Intended for beginners in ergodic theory, this introductory textbook addresses students as well as researchers in mathematical physics. The main novelty is the systematic treatment of characteristic problems in ergodic theory by a unified method in terms of convergent power series and renormalization group methods, in particular. Basic concepts of ergodicity, like Gibbs states, are developed and applied to, e.g., Asonov systems or KAM Theroy. Many examples illustrate the ideas and, in addition, a substantial number of interesting topics are treated in the form of guided problems.
Cavalcanti is a key figure in the development of Italian poetry, and a fascinating character in the shadow of his contemporary and friend Dante Alighieri. Cavalcanti also has an interesting place in the cannon of English poetry, where he was an important influence on two of his famous translators Dante Gabriel Rossetti and Ezra Pound.
These volumes of the "Documentary History of the Jews in Italy," illustrate the history of the Jews in Genoa and surroundings from Antiquity to the French Revolution. The earliest documentary evidence takes the form of letters from King Theodoric. For the Middle Ages the documentation is relatively fragmentary and sporadic. Later there is greater abundance of historical evidence, which portrays chiefly the destinies of the Jews in the Republic from the sixteenth century on, when the presence of the Jews became permanent and a regular community was established also in the capital. The historical records presented illustrate mainly the relationship between the government of the Genoese Republic and the Jews, the latter's economic activities and their communal and social life. Some of the detailed descriptions of the Jewish population in Genoa, their living conditions and occupations, allow for a close examination of the social conditions of this Northern Italian community. For a while Genoa became a haven of refuge for some of the exiles from Spain, including the historian Joseph Hacohen and members of the Abarbanel family. The volumes are provided with an extensive introduction, bibliography, glossary and indexes.
When America began to emerge as a world power at the end of the nineteenth century, Italy was a young nation, recently unified. The technological advances brought about by electricity and the combustion engine were vastly speeding up the capacity of news, ideas, and artefacts to travel internationally. Furthermore, improved literacy and social reforms had produced an Italian working class with increased time, money, and education. At the turn of the century, if Italy's ruling elite continued the tradition of viewing Paris as a model of sophistication and good taste, millions of lowly-educated Italians began to dream of America, and many bought a transatlantic ticket to migrate there. By the 1920s, Italians were encountering America through Hollywood films and, thanks to illustrated magazines, they were mesmerised by the sight of Manhattan's futuristic skyline and by news of American lifestyle. The USA offered a model of modernity which flouted national borders and spoke to all. It could be snubbed, adored, or transformed for one's personal use, but it could not be ignored. Perversely, Italy was by then in the hands of a totalitarian dictatorship, Mussolini's Fascism. What were the effects of the nationalistic policies and campaigns aimed at protecting Italians from this supposedly pernicious foreign influence? What did Mussolini think of America? Why were jazz, American literature, and comics so popular, even as the USA became Italy's political enemy? America in Italian Culture provides a scholarly and captivating narrative of this epochal shift in Italian culture.
This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence, and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.
The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production. Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's literary history, such as relationships between the regime and particular publishers, as well as individual cases involving renowned writers like Moravia, Da Verona, and Vittorini. Censorship and Literature in Fascist Italy charts the development of Fascist censorship laws and practices, including the creation of the Ministry of Popular Culture and the anti-Semitic crack-down of the late 1930s. Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.
Gramsci's works, in particular his Prison Notebooks, are a real 'workshop' of activity. Even though these texts were the product of a great mind and an organic conception of the world, the particular context in which they are written poses challenges for their interpreters. This philological 'excavation' of the pathways of Gramsci's thinking brings us closer to an author who is more 'widely-known' than he is understood. The first part of the volume deals with central themes of Gramsci's worldview such as the concepts of the state, civil society, ideology, common sense, morality and conformism. The second part deals with Gramsci’s relations with thinkers as diverse as Machiavelli, Marx, Engels, Labriola, Togliatti, whereas the third part offers some reflections on the metaphors used by Gramsci as well as contemporary views of the Sardinian Communist. First published in Italian by Carocci Editore as Sentieri gramsciani, 2006.
A major review of all of the many strands of Gramsci interpretation from the earliest writings of his contemporaries through to the academic debates of the 2010s.
A “provocative” study of sex and sexual identity in Renaissance Italy, explored through major literary works and historical archives (Choice). Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero’s study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli’s letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero’s challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.
These volumes of the "Documentary History of the Jews in Italy", illustrate the history of the Jews in Genoa and surroundings from Antiquity to the French Revolution. The earliest documentary evidence takes the form of letters from King Theodoric. For the Middle Ages the documentation is relatively fragmentary and sporadic. Later there is greater abundance of historical evidence, which portrays chiefly the destinies of the Jews in the Republic from the sixteenth century on, when the presence of the Jews became permanent and a regular community was established also in the capital. The historical records presented illustrate mainly the relationship between the government of the Genoese Republic and the Jews, the latter's economic activities and their communal and social life. Some of the detailed descriptions of the Jewish population in Genoa, their living conditions and occupations, allow for a close examination of the social conditions of this Northern Italian community. For a while Genoa became a haven of refuge for some of the exiles from Spain, including the historian Joseph Hacohen and members of the Abarbanel family. The volumes are provided with an extensive introduction, bibliography, glossary and indexes.
This is the first volume to attempt a comprehensive overview of the evolution of the 'Arian' churches in the Roman world of Late Antiquity and their political importance in the late Roman kingdoms of the 5th-6th centuries, ruled by barbarian warrior elites. Bringing together researchers from the disciplines of theology, history and archaeology, and providing an extensive bibliography, it constitutes a breakthrough in a field largely neglected in historical studies. A polemical term coined by the Orthodox Church (the side that prevailed in the Trinitarian disputes of the 4th century C.E.) for its opponents in theology as well as in ecclesiastical politics, Arianism has often been seen as too complicated to understand outside the group of theological specialists dealing with it and has therefore sometimes been ignored in historical studies. The studies here offer an introduction to the subject, grounded in the historical context, then examine the adoption of Arian Christianity among the Gothic contingents of the Roman army, and its subsequent diffusion in the barbarian kingdoms of the late Roman world.
Power Quality (PQ) indices are a powerful tool for quickly quantifying PQ disturbances. They also serve as the basis for illustrating the negative impact of electrical disturbances on components and for assessing compliance with the required standards and recommendations within a regulating framework. Within these pages lies a comprehensive overview of both the traditional PQ indices in use today and new indices likely to be used in the future. Key features of this book include: a special focus on the metrics for quantifying PQ disturbances; a complete review of methods and indices for assessing disturbance responsibilities between customers and utilities; a survey on PQ objectives around the world, with highlights on the economic aspects of PQ disturbances. Inside, you will find a thorough and well-balanced treatment on theoretical concepts and practical applications, enhanced by examples and exercises of PQ indices computation and use. This is an important resource for academics, students of power quality, reliability and electrical power systems courses, and also for practicing engineers involved in solving PQ problems in the new structures of liberalised energy markets.
Cavalcanti is a key figure in the development of Italian poetry, and a fascinating character in the shadow of his contemporary and friend Dante Alighieri. Cavalcanti also has an interesting place in the cannon of English poetry, where he was an important influence on two of his famous translators Dante Gabriel Rossetti and Ezra Pound.
These volumes of the "Documentary History of the Jews in Italy", illustrate the history of the Jews in Genoa and surroundings from Antiquity to the French Revolution. The earliest documentary evidence takes the form of letters from King Theodoric. For the Middle Ages the documentation is relatively fragmentary and sporadic. Later there is greater abundance of historical evidence, which portrays chiefly the destinies of the Jews in the Republic from the sixteenth century on, when the presence of the Jews became permanent and a regular community was established also in the capital. The historical records presented illustrate mainly the relationship between the government of the Genoese Republic and the Jews, the latter's economic activities and their communal and social life. Some of the detailed descriptions of the Jewish population in Genoa, their living conditions and occupations, allow for a close examination of the social conditions of this Northern Italian community. For a while Genoa became a haven of refuge for some of the exiles from Spain, including the historian Joseph Hacohen and members of the Abarbanel family. The volumes are provided with an extensive introduction, bibliography, glossary and indexes.
Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term, studying analogies and differences in precedents as far back as the early modern age. The research, which seeks to go beyond the simplistic concept of "human zoos," intends to highlight the intentions, assumptions, and mechanisms of realization of the exhibitions of exotic living humans and the reactions from both the exhibited subjects and the public, exploiting a wide variety of heterogeneous sources capable of bringing out a kind of widespread popular ethno-anthropological ideas and the elements of racism contained in it. The book contributes to the understanding of Western mindsets and attitudes towards human diversity as they emerge from mass spectacular events that have over time become an international business. The present edition refers to the second Italian edition, containing an update discussing studies on the subject that have appeared between 2013 and 2021. Ethnic Expositions in Italy intends to fill a historiographical gap and to align Italian historiographies with European ones, which have long since come to terms with this legacy of the past and have explored its various historical manifestations in depth. This book is an excellent source for researchers and students alike, as well as those interested in the mechanisms that have helped shape European ideas and sensibilities on race and ethno-anthropological diversity.
Elio Vittorini holds a major position in 20th-century Italian literature thanks to both his narrative production and his activity as editor and militant intellectual. This work aims to present the English-speaking reader with a comprehensive study of the author, his times and his work. Particular attention has been paid to the interconnection between Vittorini's work as a fiction writer and his political commitment which saw him move from revolutionary fascism to communism, to independent left-wing militancy. The combination of extensive archival research with a re-appraisal of his fiction and of his editorial activity provides a full picture reaching beyond the traditional restricted view of Vittorini as the anti-fascist author of ""Conversazione in Sicilia"".
Emerging from more than two decades of research in the field and in the archives, the essays collected here explore the multifaceted topic of the Fijian firewalking ceremony, the vilavilairevo. The collection examines the intersection of the intertwined topics of cultural property, reproduction of tradition, and change with issues of (post)colonial representation, authenticity, and ethnic identity. The essays advance new insights on the tourist gaze and the safeguarding of intangible cultural heritage and pose serious questions regarding the role of digital and social media as tools for preserving cultural legacies and extending traditional cultural worlds into new domains. Focusing on the response of the Sawau tribe of the island of Beqa to the commodification of the vilavilairevo as their iconic practice, this essay collection ultimately illuminates how the Christian cultural dynamics and unprecedented dogmatic schism surrounding the vilavilairevo spectacle are reshaping local notions of heritage, social sentiment, and social capital.
Although most of Mantua's artistic treasures were sold or claimed as war spoils upon the decline of the Gonzaga family, the rich cultural legacy of this fascinating city lives on in the city's many surviving frescoes and in the collections of some of the world's premier museums These priceless works of art are reunited in the pages of this beautifully illustrated volume."--BOOK JACKET.
In 2016 the Architect Guido Ambrogi began, at the request of some friends, to note down day by day the places in Rome where the Saints can be found, both through relics and through artistic representations. His Saints in Rome, thus, is a daily calendar, a "Roman Emerologio," for the benefit of all pilgrims.
What does the right to be oneself entail? And how is it manifest in our understanding of the law? The leading commentator on this subject explores these questions, taking an ambitious and multi-faceted approach. To answer them, he draws on private law, jurisprudence, constitutional law, as well as history, art and literature. This treatise, translated from the Italian original and expanded to give a more international perspective, is the seminal work on the development of identity-protection through law.
Guido de Graaff explores the political dimension and significance of friendship, arguing that its specific contribution lies not only in its theological approach, but also in its particular focus distinguishing the 'political' from the 'social' and/or 'civic'. The book's explorations are framed around a particular story of friendship: the story of Bishop George Bell and German theologian Dietrich Bonhoeffer. Drawing on Hannah Arendt and Oliver O'Donovan, de Graaff argues that Bell and Bonhoeffer's story can be read as one of friends assuming the responsibility of political judgment in an emergency situation - their story casts doubts on secular politics as the primary context for interpreting the friends' judgments. Thus the book provides a more comprehensive account of the story, also interpreting it against the background of the life of the church (with special attention to John 15 and Romans 12). De Graaff concludes by showing how a theological account is vital for discerning the distinct politics of the church, including opportunities for Christian engagement in secular politics.
As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio’s Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio’s collection of novelle was, in Guido Ruggiero’s words, a “symphony of life.” Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio’s world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron’s cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo—the people, fractious and enterprising. Boccaccio’s stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.
In this highly original study of Italian baroque master Guido Reni (1575-1642), Richard Spear paints a compelling portrait of the artist - his complexities, his formative experiences, his cultural surroundings, and his unique sensibilities. Spear views Reni's career from a wide variety of perspectives and sets his life and works in social, economic, historical, artistic, religious, and psychological contexts. The author focuses first on Reni's peculiar character: a man at once deeply religious, rabidly misogynist, reportedly virginal, neurotically fearful of witches, and addicted to gambling. The author considers the enduring charisma of Reni's Crucifixions, weeping Marys, and repentant saints in the light of the Catholic doctrinal meaning of grace in Reni's time, the Church's attitude toward Mary and women, and the gendered implications of visual grace. Chapters on Reni's pricing policies, selling strategies, use of assistants, and attitude toward what constituted an "original", expose the motivating importance of money for Reni, and the concerns, even among seventeenth-century collectors, about how to distinguish original paintings from studio replicas or copies. The book investigates the ways renaissance and baroque attitudes toward art-making affected Reni and closes with a fresh view of Reni's unfinished canvases and last style, including the Divine Love, the beautiful and unusual painting that remained in Reni's studio at the time of his death.
The result of 15 years of exhaustive research, this work is the definitive statistical and factual reference for everything related to college football in the past 50 years.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.