Guido Pagliarino's Books

Personal terror political terror

A novel

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Personal terror political terror

A novel

By: Guido Pagliarino

In the year 2000 the elderly emeritus police commissioner D'Aiazzo, is working alongside Commissioner Sordi, his former employee, as a consultant at the Police Headquarters in Turin. He is investigating a series of murders that seem to be the anarchic work of a sadistic serial killer or people sacrifices to the devil of one of the sulfurous sects in the macabre-obsessed Turin. But it could also or only have elements related to the brand of terrorism that had raged in Italy until about twenty years beforehand and still drags on into the end of the millennium. The monster suppresses his victims in a horrendous way, pushing the murder weapon into an ear until it reaches the brain and kills them. The investigation unfolds through disturbing suspicions, identity crises, psychological annotations, and reaches its conclusive acme in the unsettling final revelation, which has the death of the police commissioner himself, as the very consequence of his discovery of the culprit as its addendum. In the year 2000 the elderly police commissioner emeritus Vittorio D'Aiazzo is working alongside commissioner Sordi, his former employee, as a consultant to the Turin Police Headquarters. They are investigating a series of murders that appear to be the anarchic work of a sadistic serial killer or sacrifices to the devil by one of the sulfurous sects of macabre-obsessed Turin. But they may also, or only, have roots related to the terrorism that had raged in Italy until twenty years earlier and is still dragging on at the end of the millennium. The monster suppresses his victims horrendously by sticking the murder weapon into an ear until it reaches the brain, with lethal results. The investigation touches on private issues and moves forward through a motley group of humanity that is not entirely morally transparent. But it also touches on the political, economic, and social themes typical of the 1970s during the so-called anni di piombo (years of terrorism), when political and private violence normally ended up being mixed with the disappearance, or almost, of the concept of the person and the prevalence of social roles. Vittorio D'Aiazzo's investigation winds its way through the evil fruits of those perverse seeds, amid disturbing conjectures, identity crises, psychological annotations, and reaches its crucial acme in the unsettling final revelation which has as an addendum the death of the commissioner himself, resulting from the discovery of the culprit. Translator: Barbara Maher PUBLISHER: TEKTIME

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

229

Publisher

Tektime

Published Date

ISBN 10

8835426308

ISBN 13

9788835426301

The poetry of toxic love

With the appendix: the late d'aiazzo - a tale

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

The poetry of toxic love

With the appendix: the late d'aiazzo - a tale

By: Guido Pagliarino

In previous works based on the characters Vittorio D'Aiazzo and Ranieri Velli, ”L'ira dei vilipesi”, ”Il mostro a tre braccia”, ”I satanassi di Torino”, the pair were both police officers (or Public Security, as it was called in the past), commissioner the first, his adjutant the second. In this subsequent work, while Vittorio has remained in service and risen to the rank of deputy chief commissioner, Ranieri has courageously left the uniform with its fixed salary to devote himself exclusively to his passion, writing; and lives with difficulty on the pen, working occasionally as a journalist at a newspaper and underpaid editor in a publishing house; and this time, both in the novel ”The Poetry of Toxic Love” and in the short story that follows it, he is above all the main character, not Vittorio, even though his friend certainly does not remain in the background. In previous works based on the characters Vittorio D'Aiazzo and Ranieri Velli, ”L'ira dei vilipesi” (“The Wrath of the Reviled”), ”Il mostro a tre braccia”, ”I satanassi di Torino”, the pair were both police officers (or officers of Public Security, as it was called in the past), commissioner the first, his adjutant the latter. In this subsequent work, while Vittorio had remained in the service and had risen to the rank of deputy police commissioner, Ranieri had courageously left the uniform with its fixed salary to devote himself exclusively to his passion, writing. He barely scrapes along relying on his pen, as part-time journalist at a newspaper and underpaid editor in a publishing house; and this time, in both the novel ”The poetry of toxic love” and the short story that follows it, he is the main character, not Vittorio, even if his friend certainly does not rest in the background. Returning home on a July day in 1969, Ranieri finds a letter from New York in the mail informing him that he has won a rich literary prize for his poetic work, translated in the United States. Shortly after, there are attacks on his life cloaked as accidents, which are unsuccessful thanks to his athleticism and martial arts ability. Were these attempts at revenge by one of the many criminals that Ranieri had brought to justice before leaving the police force? Or, as he comes to suspect, does the motive lie precisely in that literary prize? Or even more surprisingly, can a sylloge of his poems which were recently printed completely without his knowledge be the motive? Valli flies to New York for the award ceremony and is greeted at Kennedy Airport by a young Italian American, Norma Costante, a sexy beauty who has been engaged by the Valente Foundation, organizer of the award, to assist him as an interpreter and escort. She, close to divorce from her husband, a bisexual painter who betrayed her by participating in orgies with his male and female models, seems to fall passionately in love with him while Ranieri, certainly, warms to her; but a bitter fact will emerge from the sensual lady’s past. Meanwhile, in America too, on several occasions someone tries to kill the poet, always masking their criminal attempts as fortuitous accidents; and although Ranieri still manages to escape death, other people however are affected, first John Crispy, a prominent American broker who administers the assets of Donald Montgomery, a young man with a cold character, director of the FBI in New York and candidate for the United States Senate: he perhaps hates his administrator because he is close to marrying his mother, the richest woman in America. At a certain point one fact seems certain, that despite himself the poet has become a pawn in an international criminal chess game that concerns Italy in particular, a country which in that year of 1969, was prey to social violence and civil unrest. There are numerous twists and turns; among other things people believed to be dead reappear on the scene alive, while figures conside Translator: Barbara Maher PUBLISHER: TEKTIME

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

147

Publisher

Tektime

Published Date

ISBN 10

8835443091

ISBN 13

9788835443094

The Rage Of The Reviled

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

The Rage Of The Reviled

By: Guido Pagliarino

September 26, 1943. Naples is on the verge of rebelling against the occupying Germans. Rosa, a prostitute and black marketer, a confidant of the Fascist political police, is killed violently. Her alleged murderer, Gennaro, is detained and questioned in vain by a still inexperienced deputy commissioner, Vittorio. Shortly after, the insurrection that will go down in history as The Four Days of Naples erupts. The deputy commissioner and Rosa’s alleged murderer, strangely set free by the commissioner himself, join in. Young Mariapia who has been gang raped by the German side, also takes part in the fight, yearning for revenge. Gennaro soon turns out to be related to her. Another murder takes place, and this time the target is a tobacconist who is also related to Mariapia.Historical social fresco with crime elements set in Naples mainly in 1943, during those Four Days in which the city, by itself, got rid of the Nazi occupier. There is an abstract actor, indeed the protagonist, alongside the real-life characters, fury, both the collective wrath that erupts on the field of battle and has as its corollary, on the victorious side, rapes and other bestiality, and the anger that is expressed in the rebellion against personal abuses that go unpunished by the authority and are now unbearable.If an oppressed people can rebel in its own right and rise up and if, as even St Thomas Aquinas admitted, murder of the tyrant is permitted when there is no other way to regain the freedom that God himself has granted the human being, is it lawful or not to kill a criminal that justice cannot reach and strike, who continues to vex, exploit and kill others inside his own neighborhood? Is someone with no other possible defense, and who resorts to extreme defense guilty? And, if so, to what extent? This is the private dilemma that runs through the novel as it traverses the public story of Naples’ rebellion against the Germans.The scene opens on the violent death of Rosa, a wealthy prostitute and black marketer, a former confidant of the Fascist political police. Gennaro, her alleged murderer, is detained and questioned in vain by a still inexperienced deputy commissioner, Vittorio D'Aiazzo. Very soon after, on September 26, 1943, the insurrection that will go down in history as The Four Days of Naples flares up. The deputy commissioner himself and, strangely, having been freed by the chief commissioner himself, Rosa’s alleged murderer, also join it. Another participant in the battle is the young Mariapia who, having been gang raped by the Germans, yearns for revenge. At some point during the story, Gennaro turns out to be related to her. During the clashes another murder takes place which, at least apparently, like the death of the prostitute, is not related to the revolt. The victim is a tobacconist, Mariapia's cousin, slaughtered by someone while he was defecating, and who then cut off his testicles. At a certain point the two deaths seem to be connected, because the deceased were not only both linked to the Camorra, but also to the office of American military secret services, the O.S.S. Several characters enter the scene between the various battles, such as young Mariapia’s parents, her paratrooper brother already reported missing in El Alamein but who reappears alive and very active, the willing anatomopathologist Palombella, the fat and phlegmatic warrant officer Branduardi, the valiant deputy commissioner Bollati and, a secondary but fundamental character, the elderly bike repairman Gennarino Appalle, who discovers the tobacconist’s corpse and, at the end of a clash between insurgents and German SS in the street in front of his shop, goes out onto the road and, breathless, alerts deputy commissioner D'Aiazzo who took part in the clash together with his adjutant, the impetuous Brigadier Bordin. The tobacconist had been a foul person, once a batterer for the Camorra, and Translator: Barbara Maher

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

387

Publisher

Litres

Published Date

ISBN 10

5043797649

ISBN 13

9785043797643

Sindòn The Mysterious Shroud Of Turin

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Sindòn The Mysterious Shroud Of Turin

By: Guido Pagliarino

This essay divulges what the research has established about the famous Shroud of Turin, and it is not intended to persuade to believe that the Cloth of Turin really wrapped the body of Christ a couple of thousands year ago.The author returns several times to certain subjects, according to different perspectives: the reader does not consider such reiterations as not necessary and involuntary: the work includes a general introductory part – at some point, considering it useful, already with in-depth studies, as for the medical conclusions of the anatomopathologist Pierluigi Baima Bollone – and a section, divided into chapters, specifically dealing with particular topics already covered in the first part, for example the photographs of the Shroud, and a chronology.This essay has been updated several times by the author.The essay is not intended to persuade to believe that the Sheet of Turin has really wrapped the body of Christ a couple of thousand years ago or, as commonly said, that it is authentic- On the other hand, authenticity can also mean something else, you can say the Shroud preserved in Turin is the Cloth that wrapped body of Christ, but it could be different than simply assume that an item is two thousand years old; and if I do not take a position on the fact that this famous Sheet wrapped Jesus, I suppose that the reasons for thinking that the Shroud is very ancient are prevailing, as there are currently lots of evidence to support it and only two against, of which only one seems objectively to be considered: the radiodating tests on Shroud samples which determined the age of the Sheet at lower medieval period; but they are increasingly disputed by Christian experts, scientifically and not only. The other reason against the Shroud is a prejudice, that comes both from anticlerical laityand from the majority of the Christians Reformed, preclusion that leads the first to ignore the theme, and sometime to mock it; and leads the Protestant believers to condemn the veneration of the Shroud, which they consider to be a mere ”symbol” created by human hands: they follow the Old Testament condemnation of ”make for yourself images”, historically born for anti-idolatrous reasons, although Catholics argue that the prohibition existed only before God was incarnated in Jesus, showing himself to the world as ”image”, that is as carnal human figure, without any possibility to be confused with graven images; there are, moreover, Catholics who deny authenticity, in the sense that the Shroud isn't precisely the one that wrapped Jesus , and you can find Protestants which assume it is authentic, at least in the second sense of the term or even in the first. In any case, it should be stressed that the Christian faith is not based on the Shroud of Turin but, historically, on the oral witness of the Apostles on Christ’s resurrection, gathered within the first century in the books of the New Testament and come down to us because it was preserved by the Church over the centuries, with systematic control of matching between the new copies and the previous ones, starting with the oldest.With this spirit comes the second edition of the essay of Guido Pagliarino on the Shroud, , carried out considering new data and correcting a couple of inaccuracies in the book released years agoThe author returns several times to certain subjects, according to different perspectives: the reader does not consider such reiterations as not necessary and involuntary: the work includes a general introductory part – at some point, considering it useful, already with in-depth studies, as for the medical conclusions of the anatomopathologist Pierluigi Baima Bollone – and a section, divided into chapters, specifically dealing with particular topics already covered in the first part, for example the photographs of the Shroud, and a chronology.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

234

Publisher

Litres

Published Date

ISBN 10

5043200812

ISBN 13

9785043200815

Vittorio, the man with a beard

A novel

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Vittorio, the man with a beard

A novel

By: Guido Pagliarino

New York, late evening of March 30, 1972: During a political banquet organized by the challenging candidate Senator Donald Montgomery in the run-up to the US presidential elections, a wealthy young woman, his well-known elector married to the very rich Peter White and a systematically adulterous woman who in the 50s had been the lover of the Italian Vittorio D'Aiazzo, deputy police commissioner of Turin, and in 1969 his friend Ranieri Velli’s lover, is killed with a firearm. After killing a security guard who got in the way, a mysterious individual suddenly appeared at the door of the dining room, killed the woman, fled, and disappeared without trace. The only elements that the guests, Velli among them, recall of the murderer is the masked upper part of the face, the massive size, the modest height and the large grayish beard, characteristic features of Vittorio D'Aiazzo who in those same hours was not in Italy but in New York ... Already published for the first time in 2010 with GDS Edizioni and now out of print, this novel has been revised and greatly modified by the author and is published and in the new version with Tektime. It is based on the figures of the deputy police commissioner Vittorio D'Aiazzo and his friend Ranieri Velli, characters who are also present in other works by the author. The story unfolds in the year 1972, after the novel ”Il metro dell’amore tossico” (distributed by Tektime, not yet translated into English), set in 1969, and takes place partly in New York and partly in Turin as did the narrative of the aforementioned novel. We also find, together with the two main characters, several supporting figures including the interested publisher Mark Lines and the icy billionaire Donald Montgomery, former director of the FBI in New York and now a member of the Senate and candidate for the Presidency of the United States against the outgoing president M. N. Richard. On the evening of March 30 1972, during an electoral banquet organized by Montgomery, a wealthy young woman is shot dead. She is his great elector, wife of the very rich Peter White, and a systematically adulterous woman who in the 50s had been Vittorio’s lover and in 1969 Ranieri’s lover. A mysterious individual suddenly appears at the door of the dining room, and after killing a security guard who was in the way, kills the woman and flees managing to lose all trace of himself. Of the murderer, masked in the upper part of the face, only the massive size, the modest height and the large grayish beard, characteristic features of the deputy police commissioner Vittorio D'Aiazzo, appear evident to the guests, among whom sits Ranieri Velli; moreover, in those same hours Vittorio was not in Italy but in New York with his girlfriend Marina Ferdi, widow of the late commissioner Verdoni, once Vittorio’s deputy. No less, D'Aiazzo’s name is included in the list of guests at the private banquet. Apart from Ranieri Velli, clouded by his friendship, the witnesses recognize and point to the deputy police commissioner as the killer. He is accused of murder, together with his partner, by the New York prosecutor Maxwell, friend and supporter of Montgomery. The latter wants to show that it was not, as the outgoing president Richard insistently insinuates, a fake attack on his person which he organized himself for electoral publicity, that unfortunately ended badly because the shooter missed the target. The district attorney is fully intent on having Vittorio convicted based on an alleged motive of passion: his hatred for the woman who had abandoned him at the time. The deputy police commissioner and his girlfriend are extradited to New York for the preliminary trial which, as we know, in the United States takes place in the courtroom, in the presence of jury and judge. At this point we are still only at the beginning of the novel. Several pages among those that follow present phases of th Translator: Barbara Maher PUBLISHER: TEKTIME

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

Publisher

Tektime

Published Date

ISBN 10

8835440793

ISBN 13

9788835440796

Sindòn the mysterious shroud of turin

Essay

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Sindòn the mysterious shroud of turin

Essay

By: Guido Pagliarino

This essay divulges what the research has established about the famous Shroud of Turin, and it is not intended to persuade to believe that the Cloth of Turin really wrapped the body of Christ a couple of thousands year ago. The author returns several times to certain subjects, according to different perspectives: the reader does not consider such reiterations as not necessary and involuntary: the work includes a general introductory part - at some point, considering it useful, already with in-depth studies, as for the medical conclusions of the anatomopathologist Pierluigi Baima Bollone - and a section, divided into chapters, specifically dealing with particular topics already covered in the first part, for example the photographs of the Shroud, and a chronology. This essay has been updated several times by the author. The essay is not intended to persuade to believe that the Sheet of Turin has really wrapped the body of Christ a couple of thousand years ago or, as commonly said, that it is authentic- On the other hand, authenticity can also mean something else, you can say the Shroud preserved in Turin is the Cloth that wrapped body of Christ, but it could be different than simply assume that an item is two thousand years old; and if I do not take a position on the fact that this famous Sheet wrapped Jesus, I suppose that the reasons for thinking that the Shroud is very ancient are prevailing, as there are currently lots of evidence to support it and only two against, of which only one seems objectively to be considered: the radiodating tests on Shroud samples which determined the age of the Sheet at lower medieval period; but they are increasingly disputed by Christian experts, scientifically and not only. The other reason against the Shroud is a prejudice, that comes both from anticlerical laity and from the majority of the Christians Reformed, preclusion that leads the first to ignore the theme, and sometime to mock it; and leads the Protestant believers to condemn the veneration of the Shroud, which they consider to be a mere ”symbol” created by human hands: they follow the Old Testament condemnation of ”make for yourself images”, historically born for anti-idolatrous reasons, although Catholics argue that the prohibition existed only before God was incarnated in Jesus, showing himself to the world as ”image”, that is as carnal human figure, without any possibility to be confused with graven images; there are, moreover, Catholics who deny authenticity, in the sense that the Shroud isn't precisely the one that wrapped Jesus , and you can find Protestants which assume it is authentic, at least in the second sense of the term or even in the first. In any case, it should be stressed that the Christian faith is not based on the Shroud of Turin but, historically, on the oral witness of the Apostles on Christ’s resurrection, gathered within the first century in the books of the New Testament and come down to us because it was preserved by the Church over the centuries, with systematic control of matching between the new copies and the previous ones, starting with the oldest. With this spirit comes the second edition of the essay of Guido Pagliarino on the Shroud, , carried out considering new data and correcting a couple of inaccuracies in the book released years ago The author returns several times to certain subjects, according to different perspectives: the reader does not consider such reiterations as not necessary and involuntary: the work includes a general introductory part - at some point, considering it useful, already with in-depth studies, as for the medical conclusions of the anatomopathologist Pierluigi Baima Bollone - and a section, divided into chapters, specifically dealing with particular topics already covered in the first part, for example the photographs of the Shroud, and a chronology. Translator: Nanni Marsili PUBLISHER: TEKTIME

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

231

Publisher

Tektime

Published Date

ISBN 10

8835413664

ISBN 13

9788835413660

Sindòn The Mysterious Shroud Of Turin

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Sindòn The Mysterious Shroud Of Turin

By: Guido Pagliarino

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

234

Publisher

Litres

Published Date

ISBN 10

5043200812

ISBN 13

9785043200815

The Rage of the Reviled: A Story Inspired by History

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

The Rage of the Reviled: A Story Inspired by History

By: Guido Pagliarino

Historical social fresco with crime elements set in Naples mainly in 1943, during those Four Days in which the city, by itself, got rid of the Nazi occupier. There is an abstract actor, indeed the protagonist, alongside the real-life characters, fury, both the collective wrath that erupts on the field of battle and has as its corollary, on the victorious side, rapes and other bestiality, and the anger that is expressed in the rebellion against personal abuses that go unpunished by the authority and are now unbearable. If an oppressed people can rebel in its own right and rise up and if, as even St Thomas Aquinas admitted, murder of the tyrant is permitted when there is no other way to regain the freedom that God himself has granted the human being, is it lawful or not to kill a criminal that justice cannot reach and strike, who continues to vex, exploit and kill others inside his own neighborhood? Is someone with no other possible defense, and who resorts to extreme defense guilty? And, if so, to what extent? This is the private dilemma that runs through the novel as it traverses the public story of Naples' rebellion against the Germans. The scene opens on the violent death of Rosa, a wealthy prostitute and black marketer, a former confidant of the Fascist political police. Gennaro, her alleged murderer, is detained and questioned in vain by a still inexperienced deputy commissioner, Vittorio D`Aiazzo. Very soon after, on September 26, 1943, the insurrection that will go down in history as The Four Days of Naples flares up. The deputy commissioner himself and, strangely, having been freed by the chief commissioner himself, Rosa's alleged murderer, also join it. Another participant in the battle is the young Mariapia who, having been gang raped by the Germans, yearns for revenge. At some point during the story, Gennaro turns out to be related to her. During the clashes another murder takes place which, at least apparently, like the death of the prostitute, is not related to the revolt. The victim is a tobacconist, Mariapia`s cousin, slaughtered by someone while he was defecating, and who then cut off his testicles. At a certain point the two deaths seem to be connected, because the deceased were not only both linked to the Camorra, but also to the office of American military secret services, the O.S.S. Several characters enter the scene between the various battles, such as young Mariapia's parents, her paratrooper brother already reported missing in El Alamein but who reappears alive and very active, the willing anatomopathologist Palombella, the fat and phlegmatic warrant officer Branduardi, the valiant deputy commissioner Bollati and, a secondary but fundamental character, the elderly bike repairman Gennarino Appalle, who discovers the tobacconist's corpse and, at the end of a clash between insurgents and German SS in the street in front of his shop, goes out onto the road and, breathless, alerts deputy commissioner D`Aiazzo who took part in the clash together with his adjutant, the impetuous Brigadier Bordin. The tobacconist had been a foul person, once a batterer for the Camorra, and after an accident that had undermined his ability to beat people up, had remained at the disposal of his gang boss guarding goods trafficked on the black market stored in the cellar and, after contacts between the Camorra and the O.S.S., American weapons destined to the insurgents. Relative to the prostitute's death, the solution arrives towards the middle of the work. As for the identity of the tobacconist's murderer, Vittorio`s investigations continue, for a very long time, among the goings-on of the various other characters, so the author of the crime will reveal himself with certainty only in 1952, exactly at the end of the last chapter.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

192

Published Date

ISBN 10

8835430542

ISBN 13

9788835430544

The MYSTERIOUS SHROUD of TURIN - Essay

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

The MYSTERIOUS SHROUD of TURIN - Essay

By: Guido Pagliarino

(c) 2000 www.pagliarino.com/sindone. The Author has the modest purpose to introduce and examine the Shroud and he does not want to induce the reader to believe to think that the Sheet has wrapped Christ's body or, as commonly said, that it's authentic; however, Pagliarino supposes that the affirmative reasons are prevailing: many are the data in favor and only two facts are against and just one of them is objectively considerable: the tests of the carbon 14; however, many experts say that these tests were not convincing; the other adverse reason is the anticlerical prejudice: it's very strong and leads to consider with nuisance the Shroud without investigating enough the matter.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

Publisher

Scrittore G. Pagliarino

Published Date

ISBN 10

1847538215

ISBN 13

9781847538215

The Rage Of The Reviled

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

The Rage Of The Reviled

By: Guido Pagliarino

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

387

Publisher

Litres

Published Date

ISBN 10

5043797649

ISBN 13

9785043797643

Personal Terror Political Terror

By: Guido Pagliarino

Write a review Read reviews Take a Quiz Solve Book Puzzle

Personal Terror Political Terror

By: Guido Pagliarino

In the year 2000 the elderly emeritus police commissioner D`Aiazzo, is working alongside Commissioner Sordi, his former employee, as a consultant at the Police Headquarters in Turin. He is investigating a series of murders that seem to be the anarchic work of a sadistic serial killer or people sacrifices to the devil of one of the sulfurous sects in the macabre-obsessed Turin. But it could also or only have elements related to the brand of terrorism that had raged in Italy until about twenty years beforehand and still drags on into the end of the millennium. The monster suppresses his victims in a horrendous way, pushing the murder weapon into an ear until it reaches the brain and kills them. The investigation unfolds through disturbing suspicions, identity crises, psychological annotations, and reaches its conclusive acme in the unsettling final revelation, which has the death of the police commissioner himself, as the very consequence of his discovery of the culprit as its addendum.

Average ratings

N/A

Write a review

Solve jigsaw puzzle

Age

Page Count

158

Published Date

ISBN 10

8835426316

ISBN 13

9788835426318

Book's by Guido Pagliarino

Personal terror political terror

Personal terror political terror

The poetry of toxic love

The poetry of toxic love

The Rage Of The Reviled

The Rage Of The Reviled

Sindòn The Mysterious Shroud Of Turin

Sindòn The Mysterious Shroud Of Turin

Vittorio, the man with a beard

Vittorio, the man with a beard

Sindòn the mysterious shroud of turin

Sindòn the mysterious shroud of turin

Sindòn The Mysterious Shroud Of Turin

Sindòn The Mysterious Shroud Of Turin

The Rage of the Reviled: A Story Inspired by History

The Rage of the Reviled: A Story Inspired by History

The MYSTERIOUS SHROUD of TURIN - Essay

The MYSTERIOUS SHROUD of TURIN - Essay

The Rage Of The Reviled

The Rage Of The Reviled

Personal Terror Political Terror

Personal Terror Political Terror

Username

Password

Username

Password

Password again

Birthday

Email