non-observation of new particles or exotic phenomena have made a big step towards completing the experimental confirmation of the standard model of fundamental particle interactions. It is thus a good moment for me to collect, update and improve my graduate lecture notes on quantum chromodynamics and the theory of electroweak interactions, with main focus on collider physics. I hope that these lectures can provide an introduction to the subject for the interested reader, assumed to be already familiar with quantum field theory and some basic facts in elementary particle physics as taught in undergraduate courses. “These lecture notes are a beautiful example of Guido’s unique pedagogical abilities and scientific vision”. From the Foreword by Gian Giudice
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